author - "Thomas Malory"
slain him, and the hermit ran away. And when Sir Launcelot might not overget him, he threw his sword after him, for Sir Launcelot might go no further for bleeding; then the hermit turned again, and asked Sir Launcelot how he was hurt. Fellow, said Sir Launcelot, this boar hath bitten me sore. Then come with me, said the hermit, and I shall heal you. Go thy way, said Sir Launcelot, and deal not with me.
Then the hermit ran his way, and there he met with a good knight with many men. Sir, said the hermit, here is fast by my place the goodliest man that ever I saw, and he is sore wounded with a boar, and yet he hath slain the boar. But well I wot, said the hermit, and he be not holpen, that goodly man shall die of that wound, and that were great pity. Then that knight at the desire of the hermit gat a cart, and in that cart that knight put the boar and Sir Launcelot, for Sir Launcelot was so feeble that they might right easily deal with him; and so Sir Launcelot was brought unto the hermitage, and there the hermit healed him of his wound. But the hermit might not find
Description
Thomas Malory did not invent the stories of Arthur, King of Britain, but it is fair to say that he reinvented them. Although the legends were already hundreds of years old by the fifteenth century, the contemporary stories of Arthur in Malory’s day were primarily French. The French had added many of the elements familiar to modern readers, among them Lancelot, and the search for the Holy Grail. Malory combined, edited, and added some of his own material to the stories available to him, and in the process created a uniquely British work. (It was his printer Caxton who gave it a French name.) Le Morte d’Arthur is the source material for almost all modern retellings of King Arthur and his knights, from Hollywood movies and musicals to Nobel-prize winning writers.
Malory’s identity is still in some dispute, as there are several men of various spellings of the name to choose from. Sir Thomas Malory from Newbold Revel in Warwickshire is the most popular choice, but his life of crime—he was a rapist and serial thief at the minimum—seems to be at odds with the acts of chivalry and moral code present in this book. It is known from the author’s own notes that he wrote the book while in prison; perhaps he was trying to make amends for his crimes. Regardless, the result was to give new life to King Arthur and his Knights of the Round Table.
slain him, and the hermit ran away. And when Sir Launcelot might not overget him, he threw his sword after him, for Sir Launcelot might go no further for bleeding; then the hermit turned again, and asked Sir Launcelot how he was hurt. Fellow, said Sir Launcelot, this boar hath bitten me sore. Then come with me, said the hermit, and I shall heal you. Go thy way, said Sir Launcelot, and deal not with me.
Then the hermit ran his way, and there he met with a good knight with many men. Sir, said the hermit, here is fast by my place the goodliest man that ever I saw, and he is sore wounded with a boar, and yet he hath slain the boar. But well I wot, said the hermit, and he be not holpen, that goodly man shall die of that wound, and that were great pity. Then that knight at the desire of the hermit gat a cart, and in that cart that knight put the boar and Sir Launcelot, for Sir Launcelot was so feeble that they might right easily deal with him; and so Sir Launcelot was brought unto the hermitage, and there the hermit healed him of his wound. But the hermit might not find
Description
Thomas Malory did not invent the stories of Arthur, King of Britain, but it is fair to say that he reinvented them. Although the legends were already hundreds of years old by the fifteenth century, the contemporary stories of Arthur in Malory’s day were primarily French. The French had added many of the elements familiar to modern readers, among them Lancelot, and the search for the Holy Grail. Malory combined, edited, and added some of his own material to the stories available to him, and in the process created a uniquely British work. (It was his printer Caxton who gave it a French name.) Le Morte d’Arthur is the source material for almost all modern retellings of King Arthur and his knights, from Hollywood movies and musicals to Nobel-prize winning writers.
Malory’s identity is still in some dispute, as there are several men of various spellings of the name to choose from. Sir Thomas Malory from Newbold Revel in Warwickshire is the most popular choice, but his life of crime—he was a rapist and serial thief at the minimum—seems to be at odds with the acts of chivalry and moral code present in this book. It is known from the author’s own notes that he wrote the book while in prison; perhaps he was trying to make amends for his crimes. Regardless, the result was to give new life to King Arthur and his Knights of the Round Table.