John Barleycorn by Jack London (best ebook reader for laptop .TXT) 📖

men, and he ran amuck with it. I remember especially one man whom he got into the chain-boxes but failed to damage through inability to hit him.

The man dodged and ducked, and Victor broke all the knuckles of both his fists against the huge links of the anchor chain. By the time we dragged him out of that, his madness had shifted to the belief that he was a great swimmer, and the next moment he was overboard and demonstrating his ability by floundering like a sick porpoise and swallowing much salt water.

We rescued him, and by the time we got him below, undressed, and into his bunk, we were wrecks ourselves. But Axel and I wanted to see more of shore, and away we went, leaving Victor snoring. It was curious, the judgment passed on Victor by his shipmates, drinkers themselves. They shook their heads disapprovingly and muttered: “A man like that oughtn’t to drink.” Now Victor was the smartest sailor and best-tempered shipmate in the forecastle. He was an all-round splendid type of seaman; his mates recognised his worth, and respected him and liked him. Yet John Barleycorn metamorphosed him into a violent lunatic. And that was the very point these drinkers made. They knew that drink—and drink with a sailor is always excessive—made them mad, but only mildly mad.

Violent madness was objectionable because it spoiled the fun of others and often culminated in tragedy. From their standpoint, mild madness was all right. But from the standpoint of the whole human race, is not all madness objectionable? And is there a greater maker of madness of all sorts than John Barleycorn?

But to return. Ashore, snugly ensconced in a Japanese house of entertainment, Axel and I compared bruises, and over a comfortable drink talked of the afternoon’s happenings. We liked the quietness of that drink and took another. A shipmate dropped in, several shipmates dropped in, and we had more quiet drinks.

Finally, just as we had engaged a Japanese orchestra, and as the first strains of the samisens and taikos were rising, through the paper-walls came a wild howl from the street. We recognised it.

Still howling, disdaining doorways, with blood-shot eyes and wildly waving muscular arms, Victor burst upon us through the fragile walls. The old amuck rage was on him, and he wanted blood, anybody’s blood. The orchestra fled; so did we. We went through doorways, and we went through paper-walls—anything to get away.

And after the place was half wrecked, and we had agreed to pay the damage, leaving Victor partly subdued and showing symptoms of lapsing into a comatose state, Axel and I wandered away in quest of a quieter drinking-place. The main street was a madness.

Hundreds of sailors rollicked up and down. Because the chief of police with his small force was helpless, the governor of the colony had issued orders to the captains to have all their men on board by sunset.

What! To be treated in such fashion! As the news spread among the schooners, they were emptied. Everybody came ashore. Men who had had no intention of coming ashore climbed into the boats. The unfortunate governor’s ukase had precipitated a general debauch for all hands. It was hours after sunset, and the men wanted to see anybody try to put them on board. They went around inviting the authorities to try to put them on board. In front of the governor’s house they were gathered thickest, bawling sea-songs, circulating square faces, and dancing uproarious Virginia reels and old-country dances. The police, including the reserves, stood in little forlorn groups, waiting for the command the governor was too wise to issue. And I thought this saturnalia was great. It was like the old days of the Spanish Main come back. It was license; it was adventure. And I was part of it, a chesty sea-rover along with all these other chesty sea-rovers among the paper houses of Japan.

The governor never issued the order to clear the streets, and Axel and I wandered on from drink to drink. After a time, in some of the antics, getting hazy myself, I lost him. I drifted along, making new acquaintances, downing more drinks, getting hazier and hazier. I remember, somewhere, sitting in a circle with Japanese fishermen, Kanaka boat-steerers from our own vessels, and a young Danish sailor fresh from cowboying in the Argentine and with a penchant for native customs and ceremonials. And with due and proper and most intricate Japanese ceremonial we of the circle drank saki, pale, mild, and lukewarm, from tiny porcelain bowls.

And, later, I remember the runaway apprentices—boys of eighteen and twenty, of middle class English families, who had jumped their ships and apprenticeships in various ports of the world and drifted into the forecastles of the sealing schooners. They were healthy, smooth-skinned, clear-eyed, and they were young—youths like me, learning the way of their feet in the world of men. And they WERE men. No mild saki for them, but square faces illicitly refilled with corrosive fire that flamed through their veins and burst into conflagrations in their heads. I remember a melting song they sang, the refrain of which was: “‘Tis but a little golden ring,

I give it to thee with pride,

Wear it for your mother’s sake

When you are on the tide.”

They wept over it as they sang it, the graceless young scamps who had all broken their mothers’ prides, and I sang with them, and wept with them, and luxuriated in the pathos and the tragedy of it, and struggled to make glimmering inebriated generalisations on life and romance. And one last picture I have, standing out very clear and bright in the midst of vagueness before and blackness afterward. We—the apprentices and I—are swaying and clinging to one another under the stars. We are singing a rollicking sea song, all save one who sits on the ground and weeps; and we are marking the rhythm with waving square faces. From up and down the street come far choruses of sea-voices similarly singing, and life is great, and beautiful and romantic, and magnificently mad.

And next, after the blackness, I open my eyes in the early dawn to see a Japanese woman, solicitously anxious, bending over me. She is the port pilot’s wife and I am lying in her doorway. I am chilled and shivering, sick with the after-sickness of debauch.

And I feel lightly clad. Those rascals of runaway apprentices!

They have acquired the habit of running away. They have run away with my possessions. My watch is gone. My few dollars are gone.

My coat is gone. So is my belt. And yes, my shoes.

And the foregoing is a sample of the ten days I spent in the Bonin Islands. Victor got over his lunacy, rejoined Axel and me, and after that we caroused somewhat more discreetly. And we never climbed that lava path among the flowers. The town and the square faces were all we saw.

One who has been burned by fire must preach about the fire. I might have seen and healthily enjoyed a whole lot more of the Bonin Islands, if I had done what I ought to have done. But, as I see it, it is not a matter of what one ought to do, or ought not to do. It is what one DOES do. That is the everlasting, irrefragable fact. I did just what I did. I did what all those men did in the Bonin Islands. I did what millions of men over the world were doing at that particular point in time. I did it because the way led to it, because I was only a human boy, a creature of my environment, and neither an anaemic nor a god. I was just human, and I was taking the path in the world that men took—men whom I admired, if you please; full-blooded men, lusty, breedy, chesty men, free spirits and anything but niggards in the way they foamed life away.

And the way was open. It was like an uncovered well in a yard where children play. It is small use to tell the brave little boys toddling their way along into knowledge of life that they mustn’t play near the uncovered well. They’ll play near it. Any parent knows that. And we know that a certain percentage of them, the livest and most daring, will fall into the well. The thing to do—we all know it—is to cover up the well. The case is the same with John Barleycorn. All the no-saying and no-preaching in the world will fail to keep men, and youths growing into manhood, away from John Barleycorn when John Barleycorn is everywhere accessible, and where John Barleycorn is everywhere the connotation of manliness, and daring, and great-spiritedness.

The only rational thing for the twentieth-century folk to do is to cover up the well; to make the twentieth century in truth the twentieth century, and to relegate to the nineteenth century and all the preceding centuries the things of those centuries, the witch-burnings, the intolerances, the fetiches, and, not least among such barbarisms. John Barleycorn.