Droll Stories - Volume 3 by Honoré de Balzac (best contemporary novels .TXT) 📖

CONTENTS


THE THIRD TEN TALES
PROLOGUE
PERSEVERANCE IN LOVE
CONCERNING A PROVOST WHO DID NOT RECOGNISE THINGS
ABOUT THE MONK AMADOR, WHO WAS A GLORIOUS ABBOT OF TURPENAY
BERTHA THE PENITENT
HOW THE PRETTY MAID OF PORTILLON CONVINCED HER JUDGE
IN WHICH IT IS DEMONSTRATED THAT FORTUNE IS ALWAYS FEMININE
CONCERNING A POOR MAN WHO WAS CALLED LE VIEUX PAR-CHEMINS
ODD SAYINGS OF THREE PILGRIMS
INNOCENCE
THE FAIR IMPERIA MARRIED
EPILOGUE



THIRD TEN TALES


PROLOGUE

Certain persons have interrogated the author as to why there was such a demand for these tales that no year passes without his giving an instalment of them, and why he has lately taken to writing commas mixed up with bad syllables, at which the ladies publicly knit their brows, and have put to him other questions of a like character.

The author declares that these treacherous words, cast like pebbles in his path, have touched him in the very depths of his heart, and he is sufficiently cognisant of his duty not to fail to give to his special audience in this prologue certain reasons other than the preceding ones, because it is always necessary to reason with children until they are grown up, understand things, and hold their tongues; and because he perceives many mischievous fellows among the crowd of noisy people, who ignore at pleasure the real object of these volumes.

In the first place know, that if certain virtuous ladies--I say virtuous because common and low class women do not read these stories, preferring those that are never published; on the contrary, other citizens' wives and ladies, of high respectability and godliness, although doubtless disgusted with the subject-matter, read them piously to satisfy an evil spirit, and thus keep themselves virtuous. Do you understand, my good reapers of horns? It is better to be deceived by the tale of a book than cuckolded through the story of a gentleman. You are saved the damage by this, poor fools! besides which, often your lady becomes enamoured, is seized with fecund agitations to your advantage, raised in her by the present book. Therefore do these volumes assist to populate the land and maintain it in mirth, honour and health. I say mirth, because much is to be derived from these tales. I say honour, because you save your nest from the claws of that youthful demon named cuckoldom in the language of the Celts. I say health, because this book incites that which was prescribed by the Church of Salerno, for the avoidance of cerebral plethora. Can you derive a like proof in any other typographically blackened portfolios? Ha! ha! where are the books that make children? Think! Nowhere. But you will find a glut of children making books which beget nothing but weariness.

But to continue. Now be it known that when ladies, of a virtuous nature and a talkative turn of mind, converse publicly on the subject of these volumes, a great number of them, far from reprimanding the author, confess that they like him very much, esteem him a valiant man, worthy to be a monk in the Abbey of Theleme. For as many reasons as there are stars in the heavens, he does not drop the style which he has adopted in these said tales, but lets himself be vituperated, and keeps steadily on his way, because noble France is a woman who refuses to yield, crying, twisting about, and saying,

"No, no, never! Oh, sir, what are you going to do? I won't let you; you'd rumple me."

And when the volume is done and finished, all smiles, she exclaims,

"Oh, master, are there any more to come?"

You may take it for granted that the author is a merry fellow, who troubles himself little about the cries, tears and tricks of the lady you call glory, fashion, or public favour, for he knows her to be a wanton who would put up with any violence. He knows that in France her war-cry is _Mount Joy_! A fine cry indeed, but one which certain writers have disfigured, and which signifies, "Joy it is not of the earth, it is there; seize it, otherwise good-bye." The author has this interpretation from Rabelais, who told it to him. If you search history, has France ever breathed a word when she was joyous mounted, bravely mounted, passionately mounted, mounted and out of breath? She goes furiously at everything, and likes this exercise better than drinking. Now, do you not see that these volumes are French, joyfully French, wildly French, French before, French behind, French to the backbone. Back then, curs! strike up the music; silence, bigots! advance my merry wags, my little pages, put your soft hands into the ladies' hands and tickle them in the middle--of the hand of course. Ha! ha! these are high sounding and peripatetic reasons, or the author knows nothing of sound and the philosophy of Aristotle. He has on his side the crown of France and the oriflamme of the king and Monsieur St. Denis, who, having lost his head, said "Mount-my-Joy!" Do you mean to say, you quadrupeds, that the word is wrong? No. It was certainly heard by a great many people at the time; but in these days of deep wretchedness you believe nothing concerning the good old saints.

The author has not finished yet. Know all ye who read these tales with eye and hand, feel them in the head alone, and love them for the joy they bring you, and which goes to your heart, know that the author having in an evil hour let his ideas, _id est_, his inheritance, go astray, and being unable to get them together again, found himself in a state of mental nudity. Then he cried like the woodcutter in the prologue of the book of his dear master Rabelais, in order to make himself heard by the gentleman on high, Lord Paramount of all things, and obtain from Him fresh ideas. This said Most High, still busy with the congress of the time, threw to him through Mercury an inkstand with two cups, on which was engraved, after the manner of a motto, these three letters, _Ave_. Then the poor fellow, perceiving no other help, took great care to turn over this said inkstand to find out the hidden meaning of it, thinking over the mysterious words and trying to find a key to them. First, he saw that God was polite, like the great Lord as He is, because the world is His, and He holds the title of it from no one. But since, in thinking over the days of his youth, he remembered no great service rendered to God, the author was in doubt concerning this hollow civility, and pondered long without finding out the real substance of the celestial utensil. By reason of turning it and twisting it about, studying it, looking at it, feeling it, emptying it, knocking it in an interrogatory manner, smacking it down, standing it up straight, standing it on one side, and turning it upside down, he read backwards _Eva_. Who is _Eva_, if not all women in one? Therefore by the Voice Divine was it said to the author:

Think of women; woman will heal thy wound, stop the waste-hole in thy bag of tricks. Woman is thy wealth; have but one woman, dress, undress, and fondle that women, make use of the woman--woman is everything--woman has an inkstand of her own; dip thy pen in that bottomless inkpot. Women like love; make love to her with the pen only, tickle her phantasies, and sketch merrily for her a thousand pictures of love in a thousand pretty ways. Woman is generous, and all for one, or one for all, must pay the painter, and furnish the hairs of the brush. Now, muse upon that which is written here. _Ave_, Hail, _Eva_, woman; or _Eva_, woman, _Ave_, Hail. Yes, she makes and unmakes. Heigh, then, for the inkstand! What does woman like best? What does she desire? All the special things of love; and woman is right. To have children, to produce an imitation, of nature, which is always in labour. Come to me, then, woman!--come to me, Eva!

With this the author began to dip into that fertile inkpot, where there was a brain-fluid, concocted by virtues from on high in a talismanic fashion. From one cup there came serious things, which wrote themselves in brown ink; and from the other trifling things, which merely gave a roseate hue to the pages of the manuscript. The poor author has often, from carelessness, mixed the inks, now here, now there; but as soon as the heavy sentences, difficult to smooth, polish, and brighten up, of some work suitable to the taste of the day are finished, the author, eager to amuse himself, in spite of the small amount of merry ink remaining in the left cup, steals and bears eagerly therefrom a few penfuls with great delight. These said penfuls are, indeed, these same Droll Tales, the authority on which is above suspicion, because it flows from a divine source, as is shown in this the author's naive confession.

Certain evil-disposed people will still cry out at this; but can you find a man perfectly contented on this lump of mud? Is it not a shame? In this the author has wisely comported himself in imitation of a higher power; and he proves it by _atqui_. Listen. Is it not most clearly demonstrated to the learned that the sovereign Lord of worlds has made an infinite number of heavy, weighty, and serious machines with great wheels, large chains, terrible notches, and frightfully complicated screws and weights like the roasting jack, but also has amused Himself with little trifles and grotesque things light as zephyrs, and has made also naive and pleasant creations, at which you laugh directly you see them? Is it not so? Then in all eccentric works, such as the very spacious edifice undertaken by the author, in order to model himself upon the laws of the above-named Lord, it is necessary to fashion certain delicate flowers, pleasant insects, fine dragons well twisted, imbricated, and coloured--nay, even gilt, although he is often short of gold--and throw them at the feet of his snow-clad mountains, piles of rocks, and other cloud-capped philosophers, long and terrible works, marble columns, real thoughts carved in porphyry.

Ah! unclean beasts, who despise and repudiate the figures, phantasies, harmonies, and roulades of the fair muse of drollery, will you not pare your claws, so that you may never again scratch her white skin, all azure with veins, her amorous reins, her flanks of surpassing elegance, her feet that stay modestly in bed, her satin face, her lustrous features, her heart devoid of bitterness? Ah! wooden-heads, what will you say when you find that this merry lass springs from the heart of France, agrees with all that is womanly in nature, has been saluted with a polite _Ave_! by the angels in the person of their spokesman, Mercury, and finally, is the clearest quintessence of Art. In this work are to be met with necessity, virtue, whim, the desire of a woman, the votive offering of a stout Pantagruelist, all are here. Hold your peace, then, drink to the author, and let his inkstand with the double cup endow the Gay Science with a hundred glorious Droll Tales.

Stand back then, curs; strike up the music! Silence, bigots; out of the way, dunces! step forward my merry wags!--my little pages! give your soft hand to the ladies, and tickle theirs in the centre in a pretty