Gambara by Honoré de Balzac (read any book txt) 📖

DEDICATION

To Monsieur le Marquis de Belloy

It was sitting by the fire, in a mysterious and magnificent
retreat,--now a thing of the past but surviving in our memory,
--whence our eyes commanded a view of Paris from the heights of
Belleville to those of Belleville, from Montmartre to the
triumphal Arc de l'Etoile, that one morning, refreshed by tea,
amid the myriad suggestions that shoot up and die like rockets
from your sparkling flow of talk, lavish of ideas, you tossed to
my pen a figure worthy of Hoffmann,--that casket of unrecognized
gems, that pilgrim seated at the gate of Paradise with ears to
hear the songs of the angels but no longer a tongue to repeat
them, playing on the ivory keys with fingers crippled by the
stress of divine inspiration, believing that he is expressing
celestial music to his bewildered listeners.

It was you who created GAMBARA; I have only clothed him. Let me
render unto Caesar the things that are Caesar's, regretting only
that you do not yourself take up the pen at a time when gentlemen
ought to wield it as well as the sword, if they are to save their
country. You may neglect yourself, but you owe your talents to us.

GAMBARA

New Year's Day of 1831 was pouring out its packets of sugared almonds, four o'clock was striking, there was a mob in the Palais-Royal, and the eating-houses were beginning to fill. At this moment a coupe drew up at the _perron_ and a young man stepped out; a man of haughty appearance, and no doubt a foreigner; otherwise he would not have displayed the aristocratic _chasseur_ who attended him in a plumed hat, nor the coat of arms which the heroes of July still attacked.

This gentleman went into the Palais-Royal, and followed the crowd round the galleries, unamazed at the slowness to which the throng of loungers reduced his pace; he seemed accustomed to the stately step which is ironically nicknamed the ambassador's strut; still, his dignity had a touch of the theatrical. Though his features were handsome and imposing, his hat, from beneath which thick black curls stood out, was perhaps tilted a little too much over the right ear, and belied his gravity by a too rakish effect. His eyes, inattentive and half closed, looked down disdainfully on the crowd.

"There goes a remarkably good-looking young man," said a girl in a low voice, as she made way for him to pass.

"And who is only too well aware of it!" replied her companion aloud--who was very plain.

After walking all round the arcades, the young man looked by turns at the sky and at his watch, and with a shrug of impatience went into a tobacconist's shop, lighted a cigar, and placed himself in front of a looking-glass to glance at his costume, which was rather more ornate than the rules of French taste allow. He pulled down his collar and his black velvet waistcoat, over which hung many festoons of the thick gold chain that is made at Venice; then, having arranged the folds of his cloak by a single jerk of his left shoulder, draping it gracefully so as to show the velvet lining, he started again on parade, indifferent to the glances of the vulgar.

As soon as the shops were lighted up and the dusk seemed to him black enough, he went out into the square in front of the Palais-Royal, but as a man anxious not to be recognized; for he kept close under the houses as far as the fountain, screened by the hackney-cab stand, till he reached the Rue Froid-Manteau, a dirty, poky, disreputable street--a sort of sewer tolerated by the police close to the purified purlieus of the Palais-Royal, as an Italian major-domo allows a careless servant to leave the sweepings of the rooms in a corner of the staircase.

The young man hesitated. He might have been a bedizened citizen's wife craning her neck over a gutter swollen by the rain. But the hour was not unpropitious for the indulgence of some discreditable whim. Earlier, he might have been detected; later, he might find himself cut out. Tempted by a glance which is encouraging without being inviting, to have followed a young and pretty woman for an hour, or perhaps for a day, thinking of her as a divinity and excusing her light conduct by a thousand reasons to her advantage; to have allowed oneself to believe in a sudden and irresistible affinity; to have pictured, under the promptings of transient excitement, a love-adventure in an age when romances are written precisely because they never happen; to have dreamed of balconies, guitars, stratagems, and bolts, enwrapped in Almaviva's cloak; and, after inditing a poem in fancy, to stop at the door of a house of ill-fame, and, crowning all, to discern in Rosina's bashfulness a reticence imposed by the police--is not all this, I say, an experience familiar to many a man who would not own it?

The most natural feelings are those we are least willing to confess, and among them is fatuity. When the lesson is carried no further, the Parisian profits by it, or forgets it, and no great harm is done. But this would hardly be the case with this foreigner, who was beginning to think he might pay too dearly for his Paris education.

This personage was a Milanese of good family, exiled from his native country, where some "liberal" pranks had made him an object of suspicion to the Austrian Government. Count Andrea Marcosini had been welcomed in Paris with the cordiality, essentially French, that a man always finds there, when he has a pleasant wit, a sounding name, two hundred thousand francs a year, and a prepossessing person. To such a man banishment could but be a pleasure tour; his property was simply sequestrated, and his friends let him know that after an absence of two years he might return to his native land without danger.

After rhyming _crudeli affanni_ with _i miei tiranni_ in a dozen or so of sonnets, and maintaining as many hapless Italian refugees out of his own purse, Count Andrea, who was so unlucky as to be a poet, thought himself released from patriotic obligations. So, ever since his arrival, he had given himself up recklessly to the pleasures of every kind which Paris offers _gratis_ to those who can pay for them. His talents and his handsome person won him success among women, whom he adored collectively as beseemed his years, but among whom he had not as yet distinguished a chosen one. And indeed this taste was, in him, subordinate to those for music and poetry which he had cultivated from his childhood; and he thought success in these both more difficult and more glorious to achieve than in affairs of gallantry, since nature had not inflicted on him the obstacles men take most pride in defying.

A man, like many another, of complex nature, he was easily fascinated by the comfort of luxury, without which he could hardly have lived; and, in the same way, he clung to the social distinctions which his principles contemned. Thus his theories as an artist, a thinker, and a poet were in frequent antagonism with his tastes, his feelings, and his habits as a man of rank and wealth; but he comforted himself for his inconsistencies by recognizing them in many Parisians, like himself liberal by policy and aristocrats by nature.

Hence it was not without some uneasiness that he found himself, on December 31, 1830, under a Paris thaw, following at the heels of a woman whose dress betrayed the most abject, inveterate, and long-accustomed poverty, who was no handsomer than a hundred others to be seen any evening at the play, at the opera, in the world of fashion, and who was certainly not so young as Madame de Manerville, from whom he had obtained an assignation for that very day, and who was perhaps waiting for him at that very hour.

But in the glance at once tender and wild, swift and deep, which that woman's black eyes had shot at him by stealth, there was such a world of buried sorrows and promised joys! And she had colored so fiercely when, on coming out of a shop where she had lingered a quarter of an hour, her look frankly met the Count's, who had been waiting for her hard by! In fact, there were so many _buts_ and _ifs_, that, possessed by one of those mad temptations for which there is no word in any language, not even in that of the orgy, he had set out in pursuit of this woman, hunting her down like a hardened Parisian.

On the way, whether he kept behind or ahead of this damsel, he studied every detail of her person and her dress, hoping to dislodge the insane and ridiculous fancy that had taken up an abode in his brain; but he presently found in his examination a keener pleasure than he had felt only the day before in gazing at the perfect shape of a woman he loved, as she took her bath. Now and again, the unknown fair, bending her head, gave him a look like that of a kid tethered with its head to the ground, and finding herself still the object of his pursuit, she hurried on as if to fly. Nevertheless, each time that a block of carriages, or any other delay, brought Andrea to her side, he saw her turn away from his gaze without any signs of annoyance. These signals of restrained feelings spurred the frenzied dreams that had run away with him, and he gave them the rein as far as the Rue Froid-Manteau, down which, after many windings, the damsel vanished, thinking she had thus spoilt the scent of her pursuer, who was, in fact, startled by this move.

It was now quite dark. Two women, tattooed with rouge, who were drinking black-currant liqueur at a grocer's counter, saw the young woman and called her. She paused at the door of the shop, replied in a few soft words to the cordial greeting offered her, and went on her way. Andrea, who was behind her, saw her turn into one of the darkest yards out of this street, of which he did not know the name. The repulsive appearance of the house where the heroine of his romance had been swallowed up made him feel sick. He drew back a step to study the neighborhood, and finding an ill-looking man at his elbow, he asked him for information. The man, who held a knotted stick in his right hand, placed the left on his hip and replied in a single word:

"Scoundrel!"

But on looking at the Italian, who stood in the light of a street-lamp, he assumed a servile expression.

"I beg your pardon, sir," said he, suddenly changing his tone. "There is a restaurant near this, a sort of table-d'hote, where the cooking is pretty bad and they serve cheese in the soup. Monsieur is in search of the place, perhaps, for it is easy to see that he is an Italian--Italians are fond of velvet and of cheese. But if monsieur would like to know of a better eating-house, an aunt of mine, who lives a few