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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you donโ€™t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online ยป Fiction ยป A Summer in Leslie Goldthwaite's Life by Mrs. A. D. T. Whitney (a book to read txt) ๐Ÿ“–

Book online ยซA Summer in Leslie Goldthwaite's Life by Mrs. A. D. T. Whitney (a book to read txt) ๐Ÿ“–ยป. Author Mrs. A. D. T. Whitney



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THE MEMORY OF MY DEAR FRIEND

MARIA S. CUMMINS

AND OF DAYS AMONG THE MOUNTAINS MADE
BEAUTIFUL BY HER COMPANIONSHIP

I DEDICATE THIS LITTLE STORY


PREFACE TO REAL FOLKS SERIES.


"Leslie Goldthwaite" was the first of a series of four, which grew from this beginning, and was written in 1866 and the years nearly following; the first two stories--this and "We Girls"--having been furnished, by request, for the magazine "Our Young Folks," published at that time with such success by Messrs. Fields, Osgood & Co., and edited by Mr. Howard M. Ticknor and Miss Lucy Larcom. The last two volumes--"Real Folks" and "The Other Girls"--were asked for to complete the set, and were not delayed by serial publication, but issued at once, in their order of completion, in book form.

There is a sequence of purpose, character, and incident in the four stories, of which it is well to remind new readers, upon their reappearance in fresh editions. They all deal especially with girl-life and home-life; endeavoring, even in the narration of experiences outside the home and seeming to preclude its life, to keep for girlhood and womanhood the true motive and tendency, through whatever temporary interruption and necessity, of and toward the best spirit and shaping of womanly work and surrounding; making the home-life the ideal one, and home itself the centre and goal of effort and hope.

The writing of "The Other Girls" was interrupted by the Great Fire of 1872, and the work upon the Women's Relief Committee, which brought close contact and personal knowledge to reinforce mere sympathy and theory,--and so, I hope, into this last of the series, a touch of something that may deepen the influence of them all to stronger help.

* * * * *

I wish, without withdrawing or superseding the special dedication of "Leslie Goldthwaite" to the memory of the dear friend with whom the weeks were spent in which I gathered material for Leslie's "Summer," to remember, in this new presentation of the whole series, that other friend, with whom all the after work in it was associated and made the first links of a long regard and fellowship, now lifted up and reaching onward into the hopes and certainties of the "Land o' the Leal."

I wish to join to my own name in this, the name of Lucy Larcom, which stands representative of most brave and earnest work, in most gentle, womanly living.


ADELINE D. T. WHITNEY.
Milton, 1893.


CONTENTS.

CHAPTER
I. THE GREEN OF THE LEAF
II. WAYSIDE GLIMPSES
III. EYESTONES
IV. MARMADUKE WHARNE
V. HUMMOCKS
VI. DAKIE THAYNE
VII. DOWN AT OUTLEDGE
VIII. SIXTEEN AND SIXTY
IX. "I DON'T SEE WHY"
X. GEODES
XI. IN THE PINES
XII. CROWDED OUT
XIII. A HOWL
XIV. "FRIENDS OF MAMMON"
XV. QUICKSILVER AND GOLD
XVI. "WHY DIDN'T YOU TELL US?"
XVII. LEAF-GLORY


A SUMMER IN LESLIE GOLDTHWAITE'S LIFE.


CHAPTER I.

THE GREEN OF THE LEAF.

"Nothing but leaves--leaves--leaves! The green things don't know enough to do anything better!"

Leslie Goldthwaite said this, standing in the bay-window among her plants, which had been green and flourishing, but persistently blossomless, all winter, and now the spring days were come. Cousin Delight looked up; and her white ruffling, that she was daintily hemstitching, fell to her lap, as she looked, still with a certain wide intentness in her eyes, upon the pleasant window, and the bright, fresh things it framed. Not the least bright and fresh among them was the human creature in her early girlhood, tender and pleasant in its beautiful leafage, but waiting, like any other young and growing life, to prove what sort of flower should come of it.

"Now you've got one of your 'thoughts,' Cousin Delight! I see it 'biggening,' as Elspie says." Leslie turned round, with her little green watering-pot suspended in her hand, waiting for the thought.

To have a thought, and to give it, were nearly simultaneous things with Cousin Delight; so true, so pure, so unselfish, so made to give,--like perfume or music, which cannot be, and be withheld,--were thoughts with her.

I must say a word, before I go further, of Delight Goldthwaite. I think of her as of quite a young person; you, youthful readers, would doubtless have declared that she was old,--very old, at least for a young lady. She was twenty-eight, at this time of which I write; Leslie, her young cousin, was just "past the half, and catching up," as she said herself,--being fifteen. Leslie's mother called Miss Goldthwaite, playfully, "Ladies' Delight;" and, taking up the idea, half her women friends knew her by this significant and epigrammatic title. There was something doubly pertinent in it. She made you think at once of nothing so much as heart's-ease,--a garden heart's-ease, that flower of many names; not of the frail, scentless, wild wood-violet,--she had been cultured to something larger. The violet nature was there, colored and shaped more richly, and gifted with rare fragrance--for those whose delicate sense could perceive it. The very face was a pansy face; with its deep, large, purple-blue eyes, and golden brows and lashes, the color of her hair,--pale gold, so pale that careless people who had perception only for such beauty as can flash upon you from a crowd, or across a drawing-room, said hastily that she had _no_ brows or lashes, and that this spoiled her. She was not a beauty, therefore; nor was she, in any sort, a belle. She never drew around her the common attention that is paid eagerly to very pretty, outwardly bewitching girls; and she never seemed to care for this. At a party, she was as apt as not to sit in a corner; but the quiet people,--the mothers, looking on, or the girls, waiting for partners,--getting into that same corner also, found the best pleasure of their evening there. There was something about her dress, too, that women appreciated most fully; the delicate textures, the finishings--and only those--of rare, exquisite lace, the perfect harmony of the whole unobtrusive toilet,--women looked at these in wonder at the unerring instinct of her taste; in wonder, also, that they only with each other raved about her. Nobody had ever been supposed to be devoted to her; she had never been reported as "engaged;" there had never been any of this sort of gossip about her; gentlemen found her, they said, hard to get acquainted with; she had not much of the small talk which must usually begin an acquaintance; a few--her relatives, or her elders, or the husbands of her intimate married friends--understood and valued her; but it was her girl friends and women friends who knew her best, and declared that there was nobody like her; and so came her sobriquet, and the double pertinence of it.

Especially she was Leslie Goldthwaite's delight. Leslie had no sisters, and her aunts were old,--far older than her mother; on her father's side, a broken and scattered family had left few ties for her; next to her mother, and even closer, in some young sympathies, she clung to Cousin Delight.

With this diversion, we will go back now to her, and to her thought.

"I was thinking," she said, with that intent look in her eyes, "I often think, of how something else was found, once, having nothing but leaves; and of what came to it."

"I know," answered Leslie, with an evasive quickness, and turned round with her watering-pot to her plants again.

There was sometimes a bit of waywardness about Leslie Goldthwaite; there was a fitfulness of frankness and reserve. She was eager for truth; yet now and then she would thrust it aside. She said that "nobody liked a nicely pointed moral better than she did; only she would just as lief it shouldn't be pointed at her." The fact was, she was in that sensitive state in which many a young girl finds herself, when she begins to ask and to weigh with herself the great questions of life, and shrinks shyly from the open mention of the very thing she longs more fully to apprehend.

Cousin Delight took no notice; it is perhaps likely that she understood sufficiently well for that. She turned toward the table by which she sat, and pulled toward her a heavy Atlas that lay open at the map of Connecticut. Beside it was Lippincott's Gazetteer,--open, also.

"Traveling, Leslie?"

"Yes. I've been a charming journey this morning, before you came. I wonder if I ever _shall_ travel, in reality. I've done a monstrous deal of it with maps and gazetteers."

"This hasn't been one of the stereotyped tours, it seems."

"Oh, no! What's the use of doing Niagara or the White Mountains, or even New York and Philadelphia and Washington, on the map? I've been one of my little by-way trips, round among the villages; stopping wherever I found one cuddled in between a river and a hill, or in a little seashore nook. Those are the places, after all, that I would hunt out, if I had plenty of money to go where I liked with. It's so pleasant to imagine how the people live there, and what sort of folks they would be likely to be. It isn't so much traveling as living round,--awhile in one home, and then in another. How many different little biding-places there are in the world! And how queer it is only really to know about one or two of them!"

"What's this place you're at just now? Winsted?"

"Yes; there's where I've brought up, at the end of that bit of railroad. It's a bigger place than I fancied, though. I always steer clear of the names that end in 'ville.' They're sure to be stupid, money-making towns, all grown up in a minute, with some common man's name tacked on to them, that happened to build a saw-mill, or something, first. But Winsted has such a sweet, little, quiet, English sound. I know it never _began_ with a mill. They make pins and clocks and tools and machines there now; and it's 'the largest and most prosperous post-village of Litchfield County.' But I don't care for the pins and machinery. It's got a lake alongside of it; and Still River--don't that sound nice?--runs through;

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