Jerome Cardan by William George Waters (ebook reader library TXT) 📖

boyhood in the strangely ordered home in Milan, with his callous, tyrannical father, his quick-tempered mother, and the superadded torment of his Aunt Margaret's presence. Fazio Cardano was a man of rigorous sobriety, and he seems moreover to have atoned for his early irregularities by the practice of that austere piety which Jerome notices more than once as a characteristic of his old age.[177] The discipline was hard, and the life unlovely, but the home was at least decent and orderly, and no opportunities or provocations to loose manners or ill doing existed therein. In Cardan's own case it is to be feared that, after Lucia's death, the affairs of his household fell into dire confusion, in spite of the presence of his mother-in-law, Thadea, who had come to him as housekeeper--her husband, Altobello, having died soon after the marriage of his daughter with Cardan. He was an ardent lover of music, and, as a consequence, his house would be constantly filled with singing men and boys, a tribe of somewhat sinister reputation.[178] Then, when he was not engaged with music, he would be gambling in some fashion or other. After lamenting the vast amount of time he has wasted over the game of chess, he goes on: "But the play with the dice, an evil far more noxious, found its way into my house; and, after my sons had learned to play the same, my doors always stood open to dicers. I can find no excuse for this practice except the trivial one, that, what I did, I did in the hope of relieving the poverty of my children."[179] In a home of this sort, ruled by a father who was assuredly more careful of his work in the study and class-room than of his duties as paterfamilias, it is not wonderful that the two young men, Gian Battista and Aldo, should grow up into worthless profligates. It has been recorded how Cardan, during a journey to Genoa, wrote a Book of Precepts for his children,[180] a task the memory of which afterwards wrung from him a cry of despair. There never was compiled a more admirable collection of maxims; but, excellent as they were, it was not enough to write them down on paper; and the young men, if ever they took the trouble to read them, must have smiled as they called to mind the difference between their father's practices and the precepts he had composed for their guidance. Furthermore, he had written at length, in the _De Consolatione_, on the folly which parents for the most part display in the education of their children. "They show their affection in such foolish wise, that it would be nearer the mark to say they hate, rather than love, their offspring. They bring them up not to follow virtue, but to occupy themselves with all manner of hurtful things; not to learning, but to riot; not to the worship of God, but to foster in them the desire to drain the cup of lustful pleasure; not for the life eternal, but to the enticements of lechery."[181]

At this time Gian Battista had gained the doctorate of medicine at Pavia, and had made his contribution to medical knowledge by the publication of an insignificant tract, _De cibis foetidis non edendis_. Cardan was evidently full of hope for his elder son's career, but Aldo seems to have been a trouble from the first. Yet, in casting Aldo's horoscope (probably at the time of his birth) Cardan predicts for him a flourishing future.[182] Never was there made a worse essay in prophecy. Aldo's childhood had been a sickly one. He had well-nigh died of convulsions, and later on he had been troubled with dysentery, abscesses of the brain, and a fever which lasted six months. Moreover, he could not walk till he was three years old. With a weakly body, his nature seems to have put forth all sorts of untoward growths. There is a story which Naude brings forward as part of his indictment against Cardan, that the father being irritated beyond endurance by some ill conduct of his younger son during supper, cut off his ear by way of punishment. It was a most barbarous act; one going far beyond the range of any tradition of the early _patria potestas_, which may have yet lingered in Italy; and scarcely calculated to bring about reformation in the youth thus punished. In any case, Aldo went on from bad to worse; at one time his father found it necessary to place him under restraint, and the last record of him is that one in Cardan's testament, by which he was disinherited.

Gian Battista's failings were doubtless grave and numerous, but he had at least sufficient industry to qualify himself as a physician. He was certainly his father's favourite child, and on this account the eulogies written of him in those dark hours when Cardan's reason was reeling under the accumulated blows of private grief and public disgrace, must be accepted with caution. There is no evidence to show he was in intellect anything like the budding genius his father deemed him; as to conduct and manner of life, his carriage was exactly what the majority of youths, brought up in a similar fashion, would have adopted. There must have been something in the young man's humours which from the first made his father apprehensive as to the future, for Cardan soon came to see that an early marriage would be the surest safeguard for Gian Battista's future. With his mind bent on this scheme, he pointed out to his son various damsels of suitable station, any one of whom he would be ready to welcome into his family, but Gian Battista always found some excuse for declining matrimony. He declared that he was too closely engaged with his work; and, over and beyond this, it would not be seemly to bring home a bride into a house like their own, full of young men, for Cardan, as usual, had several pupils living with him. It was at the end of 1557 that the first forebodings of misfortune appeared. To Cardan, according to custom, they came in the form of a portent, for he records how he lay awake at midnight on December 20, and was suddenly conscious that his bed was shaking. He at once attributed this to a shock of an earthquake, and in the morning he demanded of the servant, Simone Sosia, who occupied the truckle bed in the room, whether he had felt the same. Simone replied that he had, whereupon Cardan, as soon as he arose, went to the piazza and asked of divers persons he met there, whether they had also been disturbed, but no one had felt anything of the shock he alluded to. He went home, and while the family were at table, a messenger, sent, as he afterwards records, by a certain woman of the town,[183] entered the room, and told him that his son was going to be married immediately after breakfast. Cardan asked who the bride might be, but the messenger said he knew not, and departed. It is not quite clear whether Gian Battista was present or not, but as soon as ever the messenger had departed, Cardan let loose an indignant outburst over his son's misconduct, reproaching him with undutiful secresy, and setting forth how he had introduced to him four young ladies of good family, of whom two were certainly enamoured of him. Any one of the four would have been acceptable as a daughter-in-law, but he declared that now he would insist upon having full information as to the antecedents of any other bride his son might have selected, before admitting her to the shelter of his roof. Over and over again had he counselled Gian Battista that he must on no account marry in haste, or without his advice, or without making sure that his income would be sufficient to support the responsibilities of the married state; rather than this should happen, he would willingly allow the young man to keep a mistress in the house for the sake of offspring, for he desired beyond all else to rear grandchildren from Gian Battista, because he nursed the belief that, as the son resembled his grandfather Fazio, so the son's children would resemble their grandfather--himself. When he was questioned, Gian Battista declared he knew nothing about the report, and was fully as astonished as his father; but two days later Gian Battista's own servant came to the house, and announced that his master had been married that same morning,[184] but that he knew not the name of the bride. Cardan now ascertained that Gian Battista's disinclination for matrimony had arisen from the fact that he had been amusing himself with a girl who was nothing else than an attractive and finely-dressed harlot, named Brandonia Seroni, the last woman in all Milan whom he could with decency receive into his house. And the pitiful story was not yet complete. In marrying her the foolish youth had burdened himself with her mother, two or more sisters, and three brothers, the last-named being rough fellows without any calling but that of common soldiers. The character of the girl herself may be judged by the answer given by her father Evangelista Seroni to Cardan during the subsequent trial. When Seroni was asked whether he had given his daughter as a virgin in marriage, he answered frankly in the negative.

Cardan at once made up his mind to shut his door upon the newly-married pair; but the unconquerable tenderness he felt for Gian Battista urged him on to send to the young man all the ready money he had saved. After two years of married life, two children, a boy and a girl, were born: husband and wife alike were in ill health, and every day brought its domestic quarrel. In the meantime sinister whispers were heard, set going in the first instance by the mother and sister of Brandonia, that Gian Battista was the father neither of the first nor of the second child. They even went so far as to designate the men to whom they rightly belonged, and contrived that this rumour should come to the ears of the injured husband. The consequence of their malignant tale-bearing was a quarrel more violent than ever, and the rise of a resolution in Gian Battista's mind to rid himself at all hazard of the accursed burden he had bound upon his shoulders.

Until the end of 1559 Cardan continued to live in Milan, vexed no doubt by the ever-present spectacle of the wretched case into which his beloved son had fallen. He records how the young wife, unknown to her husband, handed over to her father the wedding-ring which he (Cardan) had given to his son, along with a piece of silken stuff, in order to pledge them for money. This outrage, joined to the certain conviction that his wife was false to him, proved a provocation beyond the limits of Gian Battista's patience, and finally incited him to make a criminal attempt upon Brandonia's life. Hitherto he had been earnest enough in his desire to rid himself of his wife so long as she raged against him; but, on the restoration of peace, his anger against her would vanish. Now he had lost all patience; he laid his plans advisedly, and set to work to execute them by enlisting the cooperation of the servant who had been with him ever since his marriage, and by taking to live with him in his own house Seroni, his wife, and son and daughter.[185] It cannot be said that the would-be murderer displayed at this juncture any of the traditional Italian craft in setting about his deadly task. The day before the attempt was made he took out of pawn the goods which Evangelista Seroni had pledged, and promised his