Four Arthurian Romances by active 12th century de Troyes Chrétien (red white royal blue .TXT) 📖

119 (return)
[ A unique instance of such a division of the material in Chretien's poems (F.).]

120 (return)
[ Outre-Gales=Estre-Gales (v.3883)=Extra-Galliam.]

121 (return)
[ Such fanciful descriptions of men and lands are common in the French epic poems, where they are usually applied to the Saracens (F.). Cf. W.w. Comfort, "The Saracens in Christian Poetry" in "The Dublin Review", July 1911; J. Malsch, "Die Charakteristik der Volker im altfranzosischen nationalen Epos" (Heidelberg, 1912).]

122 (return)
[ With what seems to us mistaken taste, Chretien frequently thus delays mentioning the name of his leading charecters. The father and mother of Enide remain anonymous until the end of this poem. The reader will remark other instances of this peculiarity in "Yvain" and "Lancelot".]

123 (return)
[ The maid Brangien was substituted for Iseut, the bride, upon the first night after her marriage with Mark. Similar traditions are associated with the marriage of Arthur and Guinevere, and of Pepin and Berte aus grans pies, the parents of Charlemagne. Adenet le Roi toward the end of the 13th century is the author of the most artistic treatments of Berte's history (ed. A. Scheler, Bruxelles, 1874). Cf. W.W. Comfort, "Adenet le Roi: The End of a Literary Era" in "The Quarterly Review", April 1913.]

124 (return)
[ The reading "Sanson" (=Samson) is Foerster's most recent (1904) suggestion to replace the word "lion" which stands in all the MSS. Solomon's name has always been synonymous with wisdom, and Alexander's generosity was proverbial in the Middle Ages. For Alexander, cf. Paul Meyer, "Alexandre le Grand dans la litterature francaise du moyen age", 2 vols. (Paris, 1886), vol ii., pp. 372-376, and Paget Toynbee, "Dante Studies and Researches" (London, 1902), p. 144.]

125 (return)
[ Of Arthur's several nephews, Gawain is represented by Chretien as peerless in respect of courage and courtesy. In the English romances his character steadily deteriorates.]

126 (return)
[ This sentence contains the motive for all the action in the sequel. The same situation is threatened in "Yvain", but there Gawain rescues the hero from the lethargy, ignoble in the eyes of a feudal audience, into which he was falling. Cf. also "Marques de Rome" ("Lit. Verein in Stuttgart", Tubingen, 1889), p. 36, where the Empress of Rome thus incites her husband to the chase: "Toz jors cropez vos a Postel; vos n'estes point chevalereus, si come vos deussiez estre, si juenes hom come vos estes"; also J. Gower, "Le Mirour de l'omme, 22, 813 ff.:

"Rois est des femmes trop decu, Qant plus les ayme que son dieu, Dont laist honour pour foldelit: Cil Rois ne serra pas cremu, Q'ensi voet laisser sou escu Et querre le bataille ou lit."]

127 (return)
[ This brusque command, implying so sudden a change in Erec's attitude toward his wife, initiates a long series of tests of Enide's devotion, which fill the rest of the romance. Why did Erec treat his wife with such severity? In the Mabinogi of "Geraint the Son of Erbin", it is plain that jealousy was the hero's motive. The reader of "Erec" may judge whether, as we believe, the hero's sudden resolve is not rather that of a man piqued at being justly reproved by his wife for a delinquency he had not himself remarked; irate at his wife's imputation, and fearful of having forfeited her respect, he starts out to redeem his reputation in her eyes, and to maker her retract any insinuation she had made. Erec is simply angry with himself, but he expends his wrath upon his defenceless wife until he is reassured of her love and respect for him.]

128 (return)
[ The situation here is a common one. Parallels will be found in the "Voyage de Charlemagne", in the first tale of the "Arabian Nights", in the poem "Biterolf and Dietlieb", and in the English ballad of "King Arthur and King Cornwall". Professor Child, in his "English and Scotch Ballads", indexes the ballads in his collection, which present this motive, under the following caption: "King who regards himself as the richest, most magnificent, etc., in the world, is told that there is one who outstrips him, and undertakes to see for himself whether this is so, threatening death to the person who has affirmed his inferiority in case this is disproved."]

129 (return)
[ The presence of the Irish in this connection is explained by G. Paris in "Romania", xx. 149.]

130 (return)
[ Kay the Seneschal appears here for the first time in Chretien's poems with the character which he regularly ascribes to him. Readers of Arthurian romance are all familiar with Sir Kay; they will find that in Chretien, the seneschal, in addition to his undeniable qualities of bravery and frankness, has less pleasing traits; he is foolhardy, tactless, mean, and a disparager of others' merit. He figures prominently in "Yvain" and "Lancelot". His poetic history has not yet been written. His role in the German romances has been touched upon by Dr. Friedrich Sachse, "Ueber den Ritter Kei" (Berlin, 1860).]

131 (return)
[ No meat was eaten because it was the eve of Sunday.]

132 (return)
[ In the French epic poems and romances of adventure alike it is customary for giants and all manner of rustic boors to carry clubs, the arms of knighthood being appropriate for such ignoble creatures. Other instances of this convention will be remarked in the text.]

133 (return)
[ There follows and excellent example of an old French lament for the dead. Such a wail was known in old French as a "regret", a word which has lost its specific meaning in English.]

134 (return)
[ Many examples will be met of women skilled in the practice of medicine and surgery. On the