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Romans, who were an essentially warlike nation, Mars gradually loses his peaceful character, and, as god of war, attains, after Jupiter, the highest position among the Olympic gods. The Romans looked upon him as their special protector, and declared him to have been the father of Romulus and Remus, the founders of their city. But although he was especially worshipped in Rome as god of war, he still continued to preside over agriculture, and was also the protecting deity who watched over the welfare of the state.

As the god who strode with warlike step to the battlefield, he was called Gradivus (from gradus, a step), it being popularly believed by the Romans that he himself marched before them to battle, and acted as their invisible protector. As the presiding deity over agriculture, he was styled Sylvanus, whilst in his character as guardian of the state, he bore the name of Quirinus.[45]

The priests of Mars were twelve in number, and were called Salii, or the dancers, from the fact that sacred dances, in full armour, formed an important item in their peculiar ceremonial. This religious order, the members of which were always chosen from the noblest families in Rome, was first instituted by Numa Pompilius, who intrusted to their special charge the Anciliæ, or sacred shields. It is said that one morning, when Numa was imploring the protection of Jupiter for the newly-founded city of Rome, the god of heaven, as though in answer to his prayer, sent down an oblong brazen shield, and, as it fell at the feet of the king, a voice was heard announcing that on its preservation depended the future safety and prosperity of Rome. In order, therefore, to lessen the chances of this sacred treasure being abstracted, Numa caused eleven more to be made exactly like it, which were then given into the care of the Salii.

The assistance and protection of the god of war was always solemnly invoked before the departure of a Roman army for the field of battle, and any reverses of fortune were invariably ascribed to his anger, which was accordingly propitiated by means of extraordinary sin-offerings and prayers.

In Rome a field, called the Campus Martius, was dedicated to Mars. It was a large, open space, in which armies were collected and reviewed, general assemblies of the people held, and the young nobility trained to martial exercises.

The most celebrated and magnificent of the numerous temples built by the Romans in honour of this deity was the one erected by Augustus in the Forum, to commemorate the overthrow of the murderers of Cæsar.

Of all existing statues of Mars the most renowned is that in the Villa Ludovisi at Rome, in which he is represented as a powerful, muscular man in the full vigour of youth. The attitude is that of thoughtful repose, but the short, curly hair, dilated nostrils, and strongly marked features leave no doubt as to the force and turbulence of his character. At his feet, the sculptor has placed the little god of love, who looks up all undaunted at the mighty war-god, as though mischievously conscious that this unusually quiet mood is attributable to his influence.

Religious festivals in honour of Mars were generally held in the month of March; but he had also a festival on the Ides of October, when chariot-races took place, after which, the right-hand horse of the team which had drawn the victorious chariot, was sacrificed to him. In ancient times, human sacrifices, more especially prisoners of war, were offered to him; but, at a later period, this cruel practice was discontinued.

The attributes of this divinity are the helmet, shield, and spear. The animals consecrated to him were the wolf, horse, vulture, and woodpecker.

Intimately associated with Mars in his character as god of war, was a goddess called BELLONA, who was evidently the female divinity of battle with one or other of the primitive nations of Italy (most probably the Sabines), and is usually seen accompanying Mars, whose war-chariot she guides. Bellona appears on the battle-field, inspired with mad rage, cruelty, and the love of extermination. She is in full armour, her hair is dishevelled, and she bears a scourge in one hand, and a lance in the other.

A temple was erected to her on the Campus Martius. Before the entrance to this edifice stood a pillar, over which a spear was thrown when war was publicly declared.

NIKE (Victoria).

Nike, the goddess of victory, was the daughter of the Titan Pallas, and of Styx, the presiding nymph of the river of that name in the lower world.

In her statues, Nike somewhat resembles Athene, but may easily be recognized by her large, graceful wings and flowing drapery, which is negligently fastened on the right shoulder, and only partially conceals her lovely form. In her left hand, she holds aloft a crown of laurel, and in the right, a palm-branch. In ancient sculpture, Nike is usually represented in connection with colossal statues of Zeus or Pallas-Athene, in which case she is life-sized, and stands on a ball, held in the open palm of the deity she accompanies. Sometimes she is represented engaged in inscribing the victory of a conqueror on his shield, her right foot being slightly raised and placed on a ball.

A celebrated temple was erected to this divinity on the Acropolis at Athens, which is still to be seen, and is in excellent preservation.

VICTORIA.

Under the name of Victoria, Nike was highly honoured by the Romans, with whom love of conquest was an all-absorbing characteristic. There were several sanctuaries in Rome dedicated to her, the principal of which was on the Capitol, where it was the custom of generals, after success had attended their arms, to erect statues of the goddess in commemoration of their victories. The most magnificent of these statues, was that raised by Augustus after the battle of Actium. A festival was celebrated in honour of Nike on the 12th of April.

HERMES (Mercury).

Hermes was the swift-footed messenger, and trusted ambassador of all the gods, and conductor of shades to Hades. He presided over the rearing and education of the young, and encouraged gymnastic exercises and athletic pursuits, for which reason, all gymnasiums and wrestling schools throughout Greece were adorned with his statues. He is said to have invented the alphabet, and to have taught the art of interpreting foreign languages, and his versatility, sagacity, and cunning were so extraordinary, that Zeus invariably chose him as his attendant, when, disguised as a mortal, he journeyed on earth.

Hermes was worshipped as god of eloquence, most probably from the fact that, in his office as ambassador, this faculty was indispensable to the successful issue of the negotiations with which he was intrusted. He was regarded as the god who granted increase and prosperity to flocks and herds, and, on this account, was worshipped with special veneration by herdsmen.

In ancient times, trade was conducted chiefly by means of the exchange of cattle. Hermes, therefore, as god of herdsmen, came to be regarded as the protector of merchants, and, as ready wit and adroitness are valuable qualities both in buying and selling, he was also looked upon as the patron of artifice and cunning. Indeed, so deeply was this notion rooted in the minds of the Greek people, that he was popularly believed to be also god of thieves, and of all persons who live by their wits.

A Herma

As the patron of commerce, Hermes was naturally supposed to be the promoter of intercourse among nations; hence, he is essentially the god of travellers, over whose safety he presided, and he severely punished those who refused assistance to the lost or weary wayfarer. He was also guardian of streets and roads, and his statues, called Hermæ (which were pillars of stone surmounted by a head of Hermes), were placed at cross-roads, and frequently in streets and public squares.

Being the god of all undertakings in which gain was a feature, he was worshipped as the giver of wealth and good luck, and any unexpected stroke of fortune was attributed to his influence. He also presided over the game of dice, in which he is said to have been instructed by Apollo.

Hermes was the son of Zeus and Maia, the eldest and most beautiful of the seven Pleiades (daughters of Atlas), and was born in a cave of Mount Cyllene in Arcadia. As a mere babe, he exhibited an extraordinary faculty for cunning and dissimulation; in fact, he was a thief from his cradle, for, not many hours after his birth, we find him creeping stealthily out of the cave in which he was born, in order to steal some oxen belonging to his brother Apollo, who was at this time feeding the flocks of Admetus. But he had not proceeded very far on his expedition before he found a tortoise, which he killed, and, stretching seven strings across the empty shell, invented a lyre, upon which he at once began to play with exquisite skill. When he had sufficiently amused himself with the instrument, he placed it in his cradle, and then resumed his journey to Pieria, where the cattle of Admetus were grazing. Arriving at sunset at his destination, he succeeded in separating fifty oxen from his brother's herd, which he now drove before him, taking the precaution to cover his feet with sandals made of twigs of myrtle, in order to escape detection. But the little rogue was not unobserved, for the theft had been witnessed by an old shepherd named Battus, who was tending the flocks of Neleus, king of Pylos (father of Nestor). Hermes, frightened at being discovered, bribed him with the finest cow in the herd not to betray him, and Battus promised to keep the secret. But Hermes, astute as he was dishonest, determined to test the shepherd's integrity. Feigning to go away, he assumed the form of Admetus, and then returning to the spot offered the old man two of his best oxen if he would disclose the author of the theft. The ruse succeeded, for the avaricious shepherd, unable to resist the tempting bait, gave the desired information, upon which Hermes, exerting his divine power, changed him into a lump of touchstone, as a punishment for his treachery and avarice. Hermes now killed two of the oxen, which he sacrificed to himself and the other gods, concealing the remainder in the cave. He then carefully extinguished the fire, and, after throwing his twig shoes into the river Alpheus, returned to Cyllene.

Apollo, by means of his all-seeing power, soon discovered who it was that had robbed him, and hastening to Cyllene, demanded restitution of his property. On his complaining to Maia of her son's conduct, she pointed to the innocent babe then lying, apparently fast asleep, in his cradle, whereupon, Apollo angrily aroused the pretended sleeper, and charged him with the theft; but the child stoutly denied all knowledge of it, and so cleverly did he play his part, that he even inquired in the most naive manner what sort of animals cows were. Apollo threatened to throw him into Tartarus if he would not confess the truth, but all to no purpose. At last, he seized the babe in his arms, and brought him into the presence of his august father, who was seated in the council chamber of the gods. Zeus listened to the charge made by Apollo, and then sternly desired Hermes to say where he had hidden the cattle. The child, who was still in swaddling-clothes, looked up bravely into his father's face and said, "Now, do I look capable of driving away a herd of cattle; I, who was only born yesterday, and whose feet are much too soft

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