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her soul beauty of face and the figure and carriage of a Venus? Has her soul deep, blue eyes and a sweet, musical voice? Has it wit, and grace, and charm? Has it a wealth of pity for suffering? These are the things I loved. I do not love her soul, if she has one. I do not want it. I want her—I need her." He stopped in his walk and leaned against the bridge railing, with eyes fixed on the fog ahead. He was speaking his thoughts aloud now, and the first officer drew within hearing, listened a moment, and went back. "Working on him," he whispered to the third officer. Then he pushed the button which called the captain, blew a short blast of the steam whistle as a call to the boatswain, and resumed his watch on the drugged lookout, while the third officer conned the ship.

The steam call to the boatswain is so common a sound on a steamship as to generally pass unnoticed. This call affected another besides the boatswain. A little night-gowned figure arose from an under berth in a saloon stateroom, and, with wide-open, staring eyes, groped its way to the deck, unobserved by the watchman. The white, bare little feet felt no cold as they pattered the planks of the deserted promenade, and the little figure had reached the steerage entrance by the time the captain and boatswain had reached the bridge.

"And they talk," went on Rowland, as the three watched and listened; "of the wonderful love and care of a merciful God, who controls all things—who has given me my defects, and my capacity for loving, and then placed Myra Gaunt in my way. Is there mercy to me in this? As part of a great evolutionary principle, which develops the race life at the expense of the individual, it might be consistent with the idea of a God—a first cause. But does the individual who perishes, because unfitted to survive, owe any love, or gratitude to this God? He does not! On the supposition that He exists, I deny it! And on the complete lack of evidence that He does exist, I affirm to myself the integrity of cause and effect—which is enough to explain the Universe, and me. A merciful God—a kind, loving, just, and merciful God—" he burst into a fit of incongruous laughter, which stopped short as he clapped his hands to his stomach and then to his head. "What ails me?" he gasped; "I feel as though I had swallowed hot coals—and my head—and my eyes—I can't see." The pain left him in a moment and the laughter returned. "What's wrong with the starboard anchor? It's moving. It's changing. It's a—what? What on earth is it? On end—and the windlass—and the spare anchors—and the davits—all alive—all moving."

The sight he saw would have been horrid to a healthy mind, but it only moved this man to increased and uncontrollable merriment. The two rails below leading to the stem had arisen before him in a shadowy triangle; and within it were the deck-fittings he had mentioned. The windlass had become a thing of horror, black and forbidding. The two end barrels were the bulging, lightless eyes of a non-descript monster, for which the cable chains had multiplied themselves into innumerable legs and tentacles. And this thing was crawling around within the triangle. The anchor-davits were many-headed serpents which danced on their tails, and the anchors themselves writhed and squirmed in the shape of immense hairy caterpillars, while faces appeared on the two white lantern-towers—grinning and leering at him. With his hands on the bridge rail, and tears streaming down his face, he laughed at the strange sight, but did not speak; and the three, who had quietly approached, drew back to await, while below on the promenade deck, the little white figure, as though attracted by his laughter, turned into the stairway leading to the upper deck.

The phantasmagoria faded to a blank wall of gray fog, and Rowland found sanity to mutter, "They've drugged me"; but in an instant he stood in the darkness of a garden—one that he had known. In the distance were the lights of a house, and close to him was a young girl, who turned from him and fled, even as he called to her.

By a supreme effort of will, he brought himself back to the present, to the bridge he stood upon, and to his duty. "Why must it haunt me through the years?" he groaned; "drunk then—drunk since. She could have saved me, but she chose to damn me." He strove to pace up and down, but staggered, and clung to the rail; while the three watchers approached again, and the little white figure below climbed the upper bridge steps.

"The survival of the fittest," he rambled, as he stared into the fog; "cause and effect. It explains the Universe—and me." He lifted his hand and spoke loudly, as though to some unseen familiar of the deep. "What will be the last effect? Where in the scheme of ultimate balance—under the law of the correlation of energy, will my wasted wealth of love be gathered, and weighed, and credited? What will balance it, and where will I be? Myra,—Myra," he called; "do you know what you have lost? Do you know, in your goodness, and purity, and truth, of what you have done? Do you know—"

The fabric on which he stood was gone, and he seemed to be poised on nothing in a worldless universe of gray—alone. And in the vast, limitless emptiness there was no sound, or life, or change; and in his heart neither fear, nor wonder, nor emotion of any kind, save one—the unspeakable hunger of a love that had failed. Yet it seemed that he was not John Rowland, but some one, or something else; for presently he saw himself, far away—millions of billions of miles; as though on the outermost fringes of the void—and heard his own voice, calling. Faintly, yet distinctly, filled with the concentrated despair of his life, came the call: "Myra,—Myra."

There was an answering call, and looking for the second voice, he beheld her—the woman of his love—on the opposite edge of space; and her eyes held the tenderness, and her voice held the pleading that he had known but in dreams. "Come back," she called; "come back to me." But it seemed that the two could not understand; for again he heard the despairing cry: "Myra, Myra, where are you?" and again the answer: "Come back. Come."

Then in the far distance to the right appeared a faint point of flame, which grew larger. It was approaching, and he dispassionately viewed it; and when he looked again for the two, they were gone, and in their places were two clouds of nebula, which resolved into myriad points of sparkling light and color—whirling, encroaching, until they filled all space. And through them the larger light was coming—and growing larger—straight for him.

He heard a rushing sound, and looking for it, saw in the opposite direction a formless object, as much darker than the gray of the void as the flame was brighter, and it too was growing larger, and coming. And it seemed to him that this light and darkness were the good and evil of his life, and he watched, to see which would reach him first, but felt no surprise or regret when he saw that the darkness was nearest. It came, closer and closer, until it brushed him on the side.

"What have we here, Rowland?" said a voice. Instantly, the whirling points were blotted out; the universe of gray changed to the fog; the flame of light to the moon rising above it, and the shapeless darkness to the form of the first officer. The little white figure, which had just darted past the three watchers, stood at his feet. As though warned by an inner subconsciousness of danger, it had come in its sleep, for safety and care, to its mother's old lover—the strong and the weak—the degraded and disgraced, but exalted—the persecuted, drugged, and all but helpless John Rowland.

With the readiness with which a man who dozes while standing will answer the question that wakens him, he said—though he stammered from the now waning effect of the drug: "Myra's child, sir; it's asleep." He picked up the night-gowned little girl, who screamed as she wakened, and folded his pea-jacket around the cold little body.

"Who is Myra?" asked the officer in a bullying tone, in which were also chagrin and disappointment. "You've been asleep yourself."

Before Rowland could reply a shout from the crow's-nest split the air.

"Ice," yelled the lookout; "ice ahead. Iceberg. Right under the bows." The first officer ran amidships, and the captain, who had remained there, sprang to the engine-room telegraph, and this time the lever was turned. But in five seconds the bow of the Titan began to lift, and ahead, and on either hand, could be seen, through the fog, a field of ice, which arose in an incline to a hundred feet high in her track. The music in the theater ceased, and among the babel of shouts and cries, and the deafening noise of steel, scraping and crashing over ice, Rowland heard the agonized voice of a woman crying from the bridge steps: "Myra—Myra, where are you? Come back."

CHAPTER VII

Seventy-five thousand tons—dead-weight—rushing through the fog at the rate of fifty feet a second, had hurled itself at an iceberg. Had the impact been received by a perpendicular wall, the elastic resistance of bending plates and frames would have overcome the momentum with no more damage to the passengers than a severe shaking up, and to the ship than the crushing in of her bows and the killing, to a man, of the watch below. She would have backed off, and, slightly down by the head, finished the voyage at reduced speed, to rebuild on insurance money, and benefit, largely, in the end, by the consequent advertising of her indestructibility. But a low beach, possibly formed by the recent overturning of the berg, received the Titan, and with her keel cutting the ice like the steel runner of an ice-boat, and her great weight resting on the starboard bilge, she rose out of the sea, higher and higher—until the propellers in the stern were half exposed—then, meeting an easy, spiral rise in the ice under her port bow, she heeled, overbalanced, and crashed down on her side, to starboard.

The holding-down bolts of twelve boilers and three triple-expansion engines, unintended to hold such weights from a perpendicular flooring, snapped, and down through a maze of ladders, gratings, and fore-and-aft bulkheads came these giant masses of steel and iron, puncturing the sides of the ship, even where backed by solid, resisting ice; and filling the engine- and boiler-rooms with scalding steam, which brought a quick, though tortured death, to each of the hundred men on duty in the engineer's department.

Amid the roar of escaping steam, and the bee-like buzzing of nearly three thousand human voices, raised in agonized screams and callings from within the inclosing walls, and the whistling of air through hundreds of open deadlights as the water, entering the holes of the crushed and riven starboard side, expelled it, the Titan moved slowly backward and launched herself into the sea, where she floated low on her side—a dying monster, groaning with her death-wound.

A solid, pyramid-like hummock of ice, left to starboard as the steamer ascended, and which projected close alongside the upper, or boat-deck, as she fell over, had caught, in succession, every pair of davits to starboard, bending and wrenching them, smashing boats, and snapping tackles and gripes, until, as the ship cleared herself, it capped the pile of wreckage strewing the ice in front of, and around it, with the end and broken stanchions

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