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The Project Gutenberg EBook of The Magic Nuts, by Mrs. Molesworth

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Title: The Magic Nuts

Author: Mrs. Molesworth

Illustrator: Rosie M. M. Pitman

Release Date: May 10, 2012 [EBook #39662]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE MAGIC NUTS ***




Produced by Annie McGuire. This book was produced from
scanned images of public domain material from the Google
Print archive.






THE MAGIC NUTS
THE UNSELFISH MERMAID. Frontispiece. THE MAGIC NUTS BY MRS. MOLESWORTH

AUTHOR OF 'CARROTS,' 'CUCKOO CLOCK,' 'TELL ME A STORY,' ETC.

ILLUSTRATED BY ROSIE M. M. PITMAN London MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY 1898

In childhood, when with eager eyes
The season-measured years I viewed,
All garbed in fairy guise.

Cardinal Newman.

I DEDICATE THIS LITTLE STORY TO MY GRAND-DAUGHTER VIOLET SARA MOLESWORTH

19 Sumner Place, S.W.,
February 1898.

CONTENTS
CHAPTER I Night and Morning CHAPTER II Apples and Nuts CHAPTER III It is Hildegarde CHAPTER IV On the Way CHAPTER V 'What's o'Clock?' CHAPTER VI Gnomeland CHAPTER VII A Collation under Difficulties CHAPTER VIII Tree-Top Land CHAPTER IX A Concert CHAPTER X The Blue-Silk Room CHAPTER XI 'The Unselfish Mermaid' CHAPTER XII 'The Unselfish Mermaid' (continued) ILLUSTRATIONS
Vignette The Unselfish Mermaid "Take these," she said, "for good luck" Portrait of Hildegarde "I must give you one or two warnings" Manufacturing Lucky Pennies "Who sent you to kiss us, you breezes of May" The Unselfish Mermaid

CHAPTER I NIGHT AND MORNING

The way was long.
Lay of the Last Minstrel.

Little Leonore pressed her face against the window of the railway carriage and tried hard to see out. But it was no use. It all looked so dark and black, all the darker and blacker for the glimmer of the rain-drops trickling down thickly outside, and reflecting the feeble light of the lamp in the roof of the compartment.

Leonore sighed deeply. She was very tired, more tired than she knew, for she did not feel sleepy, or as if she would give anything to be undressed and go to bed. On the contrary, she wished with all her heart that it was daylight, and that it would leave off raining, and that she could get out of the stuffy old railway train, and go for a good run. It had been raining for so long, and they had been such a lot of hours shut in and bum-bumming along in this dreary way—it even seemed to her now and then as if she had always been sitting in her corner like this, and that it had always been night and always raining outside.

'I don't believe I'm going to be happy at all at Alten,' she said to herself. 'I'm sure it's going to be horrid. It's always the way if people tell you anything's going to be lovely and nice, it's sure to be dull, and—just horrid.'

She glanced at the other end of the railway carriage where a lady, comfortably muffled up in the corner, was sleeping peacefully. She was not an old lady, but she was not young. To Leonore she seemed past counting her age, for she never appeared to get older, and during the six or seven years she had been the little girl's governess she had not changed at all.

'I wish I could go to sleep like Fraulein,' was the next thought that came into her busy brain. 'When she wakes she'll think I have been asleep, for she did tuck me up nicely. And I'm feeling as cross as cross.'

Then her eyes fell on the little cushion and the railway rug that she had thrown on to the floor—should she try to settle herself again and perhaps manage to go to sleep? It would be so nice to wake up and find they had got there, and surely it could not be very much farther. Fraulein had said ten o'clock, had she not? Leonore remembered sitting up one night till ten o'clock—more than a year ago—when her father was expected to arrive, and Fraulein was sure he would like to find her awake to welcome him. It hadn't seemed half so late that night as it did now—would ten o'clock never come?

She stooped down and pulled up the rug, and tried to prop the cushion against the back of the seat for her head. It was not very easy to manage, but Leonore was not a selfish child; it never occurred to her to disturb her governess for the sake of her own comfort, though Fraulein would not have been the least vexed with her had she done so.

Just as she had made up her mind that she would try to go to sleep, she felt a slight change in the motion of the train—the bum and rattle, rattle and bum, grew fainter—was it only her fancy, or could it, oh! could it be that they were slackening speed? If so, it could only mean arriving at Alten, for her governess had distinctly told her they would not stop again till they had reached their journey's end.

'Sleep, my dear,' she had said, 'sleep well till I wake you, and then we shall be there. There will be no other stopping anywhere to disturb you.'

Leonore held her breath in anxiety—yes, it was no fancy—they were moving more and more slowly, and through the darkness lights, which were not the glimmer of the rain-drops, began to appear. Then at last there was a pull-up.

'Fraulein, Fraulein,' cried Leonore, in great excitement, 'wake up, quick. We're there—do you hear? The train has stopped.'

Poor Fraulein had started up at the first words, but Leonore was too eager to leave off talking all at once, and in another moment the governess's head was out of the window, calling to a porter, for there was not too much time to spare, as the train had to start off again, not having finished its journey, though some of its passengers had done so. And almost before our little girl had quite taken in that the dreary rattle and bum in the darkness were over, she found herself on the platform, her own little travelling-bag and warm cloak in her grasp, while Fraulein, who insisted on loading herself as much as the porter, was chattering away to him in the cheeriest and liveliest of voices, far too fast for Leonore to understand much of what she said, as if she had never been asleep in her life.

'I suppose she's very pleased to be in her own country,' thought Leonore. 'I wish it wasn't night, so that I could see what it all looks like,' and she gazed about her eagerly, as she followed Fraulein and the porter out of the station.

Something, after all, was to be seen. The rain was clearing off; overhead it was almost dry, though very wet and puddly underfoot. In front of the station was a wide open space, with trees surrounding it, except where a broad road, at the end of which lamps showed some carriages waiting, led away to somewhere, though no streets or even houses were to be seen. The air felt fresh and pleasant, and Leonore's spirits began to rise.

'It feels like the country,' she said to herself; 'I wonder where the town is.'

But Fraulein was still too busy talking to the porter and to two or three other men who had somehow sprung up, to be asked any questions just yet. One of the men had a band round his cap with some words stamped on it in gilt letters. Leonore could only make out one word, 'Hotel ——,' and then he turned away, and she could not see the others.

By this time her governess was picking up her skirts in preparation for crossing the wet space before them.

'He says we had better step over to where the carriages are standing,' she explained to the little girl; 'it will be quicker'; and when, a moment later, the two found themselves alone, with plenty of room, in the comfortable omnibus, she lent back with a sigh of satisfaction.

'It is so pleasant to be in a land where things are well managed,' she said. 'We do not need to wait for our big luggage. I give the paper to the hotel porter, he sees to it all for us.'

'Yes,' said Leonore, though without paying much attention; the care of the luggage did not trouble her; 'but do tell me, Fraulein, dear, where is the hotel? Where are the streets and—and—everything? It seems like the country, and oh, aren't you glad to be out of the train? I thought we should never get here, and it was so dark and raining so hard, and I couldn't go to sleep.'

'Poor dear,' said tender-hearted Fraulein, 'and I who slept comfortably for so long. Had I known you were awake I would have kept awake also.'

'Never mind now,' said Leonore amiably; 'but tell me where we are going.'

'The station is half a mile or so out of the town,' explained the governess. 'See now, the houses are appearing. We cross the bridge—by daylight it is beautiful, such a view down the river.'

But Leonore did not care very much about beautiful views—not just now especially.

'I wish it wasn't so far to the town,' she said wearily, though almost as she said the words her tone changed. 'Oh now,' she exclaimed brightly, 'we are really getting into the streets. How queer everything looks—do you think the people are all in bed, Fraulein?'

It was a natural question, for as they drove through the wide dark streets, faintly lighted by an occasional lamp, there was nothing to be seen but closed shutters and barred doors. The houses, for the most part, looked large, particularly as regarded the entrance, for many of these led into courtyards, with great double gates.

Fraulein nodded her head.

'They are all in their houses,' she said, 'though perhaps not all in bed yet, for it is not really so very late. In Alten we keep to the good old ways, you see, my dear—"early to bed and early to rise," as your rhyme says.'

'It's very dull-looking,' said Leonore discontentedly. 'It seems like a lot of prisons, and—oh——'

She broke off suddenly, for they were stopping at last, or at least preparing to stop, as they turned in through a large doorway standing open to admit them into a courtyard, paved with cobble stones, and dimly lighted like the streets by an old-fashioned lamp or lantern at one side.

There was more light at the other side, however, where a short flight of steps led into the hotel, and here they pulled up, to be received by a funny little man in black, with a large expanse of shirt-front, and by what looked to Leonore's half-dazzled eyes like a whole troop of waiters, also in black, fluttering about him, though in reality there were only three—all the party bowing in the most polite way, and almost

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