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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » This Is the End by Stella Benson (sight word books TXT) 📖

Book online «This Is the End by Stella Benson (sight word books TXT) 📖». Author Stella Benson



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This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it. There are no reasons except reasons you and I don't know.

I should not be really surprised if the policeman across the way grew wings, or if the deep sea rose and washed out the chaos of the land. I should not raise my eyebrows if the daily press became the Little Sunbeam of the Home, or if Cabinet Ministers struck for a decrease of wages. I feel no security in facts, precedent seems no protection to me. The wisdom you can find in an Encyclopedia, or in Selfridge's Information Bureau, seems to me just a transitory adaptation to quicksand circumstances.

But if the things which I know in spite of my education were false, if the eyes of the sea forgot their secret, or if the accent of the steep woods became vulgar, if the fairy adventures that happen in my heart fell flat, if the good friends my eyes have never seen failed me,--then indeed should I know emptiness, and an astonishment that would kill.

I want to introduce you to Jay, a 'bus-conductor and an idealist. She is not the heroine, but the most constantly apparent woman in this book. I cannot introduce you to a heroine because I have never met one.

She was a person who took nothing in the world for granted, but as she had only a slight connection with the world, that is not saying very much. Her answer to everything was "Why?" The fundamental facts that you and I accept from our youth upwards, like Be Good and You Will Be Happy, or Change Your Boots When You Come In Out Of The Wet, or Respect Your Elders, or Love Your Neighbour, or Never Cross Your Legs Above The Knee, did not impress Jay.

I never knew her as a baby, but I am sure she must have been born a propounder of questions, and a smiler at the answers she received. I daresay she used to ask questions--without result--long before she could talk, but I am quite sure she was not embittered by the lack of result. Nothing ever embittered Jay, not even her own pessimism. There is a finality about bitterness, and Jay was never final. Her last word was always on a questioning note. Her mind was always open, waiting for more. "Oh no," she would tell her pillow at night, "there must be a better answer than that ..."

Perhaps it is hardly necessary to add that she had quarrelled with her Family, and run away from home. Her Family knew neither what she was doing nor where she was doing it. Families are incurably conceited, and this one supposed that, having broken away from it, Jay was going to the bad. On the contrary, she was a 'bus-conductor, but I only tell you this in confidence. I repeat the Family did not know it, and does not know it yet.

The Family sometimes said that Jay was an idealist, but it did not really think so. The Family sometimes said that she was rather mad, but it did not know how mad she was, or it would have sent her away to live in a doctor's establishment at Margate. It never realised that it had only come in contact with about one-fifth of its young relation, and that the other four-fifths were shut away from it. Shut away in a shining bubble world with only room in it for one--for One, and a shining bubble Story.

I do not know how universal an experience a Secret Story and a Secret Friend may be. Perhaps this wonder is a commonplace to you, only you are more reticent about it than Jay or I. But to me, even after twenty years' intimacy with what I can only describe as a supplementary life that I cannot describe, it still seems so very wonderful that I cannot believe I share it with every man and woman in the street.

The great advantage of a Secret Story over other stories is that you cannot put it into print. So I can only show you the initial letter, and you may if you choose look upon it as an imaginary hieroglyphic. Or you may not.

Just this, that a bubble world can contain a round and russet horizon of high woods which you can attain, and from the horizon a long view of an unending sea. You can run down across the dappled fields, you can run down into the cove and stroke the sea and hear the intimate minor singing of it. And when you feel as strong as the morning, you can shout and run against the wind, against the flying sand that never blows above your knees. And when you feel as tired as the night, you can climb slowly up the cliff path and go into the House, the House you know much better than any house your ordinary eyes have seen, and there you will find your Secret Friends. The best part about Secret Friends is that they will never weary you by knowing you. You share their House, your passing hand helps to polish the base of that wooden figure that ends the banisters, you know the childish delight of that wide short chimney in the big turret room, a chimney so wide and so short that you can stand inside the great crooked fireplace and whisper to the birds that look down from the edge of the chimney only a yard or two above you. You know how comfy those big beds are, you sit at the long clothless table in the brown dining-room. With all these things you are intimate, and yet you pass through the place as a ghost, your bubble enchantment encloses you, your Secret Friends have no knowledge of you, their story runs without you. Your unnecessary identity is tactfully ignored, and you know the heaven of being dispassionate and detached among things you love.

All these things can a bubble world contain. You have to get inside things to find out how limitless they are. And I think if you don't believe it all, it is none the less true for that, because in that case you are the sort of person who believes a thing less the truer it is.

If Jay's Family did not know she was a 'bus-conductor, and did not know she was a story-possessor, what did it know about her? It knew she disliked the smell of bananas, and that she had not taken advantage of an expensive education, and that she was Stock Size (Small Ladies'), and that she was christened Jane Elizabeth, and that she took after her father to an excessive extent, and that she was rather too apt to swallow this Socialist nonsense. As Families go, it was fairly well informed about her.

The Family was a rather promiscuous one. It had more tortuous relationships than most families have, although there were only four in it, not counting Mr. Russell.

I might as well introduce you to the Family before I settle down to the story. From careful study of the press reviews I gather that a story is considered a necessary thing in a novel, so this time I am going to try and include one.

You may, if you please, meet the Family after breakfast at Mr. Russell's house in Kensington, about three months after Jay had run away. There were four people in the room. They were Cousin Gustus, Mrs. Gustus, Kew, and Mr. Russell.

It behoves me to try and tell you very simply about Mrs. Gustus, because she prided herself on simplicity. Spelt with a capital S, it constituted her Deity; her heaven was a severe and shadowless eternity, and plain words were the flowers that grew in her Elysian fields. She had simplified her life and her looks. Even her smile was shorn of all accessories like dimples or twinkles. Her hair, which was not abundant, was the colour of corn, straight and shining. Her eyes were a cold dark grey.

Now to be simple is all very well, but turn it into an active verb and you spoil the whole idea. To simplify seems forced, and I think Mrs. Gustus struck harder on the note of simplification than that of simplicity. I should not dare to criticise her, however, and Cousin Gustus was satisfied, so criticism in any case would be intrusive. It is just possible that he occasionally wished that she would dress herself in a more human way--patronise in winter the humble Viyella stripe, for instance, or in summer the flippant sprig. But a large proportion of Mrs. Gustus's faith was founded on simple strong colours in wide expanses, introduced, as it were, one to another by judicious black. Anybody but Mrs. Gustus would have been drowned in her clothes. But she was conceived on a generous scale, she was almost gorgeous, she barely missed exaggeration. In her manner I think she did not miss it. She had therefore the gift of coping with colour. It remains for me to add that her age was five-and-forty, and that she was a novelist. The recording angel had probably noted the fact of her novelism among her virtues, but she had an imperceptible earthly public. She wrote laborious books, full of short peevish sentences, of such very pure construction that they were extremely difficult to understand. She wore spectacles with aggressive tortoise-shell rims. She said, "I am short-sighted. I am obliged to wear spectacles. Why should I try to conceal the fact? I will not have a pair of rimless ghosts haunting my face. I will wear spectacles without shame." But the real truth was that the tortoise-shell rims were more becoming to her. Mrs. Gustus was known to her husband's family as Anonyma. The origin of this habit was an old joke, and I have forgotten the point of it.

Cousin Gustus was second cousin once removed to Kew and Kew's sister Jay, and had kindly brought them up from childhood. He was now at the further end of the sixties, and embittered by many things: an unsuitable marriage, the approach of the psalmist's age-limit, incurably modern surroundings, an internal complaint, and a haunting wish to relieve the Government of the management of the War. These drawbacks were to a certain extent linked, they accounted for each other. The complaint hindered him from offering his services as Secretary of State; it made of him a slave, so he could not pretend to be a master. He cherished his slavery, for it happened to be painless, and supplied him with a certain dignity which would otherwise have been difficult to secure. During the summer the complaint hibernated, and ceased to interest either doctors or relations, which was naturally hard to bear. To these trials you may add the disgraceful behaviour of his young cousin Jay, and admit that Cousin Gustus had every excuse for encouraging pessimism of the most pronounced type.

Jay's brother Kew was twenty-five, and from this it follows that he had already drunk the surprising beverage of War. His military history included a little splinter of hate in the left shoulder, followed by a depressing period almost entirely spent

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