Read books online » author » Page 579

In our online library worldlibraryebooks.com you can read for free books of the author . All books are presented in full version without abbreviations. You can also read the abstract or a comment about the book.

These cavities reinforce the primary vibrations set up by the cords and serve to increase their intensity as they are projected from the larynx. The larynx is the vibrating organ of the voice. It is situated at the base of the tongue and is so closely connected with it by attachment to the hyoid bone, to which the tongue is also attached, that it is capable of only slight movement independent of that organ; consequently it must move with the tongue in articulation. The interior muscles of the larynx vary the position of its walls, thus regulating the proximity and tension of the vocal cords. The male larynx is the larger and shows the Adam's apple. In both sexes the larynx of the low voice, alto or bass, is larger than that of the high voice, soprano or tenor. The larynx and tongue should not rise with the pitch of the voice, but drop naturally with the lower jaw as the mouth opens in ascending the scale. The proper position of the tongue will insure a proper position for the larynx. The less attention the la

ew faces, many faces, long rows of faces, some pale, some red, some laughing, some horrified, some shouting, some swearing--a long row of faces that swept through the smoke, following a line of steel--a line of steel that flickered, waved, and dipped.

CHAPTER III

THE VICTORY

The bandmaster marshalled his music at the head of the column of occupation which was to march into Louisburg. The game had been admirably played. The victory was complete. There was no need to occupy the trenches, for those who lay in them or near them would never rally for another battle. The troops fell back behind the wood through which they had advanced on the preceding day. They were to form upon the road which had been the key of the advance, and then to march, horse and foot in column, into Louisburg, the place of honour at the head being given to those who had made the final charge to the last trench and through the abattis. Gorged with what it had eaten, the dusty serpent was now

seem to be busy," Houston said.

"Not so busy," the gambler replied. "Have a chair and try your luck. My name's Gadley, commonly known as 'Silky' because once I owned a silk shirt. That wasn't in Vista. That was in a town where men risked a dollar now and then."

"Deal a little two-handed stud," Houston said "I'm bringing forth some money. My name's Houston, just got in from Texas. Got a little business to 'tend to here."

They began playing stud in a listless manner. Houston glanced at the Three S men frequently as they stood at the bar in whispered conversation, and "Silky" Gadley watched Houston. The gambler was a tall, thin, middle-aged man fastidiously dressed, and had the icy manner peculiar to his kind.

"Somebody shot at me before I'd been in town fifteen minutes," Houston said, so the others in the room could hear. "I can't guess at the meanin' of it. I'm a stranger here, and never had a ruckus with any of the citizens, far as I know."

"Mebbe it was a mistake," Gadley s

x system to meet the needs of local community organizations. Of course, the installation process must include training the user community to use the system and adequate documentation for ongoing maintenance.

· Discus the Linux Advocacy mini-HOWTO at a meeting. Brainstorm and submit new ideas.

8. Vendor Relations

· When contemplating a hardware purchase, ask the vendor about Linux support and other user's experiences with the product in a Linux environment.

· Consider supporting vendors that sell Linux based products and services. Encourage them to have their product listed in the Linux Commercial HOWTO (http://www.linuxdoc.org/HOWTO/Commercial- HOWTO.html).

· Support vendors that donate a portion of their income to organizations such as the Free Software Foundation (http://www.gnu.org/help/help.html), the Linux Development Grant Fund (http://li.org/li/fund/grants.shtml), the XFree86 Project (http://www.xfree86.org/donations.html) or Soft

ecause he did not know them, but because he estimated them correctly. He may have suffered, as we suffer, from critics who, of all the world's literature, know only "the last thing out," and who take that as a standard for the past, to them unfamiliar, and for the hidden future. As we are told that excellence is not of the great past, but of the present, not in the classical masters, but in modern Muscovites, Portuguese, or American young women, so the author of the Treatise may have been troubled by Asiatic eloquence, now long forgotten, by names of which not a shadow survives. He, on the other hand, has a right to be heard because he has practised a long familiarity with what is old and good. His mind has ever been in contact with masterpieces, as the mind of a critic should be, as the mind of a reviewer seldom is, for the reviewer has to hurry up and down inspecting new literary adventurers. Not among their experiments will he find a touchstone of excellence, a test of greatness, and that test will seldom

up, like you said."

Buck laughed shortly. "I'll be waiting. I don't like that lanky bastard. I reckon I got some scores to settle with him." He looked at me, and his face twisted into what he thought was a tough snarl. Funny--you could see he really wasn't tough down inside. There wasn't any hard core of confidence and strength. His toughness was in his holster, and all the rest of him was acting to match up to it.

"You know," he said, "I don't like you either, Irish. Maybe I oughta kill you. Hell, why not?"

Now, the only reason I'd stayed out of doors that afternoon was I figured Buck had already had one chance to kill me and hadn't done it, so I must be safe. That's what I figured--he had nothing against me, so I was safe. And I had an idea that maybe, when the showdown came, I might be able to help out Ben Randolph somehow--if anything on God's Earth could help him.

Now, though, I wished to hell I hadn't stayed outside. I wished I was behind one of them windows, looking

upon entirely. Furthermore, structure underlies nearly all the technical properties of this important product, and furnishes an explanation why one piece differs in these properties from another. Structure explains why oak is heavier, stronger, and tougher than pine; why it is harder to saw and plane, and why it is so much more difficult to season without injury. From its less porous structure alone it is evident that a piece of young and thrifty oak is stronger than the porous wood of an old or stunted tree, or that a Georgia or long-leaf pine excels white pine in weight and strength.

Keeping especially in mind the arrangement and direction of the fibres of wood, it is clear at once why knots and "cross-grain" interfere with the strength of timber. It is due to the structural peculiarities that "honeycombing" occurs in rapid seasoning, that checks or cracks extend radially and follow pith rays, that tangent or "bastard" cut stock shrinks and warps more than that which is quarter-sawn. These same pecu

gt; me of all ambiguities, Perform what desperate enterprise I will? I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates; I'll have them read me strange philosophy, And tell the secrets of all foreign kings; I'll have them wall all Germany with brass, And make swift Rhine circle fair Wertenberg; I'll have them fill the public schools with silk,<27> Wherewith the students shall be bravely clad; I'll levy soldiers with the coin they bring, And chase the Prince of Parma from our land, And reign sole king of all the<28> provinces; Yea, stranger engines for the brunt of war, Than was the fiery keel at Antwerp's bridge,<29> I'll make my servile spirits to invent.

Enter VALDES and CORNELIUS.

Come, German Valdes, and Cornelius, And make me blest with your sage conference. Valdes, sweet Valdes, and Cornelius, Know that your words have won me at the last To practice magic and co

nies in window-sashes into the room. "Someoneis wrong. Is it I--or You?"

His thin lips drew themselvesback against his teeth in a mirthlesssmile which was like a grin.

"Yes," he said. "I am prettyfar gone. I am beginning to talk tomyself about God. Bryan did it justbefore he was taken to Dr. Hewletts'place and cut his throat."

He had not led a specially evillife; he had not broken laws, butthe subject of Deity was not onewhich his scheme of existence hadincluded. When it had hauntedhim of late he had felt it an untowardand morbid sign. The thinghad drawn him--drawn him; hehad complained against it, he hadargued, sometimes he knew--shuddering--that he had raved. Somethinghad seemed to stand aside andwatch his being and his thinking.Something which filled the universehad seemed to wait, and to havewaited through all the eternal ages,to see what he--one man--woulddo. At times a great appalled wonderhad swept over him at his realizationthat he had never known orthoug

These cavities reinforce the primary vibrations set up by the cords and serve to increase their intensity as they are projected from the larynx. The larynx is the vibrating organ of the voice. It is situated at the base of the tongue and is so closely connected with it by attachment to the hyoid bone, to which the tongue is also attached, that it is capable of only slight movement independent of that organ; consequently it must move with the tongue in articulation. The interior muscles of the larynx vary the position of its walls, thus regulating the proximity and tension of the vocal cords. The male larynx is the larger and shows the Adam's apple. In both sexes the larynx of the low voice, alto or bass, is larger than that of the high voice, soprano or tenor. The larynx and tongue should not rise with the pitch of the voice, but drop naturally with the lower jaw as the mouth opens in ascending the scale. The proper position of the tongue will insure a proper position for the larynx. The less attention the la

ew faces, many faces, long rows of faces, some pale, some red, some laughing, some horrified, some shouting, some swearing--a long row of faces that swept through the smoke, following a line of steel--a line of steel that flickered, waved, and dipped.

CHAPTER III

THE VICTORY

The bandmaster marshalled his music at the head of the column of occupation which was to march into Louisburg. The game had been admirably played. The victory was complete. There was no need to occupy the trenches, for those who lay in them or near them would never rally for another battle. The troops fell back behind the wood through which they had advanced on the preceding day. They were to form upon the road which had been the key of the advance, and then to march, horse and foot in column, into Louisburg, the place of honour at the head being given to those who had made the final charge to the last trench and through the abattis. Gorged with what it had eaten, the dusty serpent was now

seem to be busy," Houston said.

"Not so busy," the gambler replied. "Have a chair and try your luck. My name's Gadley, commonly known as 'Silky' because once I owned a silk shirt. That wasn't in Vista. That was in a town where men risked a dollar now and then."

"Deal a little two-handed stud," Houston said "I'm bringing forth some money. My name's Houston, just got in from Texas. Got a little business to 'tend to here."

They began playing stud in a listless manner. Houston glanced at the Three S men frequently as they stood at the bar in whispered conversation, and "Silky" Gadley watched Houston. The gambler was a tall, thin, middle-aged man fastidiously dressed, and had the icy manner peculiar to his kind.

"Somebody shot at me before I'd been in town fifteen minutes," Houston said, so the others in the room could hear. "I can't guess at the meanin' of it. I'm a stranger here, and never had a ruckus with any of the citizens, far as I know."

"Mebbe it was a mistake," Gadley s

x system to meet the needs of local community organizations. Of course, the installation process must include training the user community to use the system and adequate documentation for ongoing maintenance.

· Discus the Linux Advocacy mini-HOWTO at a meeting. Brainstorm and submit new ideas.

8. Vendor Relations

· When contemplating a hardware purchase, ask the vendor about Linux support and other user's experiences with the product in a Linux environment.

· Consider supporting vendors that sell Linux based products and services. Encourage them to have their product listed in the Linux Commercial HOWTO (http://www.linuxdoc.org/HOWTO/Commercial- HOWTO.html).

· Support vendors that donate a portion of their income to organizations such as the Free Software Foundation (http://www.gnu.org/help/help.html), the Linux Development Grant Fund (http://li.org/li/fund/grants.shtml), the XFree86 Project (http://www.xfree86.org/donations.html) or Soft

ecause he did not know them, but because he estimated them correctly. He may have suffered, as we suffer, from critics who, of all the world's literature, know only "the last thing out," and who take that as a standard for the past, to them unfamiliar, and for the hidden future. As we are told that excellence is not of the great past, but of the present, not in the classical masters, but in modern Muscovites, Portuguese, or American young women, so the author of the Treatise may have been troubled by Asiatic eloquence, now long forgotten, by names of which not a shadow survives. He, on the other hand, has a right to be heard because he has practised a long familiarity with what is old and good. His mind has ever been in contact with masterpieces, as the mind of a critic should be, as the mind of a reviewer seldom is, for the reviewer has to hurry up and down inspecting new literary adventurers. Not among their experiments will he find a touchstone of excellence, a test of greatness, and that test will seldom

up, like you said."

Buck laughed shortly. "I'll be waiting. I don't like that lanky bastard. I reckon I got some scores to settle with him." He looked at me, and his face twisted into what he thought was a tough snarl. Funny--you could see he really wasn't tough down inside. There wasn't any hard core of confidence and strength. His toughness was in his holster, and all the rest of him was acting to match up to it.

"You know," he said, "I don't like you either, Irish. Maybe I oughta kill you. Hell, why not?"

Now, the only reason I'd stayed out of doors that afternoon was I figured Buck had already had one chance to kill me and hadn't done it, so I must be safe. That's what I figured--he had nothing against me, so I was safe. And I had an idea that maybe, when the showdown came, I might be able to help out Ben Randolph somehow--if anything on God's Earth could help him.

Now, though, I wished to hell I hadn't stayed outside. I wished I was behind one of them windows, looking

upon entirely. Furthermore, structure underlies nearly all the technical properties of this important product, and furnishes an explanation why one piece differs in these properties from another. Structure explains why oak is heavier, stronger, and tougher than pine; why it is harder to saw and plane, and why it is so much more difficult to season without injury. From its less porous structure alone it is evident that a piece of young and thrifty oak is stronger than the porous wood of an old or stunted tree, or that a Georgia or long-leaf pine excels white pine in weight and strength.

Keeping especially in mind the arrangement and direction of the fibres of wood, it is clear at once why knots and "cross-grain" interfere with the strength of timber. It is due to the structural peculiarities that "honeycombing" occurs in rapid seasoning, that checks or cracks extend radially and follow pith rays, that tangent or "bastard" cut stock shrinks and warps more than that which is quarter-sawn. These same pecu

gt; me of all ambiguities, Perform what desperate enterprise I will? I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates; I'll have them read me strange philosophy, And tell the secrets of all foreign kings; I'll have them wall all Germany with brass, And make swift Rhine circle fair Wertenberg; I'll have them fill the public schools with silk,<27> Wherewith the students shall be bravely clad; I'll levy soldiers with the coin they bring, And chase the Prince of Parma from our land, And reign sole king of all the<28> provinces; Yea, stranger engines for the brunt of war, Than was the fiery keel at Antwerp's bridge,<29> I'll make my servile spirits to invent.

Enter VALDES and CORNELIUS.

Come, German Valdes, and Cornelius, And make me blest with your sage conference. Valdes, sweet Valdes, and Cornelius, Know that your words have won me at the last To practice magic and co

nies in window-sashes into the room. "Someoneis wrong. Is it I--or You?"

His thin lips drew themselvesback against his teeth in a mirthlesssmile which was like a grin.

"Yes," he said. "I am prettyfar gone. I am beginning to talk tomyself about God. Bryan did it justbefore he was taken to Dr. Hewletts'place and cut his throat."

He had not led a specially evillife; he had not broken laws, butthe subject of Deity was not onewhich his scheme of existence hadincluded. When it had hauntedhim of late he had felt it an untowardand morbid sign. The thinghad drawn him--drawn him; hehad complained against it, he hadargued, sometimes he knew--shuddering--that he had raved. Somethinghad seemed to stand aside andwatch his being and his thinking.Something which filled the universehad seemed to wait, and to havewaited through all the eternal ages,to see what he--one man--woulddo. At times a great appalled wonderhad swept over him at his realizationthat he had never known orthoug