Jerome Cardan by William George Waters (ebook reader library TXT) 📖
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to be bled, messengers came to me in the night and begged me to go and see him, for he was apparently near his end. He was seized with convulsions and lost his senses, but I battled with the disease and brought him round. I was obliged to return to Pavia to resume my teaching, and William, when he was well enough to get up, was forced to sleep in the workshop by his master, who had been bidden to a wedding. There he suffered so much from cold and bad food that, when he was setting out for Pavia to seek me, he was again taken ill. His unfeeling master caused him to be removed to the poor-house, and there he died the following morning from the violence of the distemper, from agony of mind, and from the cold he had suffered. Indeed I was so heavily stricken by mischance that meseemed I had lost another son."
It was partly as a consolation in his own grief, and partly as a monument to the ill-fated youth, that Cardan wrote the _Dialogus de Morte_, a work which contains little of interest beyond the record of Cardan's impressions of Englishmen already quoted. But it was beyond hope that he should find adequate solace for the gnawing grief and remorse which oppressed him in this, or any other literary work. He was ill looked upon at Milan, but his position at Pavia seems to have been still more irksome. He grew nervous as to his standing as a physician, for, with the powerful prejudice which had been raised against him both as to his public and his private affairs, he felt that a single slip in his treatment of any particular case would be fatal to him. In Milan he did meet with a certain amount of gratitude from the wealthier citizens for the services he had wrought them; but in Pavia, his birthplace, the public mind was strongly set against him; indeed in 1562 he was subjected to so much petty persecution at the hands of the authorities and of his colleagues, that he determined to give up his Professorship at all cost. He describes at great length one of the most notable intrigues against him. "Now in dealing with the deadly snares woven against my life, I will tell you of something strange which befell me. During my Professorship at Pavia I was in the habit of reading in my own house. I had in my household at that time a woman to do occasional work, the youth Ercole Visconti, two boys, and another servant. Of the two boys, one was my amanuensis and well skilled in music, and the other was a lackey. It was in 1562 that I made up my mind to resign my office of teaching and quit Pavia, a resolution which the Senate took in ill part, and dealt with me as with a man transported with rage. But there were two doctors of the city who strove with all their might to drive me away: one a crafty fellow who had formerly been a pupil of mine; the other was the teacher extraordinary in Medicine, a simple-minded man, and, as I take it, not evil by nature; but covetous and ambitious men will stop at nothing, especially when the prize to be won is an office held in high esteem. Thus, when they despaired of getting rid of me through the action of the Senate--what though I was petitioning to be relieved of my duties--they laid a plot to kill me, not by the dagger for fear of the Senate and of possible scandal, but by malignant craft. My opponent perceived that he could not be promoted to the post of principal teacher unless I should leave the place, and for this reason he and his allies spread their nets from a distance. In the first place, they caused to be written to me, in the name of my son-in-law[202] and of my daughter as well, a most vile and filthy letter telling how they were ashamed of their kinship with me; that they were ashamed likewise for the sake of the Senate, and of the College; and that the authorities ought to take cognizance of the matter and pronounce me unworthy of the office of teacher and cause me to be removed therefrom forthwith. Confounded at receiving such an impudent and audacious reproof at the hands of my own kindred, I knew not what to do or say, or what reply I should make; nor could I divine for what reason this unseemly and grievous affront had been put upon me. It afterwards came to light that the letter was written in order to serve as an occasion for fresh attacks; for, before many days had passed, another letter came to me bearing the name of one Fioravanti, written in the following strain. This man was likewise shocked for the sake of the city, the college, and the body of professors, seeing that a report had been spread abroad that I was guilty of abominable offences which cannot be named. He would call upon a number of his friends to take steps to compel me to consider the public scandal I was causing, and would see that the houses where these offences were committed should be pointed out. When I read this letter I was as one stupefied, nor could I believe it was the work of Fioravanti, whom I had hitherto regarded as a man of seemly carriage and a friend. But this letter and its purport remained fixed in my mind and prompted me to reply to my son-in-law; for I believed no longer that he had aught to do with the letter which professed to come from him; indeed I ought never to have harboured such a suspicion, seeing that both then and now he has always had the most kindly care for me; nor has he ever judged ill of me.
"I called for my cloak at once and went to Fioravanti, whom I questioned about the letter. He admitted that he wrote it, whereupon I was more than ever astonished, for I was loth to suspect him of crooked dealing, much more of any premeditated treachery. I began to reason with him, and to inquire where all these wonderful plans had been concocted, and then he began to waver, and failed to find an answer. He could only put forward common report, and the utterances of the Rector of the Gymnasium, as the source of them."[203]
Cardan goes on to connect the foregoing incident, by reasoning which is not very clear, with what he maintained to have been a veritable attempt against his life. "The first act of the tragedy having come to an end, the second began, and this threw certain light upon the first. My foes made it their special care that I, whom they held up as a disgrace to my country, to my family, to the Senate, to the Colleges of Milan and Pavia, to the Council of Professors, and to the students, should become a member of the Accademia degli Affidati, a society in which were enrolled divers illustrious theologians, two Cardinals, and two princes, the Duke of Mantua, and the Marquis Pescara. When they perceived how loth I was to take this step they began to threaten. What was I to do, broken down by the cruel fate of my son, and suffering every possible evil? Finally I agreed, induced by the promise they made me, that, in the course of a few days, I should be relieved of my duties as Professor; but I did not then perceive the snare, or consider how it was that they should now court the fellowship of one whom, less than fifteen days ago, all ranks of the College had declared to be a monster not to be tolerated. Alas for faith in heaven, for the barbarity of men, for the hatred of false friends, for that shamelessness and cruelty more fell than serpent's bite! What more is there to tell? The first time I entered the room of the Affidati I saw that a heavy beam had been poised above in such fashion that it might easily fall and kill whatsoever person might be passing underneath. Whether this had been done by accident or design I cannot say. But hereafter I attended as rarely as possible, making excuses for my absence; and, when I did go, I went when no one looked for me, and out of season, taking good heed of this trap the while. Wherefore no evil befell me thereby, either because my foes deemed it unwise to work such wickedness in public, or because they had not finally agreed to put their scheme in operation, or because they were plotting some fresh evil against me. Another attempt was made a few days later, when I was called to the ailing son of one Piero Trono, a surgeon; they placed high over the door a leaden weight which might easily be made to fall, pretending that it had been put there to hold up the curtain. This weight did fall; and, had it struck me, it would certainly have killed me: how near I was to death, God knows. Wherefore I began to be suspicious of something I could not define, so greatly was my mind upset. Then a third attempt was made, which was evident enough. A few days later, when they were about to sing a new Mass, the same rascally crew came to me, asking me whether I would lend them the services of my two singing boys, for my enemies knew well enough that these boys acted as my cup-bearers, and over and beyond this they made an agreement with my hired woman that she should give me poison. They first went to Ercole and tried to persuade him to go to the function; and he, suspecting nothing, at first promised his help; but when he heard that his fellow was to go likewise, he began to smell mischief and said, 'Only one of us knows music.' Then Fioravanti, a blunt fellow, was so wholly set on getting them out of the house that he said, 'Let us have both of you, for we know that the other is also a musician; and, though he may not be one of the best, still he will serve to swell the band of choristers.' Then Ercole said somewhat vaguely that he would ask his master. He came to me, having fathomed and laid bare the whole intention of the plot, so that, if I had not been stark mad and stupid, I might easily have seen through their design. Fifteen days or so had passed when the same men once more sought me out and begged me to let them have the two boys to help them in the performance of a comedy. Then Ercole came to me and said, 'Now in sooth the riddle is plain to read; they are planning to get all your people away from your table, so that they may kill you with poison; nor are they satisfied with plotting your death merely by tricks of this sort; they are determined to kill you by any chance which may offer."[204]
How far these plots were real, and how far they sprang from monomania it is impossible to say. Cardan's relations with his brother physicians had never been of the happiest, and it is quite possible that a set may have been made in the Pavian Academy to get rid of a colleague, difficult to live with at the best, and now cankered still more in temper by misfortune, and likewise, in a measure, disgraced by the same. Surrounded by annoyances such as these, and tormented by the intolerable memories and associations of the last few years, it is not wonderful that
It was partly as a consolation in his own grief, and partly as a monument to the ill-fated youth, that Cardan wrote the _Dialogus de Morte_, a work which contains little of interest beyond the record of Cardan's impressions of Englishmen already quoted. But it was beyond hope that he should find adequate solace for the gnawing grief and remorse which oppressed him in this, or any other literary work. He was ill looked upon at Milan, but his position at Pavia seems to have been still more irksome. He grew nervous as to his standing as a physician, for, with the powerful prejudice which had been raised against him both as to his public and his private affairs, he felt that a single slip in his treatment of any particular case would be fatal to him. In Milan he did meet with a certain amount of gratitude from the wealthier citizens for the services he had wrought them; but in Pavia, his birthplace, the public mind was strongly set against him; indeed in 1562 he was subjected to so much petty persecution at the hands of the authorities and of his colleagues, that he determined to give up his Professorship at all cost. He describes at great length one of the most notable intrigues against him. "Now in dealing with the deadly snares woven against my life, I will tell you of something strange which befell me. During my Professorship at Pavia I was in the habit of reading in my own house. I had in my household at that time a woman to do occasional work, the youth Ercole Visconti, two boys, and another servant. Of the two boys, one was my amanuensis and well skilled in music, and the other was a lackey. It was in 1562 that I made up my mind to resign my office of teaching and quit Pavia, a resolution which the Senate took in ill part, and dealt with me as with a man transported with rage. But there were two doctors of the city who strove with all their might to drive me away: one a crafty fellow who had formerly been a pupil of mine; the other was the teacher extraordinary in Medicine, a simple-minded man, and, as I take it, not evil by nature; but covetous and ambitious men will stop at nothing, especially when the prize to be won is an office held in high esteem. Thus, when they despaired of getting rid of me through the action of the Senate--what though I was petitioning to be relieved of my duties--they laid a plot to kill me, not by the dagger for fear of the Senate and of possible scandal, but by malignant craft. My opponent perceived that he could not be promoted to the post of principal teacher unless I should leave the place, and for this reason he and his allies spread their nets from a distance. In the first place, they caused to be written to me, in the name of my son-in-law[202] and of my daughter as well, a most vile and filthy letter telling how they were ashamed of their kinship with me; that they were ashamed likewise for the sake of the Senate, and of the College; and that the authorities ought to take cognizance of the matter and pronounce me unworthy of the office of teacher and cause me to be removed therefrom forthwith. Confounded at receiving such an impudent and audacious reproof at the hands of my own kindred, I knew not what to do or say, or what reply I should make; nor could I divine for what reason this unseemly and grievous affront had been put upon me. It afterwards came to light that the letter was written in order to serve as an occasion for fresh attacks; for, before many days had passed, another letter came to me bearing the name of one Fioravanti, written in the following strain. This man was likewise shocked for the sake of the city, the college, and the body of professors, seeing that a report had been spread abroad that I was guilty of abominable offences which cannot be named. He would call upon a number of his friends to take steps to compel me to consider the public scandal I was causing, and would see that the houses where these offences were committed should be pointed out. When I read this letter I was as one stupefied, nor could I believe it was the work of Fioravanti, whom I had hitherto regarded as a man of seemly carriage and a friend. But this letter and its purport remained fixed in my mind and prompted me to reply to my son-in-law; for I believed no longer that he had aught to do with the letter which professed to come from him; indeed I ought never to have harboured such a suspicion, seeing that both then and now he has always had the most kindly care for me; nor has he ever judged ill of me.
"I called for my cloak at once and went to Fioravanti, whom I questioned about the letter. He admitted that he wrote it, whereupon I was more than ever astonished, for I was loth to suspect him of crooked dealing, much more of any premeditated treachery. I began to reason with him, and to inquire where all these wonderful plans had been concocted, and then he began to waver, and failed to find an answer. He could only put forward common report, and the utterances of the Rector of the Gymnasium, as the source of them."[203]
Cardan goes on to connect the foregoing incident, by reasoning which is not very clear, with what he maintained to have been a veritable attempt against his life. "The first act of the tragedy having come to an end, the second began, and this threw certain light upon the first. My foes made it their special care that I, whom they held up as a disgrace to my country, to my family, to the Senate, to the Colleges of Milan and Pavia, to the Council of Professors, and to the students, should become a member of the Accademia degli Affidati, a society in which were enrolled divers illustrious theologians, two Cardinals, and two princes, the Duke of Mantua, and the Marquis Pescara. When they perceived how loth I was to take this step they began to threaten. What was I to do, broken down by the cruel fate of my son, and suffering every possible evil? Finally I agreed, induced by the promise they made me, that, in the course of a few days, I should be relieved of my duties as Professor; but I did not then perceive the snare, or consider how it was that they should now court the fellowship of one whom, less than fifteen days ago, all ranks of the College had declared to be a monster not to be tolerated. Alas for faith in heaven, for the barbarity of men, for the hatred of false friends, for that shamelessness and cruelty more fell than serpent's bite! What more is there to tell? The first time I entered the room of the Affidati I saw that a heavy beam had been poised above in such fashion that it might easily fall and kill whatsoever person might be passing underneath. Whether this had been done by accident or design I cannot say. But hereafter I attended as rarely as possible, making excuses for my absence; and, when I did go, I went when no one looked for me, and out of season, taking good heed of this trap the while. Wherefore no evil befell me thereby, either because my foes deemed it unwise to work such wickedness in public, or because they had not finally agreed to put their scheme in operation, or because they were plotting some fresh evil against me. Another attempt was made a few days later, when I was called to the ailing son of one Piero Trono, a surgeon; they placed high over the door a leaden weight which might easily be made to fall, pretending that it had been put there to hold up the curtain. This weight did fall; and, had it struck me, it would certainly have killed me: how near I was to death, God knows. Wherefore I began to be suspicious of something I could not define, so greatly was my mind upset. Then a third attempt was made, which was evident enough. A few days later, when they were about to sing a new Mass, the same rascally crew came to me, asking me whether I would lend them the services of my two singing boys, for my enemies knew well enough that these boys acted as my cup-bearers, and over and beyond this they made an agreement with my hired woman that she should give me poison. They first went to Ercole and tried to persuade him to go to the function; and he, suspecting nothing, at first promised his help; but when he heard that his fellow was to go likewise, he began to smell mischief and said, 'Only one of us knows music.' Then Fioravanti, a blunt fellow, was so wholly set on getting them out of the house that he said, 'Let us have both of you, for we know that the other is also a musician; and, though he may not be one of the best, still he will serve to swell the band of choristers.' Then Ercole said somewhat vaguely that he would ask his master. He came to me, having fathomed and laid bare the whole intention of the plot, so that, if I had not been stark mad and stupid, I might easily have seen through their design. Fifteen days or so had passed when the same men once more sought me out and begged me to let them have the two boys to help them in the performance of a comedy. Then Ercole came to me and said, 'Now in sooth the riddle is plain to read; they are planning to get all your people away from your table, so that they may kill you with poison; nor are they satisfied with plotting your death merely by tricks of this sort; they are determined to kill you by any chance which may offer."[204]
How far these plots were real, and how far they sprang from monomania it is impossible to say. Cardan's relations with his brother physicians had never been of the happiest, and it is quite possible that a set may have been made in the Pavian Academy to get rid of a colleague, difficult to live with at the best, and now cankered still more in temper by misfortune, and likewise, in a measure, disgraced by the same. Surrounded by annoyances such as these, and tormented by the intolerable memories and associations of the last few years, it is not wonderful that
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