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the artists just as he had made them when a child in New York. Then he worked four years in Rome. He had a hard time there and grew thin for want of food and sleep, but he was as eager as ever and worked faster and harder than before. People began to visit his studio and always went away full of praise for the talented young man. Rich Americans visiting in Rome urged him to return to this country. They gave him orders, and he finally came back to America, where he was kept busy on busts and medallions until he began to have orders for monuments of great Americans. This was work he liked. He loved America, and he was proud of her heroes. Perhaps he loved Abraham Lincoln best of all. He had seen Lincoln a good many times, and he had read and studied about his beautiful life until every line of that man's face and figure was clear in his mind. Still, when he was asked to make a statue of Lincoln for the city of Chicago, he worked on it many years. On his statue of General Sherman which stands in Central Park, New York, he labored eleven years. On the beautiful Robert Gould Shaw monument which stands in front of the State House in Boston, he spent twelve years. This does not mean that he stood with clay in his hands all this time, but that from the time he began to plan what he would draw into the statue, what size it ought to be, and whether the man should be standing or sitting, until it stood all finished, he thought and worked a long, long time. His work is almost perfect, and fine work always takes time and patience.

When busy on the Gould Shaw monument, St. Gaudens often stood on a scaffolding ten hours at a time in the hottest summer days, not eating anything but an apple. He was so eager over his work that he did not want to lose a minute. But he had some fun as well. The horse he used as a model used to get terribly tired of standing so long and would snort and prance and paw the ground until it took several men to hold him. And some of the negroes who posed nearly fainted when they saw St. Gaudens make faces that looked exactly like them with just a few pinches of his fingers on the soft clay. They thought he was in league with Satan, they said. When you see this monument, you will notice how brave Colonel Shaw looks, riding on his large horse, and how eagerly the colored troops march behind him.

St. Gaudens was very fond of Phillips Brooks, the good Bishop, and because of their friendship, his statue of Brooks at Trinity Church, Boston, is so like the man that you almost expect to hear him speak, as you stand before it. St. Gaudens had been to concerts with Bishop Brooks, had heard him preach, had seen him merry and sad, knew how unselfish he was, and how much he liked to cheer people up, and somehow managed to make his statue tell us all these traits. There is no doubt St. Gaudens was one of the world's great sculptors, but he would never have been great if he had not loved his art so well that he could go hungry, cold, and tired year after year for the sake of learning it. And he was great because he was so determined to do his work over and over again until he felt it was just right. He always urged students to do the same. "You can do anything you please," he often said; "it's the way it's done that makes the difference."

Besides becoming famous, the shoemaker's son was happy and rich in the end. He had a wife and a son who, among other books, has written a life of his father. From this book and by the stories St. Gaudens's friends tell of him, we know that the sculptor was a gentle, loving man who tried to help the world to be better and wiser. It will not matter whether it is the statue of Sherman, Logan, Lincoln, or Shaw by St. Gaudens that you are fortunate enough to see; it will be the way any piece of his is done which makes it so beautiful, and which makes Americans glad that almost every bit of his work has stayed in this country.

 

HENRY DAVID THOREAU

Concord, Massachusetts, is one of the New England towns that everybody likes to visit. When tourists reach Boston they usually make a point of going to Concord, either by electric or steam train, because they have read about its famous battle ground, where the first British soldiers fell in the great Revolutionary War, and because they want to see the very house in which Louisa May Alcott wrote Little Women, and the homes of Hawthorne, Emerson, and Thoreau.

Henry Thoreau, who was born in Concord, loved the town so well that he spent most of his life tramping through its fields and forests. You might say the business of his life was walking, for he never had any real profession, and he walked from four to eight hours a day--across lots, too. He used to say roads were made for horses and business men. "Why, what would become of us," he would ask, "if we walked only in a garden or a mall? What should we see?"

When Mr. Thoreau started out for a long saunter in the woods, he wore a wide-brimmed straw hat, stout shoes, and strong gray trousers that would not show spots too easily, and would stand tree-climbing. Under his arm he usually carried an old music book in which to press plants, and in his pocket he kept a pencil, his diary, a microscope, a jack-knife, and a ball of twine. He and a friend, William Ellery Channing, agreed that a week's camping was more fun than all the books in the world. Once they tried tramping and camping in Canada. They wore overalls most of the time, and wishing not to be bothered with trunks or suitcases, they tied a few changes of clothing in bundles, and each man took an umbrella. They called themselves "Knights of the Umbrella and Bundle."

The Thoreaus were rather a prominent family in Concord. There were six of them, all told. The father, Mr. John Thoreau, was a pencil-maker. A hundred years ago this was a trade that brought good money. Mr. Thoreau could turn out a great many pencils because all the children helped him make them. He was a small man, quite deaf, and very shy. He did not talk much. But his wife, Mrs. Cynthia Thoreau, who was half a head taller than he, could, and did, talk enough for both. She was handsome, wide-awake, and had a strong, sweet, singing voice. She took part in all the merry-makings and also in all the church affairs in Concord. She was bitter against slavery. She used to call meetings at her house to talk over ways of putting an end to it, and when slaves ran away from the South, she often hid them in her home and helped them get further away. She knew a great deal about nature, bought a good many books for her children, and was determined that they should have good educations. Henry, his brother John, and the two sisters, Helen and Sophia, all taught school. And Helen helped Henry earn money to go to Harvard College.

The whole Thoreau family were proud of Henry, and his mother never tired of telling what fine letters and essays he could write. She and Sophia went one day to call on an aunt of Ralph Waldo Emerson's, Miss Mary Emerson, who was eighty-four. Mrs. Thoreau began to talk about Henry right away. Miss Emerson nodded her head and said: "Very true," now and then, but kept her eyes shut every minute her callers stayed. When they rose to go, Miss Emerson said: "Perhaps you noticed, Mrs. Thoreau, that I kept my eyes closed during your call. I did so because I did not wish to look on the ribbons you are wearing--so unsuitable for a child of God and a woman of your years!" Poor Mrs. Thoreau was seventy, and her bonnet was as bright and gay as it had been possible to buy, for she loved rich colors and silks and velvets. She did not mind Miss Emerson's rebuke a bit, but Sophia stuffed her handkerchief in her mouth to keep from laughing aloud.

When Henry was a boy, he used to delight in his Uncle Charles Dunbar, who paid the family a visit every year. Mr. Dunbar was not a worker like his sister, Cynthia Thoreau. He did not have any business but drifted about the country, living by his wits. One of his favorite tricks was to pretend to swallow all the knives and forks, and a plate or two, at a tavern, and offer to give them back if the landlord would not charge for his dinner. He was a great wrestler and could do sleight-of-hand tricks. Henry used to watch him and ask question after question, and he learned how to do a few tricks himself.

Just as his mother hoped, when Henry grew up, he decided to be a writer. To be sure he taught school a while and gave lectures which people did not understand very well, for he had strange ideas for those times, but he wrote page after page, sitting in the woods, and liked that better than all else. He first wrote an account of a week's trip on the Concord and Merrimac rivers. This book did not sell very well, and one time he carried home from the publishers seven hundred copies that no one would buy, saying: "Well, I have quite a respectably sized library now--all my own writing, too!"

But four or five years later Thoreau built a hut on the shore of Walden Pond and lived there all alone, like a hermit, for two years. He did this for two reasons: because he wanted to prove that people spend too much time and money on food and clothes and because he wanted a perfectly quiet chance, with no neighbors running in, to write more books. He said he spent but one hundred dollars a year while he lived in this hut. He raised beans on his land, ate wild berries, caught fish--and "went visiting" now and then. I should not wonder if he often took a second helping of food, when visiting. To buy his woodsman's clothes and a few necessities, he planted gardens, painted houses, and cut wood for his friends. He wrote a book called Walden which tells all about these seven or eight hundred days he went a-hermiting, and after that, several other books. These sold very well. In all of them he was rather fond of boasting that he had found the only sensible way to live. "I am for simple living," he would say, and always was declaring "I love to be ALONE!" But sometimes people passing by

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