Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Heart of Mid-Lothian, Complete by Walter Scott (best new books to read .TXT) 📖
- Author: Walter Scott
Book online «The Heart of Mid-Lothian, Complete by Walter Scott (best new books to read .TXT) 📖». Author Walter Scott
THE HEART OF MID-LOTHIAN
COLLECTED AND ARRANGED
BY JEDEDIAH CLEISHBOTHAM,
SCHOOLMASTER AND PARISH CLERK
OF GANDERCLEUGH.
THE HEART OF MID-LOTHIAN.
EDITOR’S INTRODUCTION TO THE HEART OF MID-LOTHIAN.
INTRODUCTION TO THE HEART OF MID-LOTHIAN—(1830).
POSTSCRIPT.
INTRODUCTORY
THE HEART OF MIDLOTHIAN
CHAPTER FIRST.
CHAPTER SECOND.
CHAPTER THIRD.
CHAPTER FOURTH.
CHAPTER FIFTH.
CHAPTER SIXTH.
CHAPTER SEVENTH
CHAPTER EIGHTH.
CHAPTER NINTH.
CHAPTER TENTH.
CHAPTER ELEVENTH.
CHAPTER TWELFTH.
CHAPTER THIRTEENTH.
CHAPTER FOURTEENTH.
CHAPTER FIFTEENTH.
CHAPTER SIXTEENTH.
CHAPTER SEVENTEENTH.
CHAPTER EIGHTEENTH.
CHAPTER NINETEENTH.
CHAPTER TWENTIETH.
CHAPTER TWENTY-FIRST.
CHAPTER TWENTY-SECOND.
CHAPTER TWENTY-THIRD.
VOLUME II.THE HEART OF MID-LOTHIAN.
CHAPTER FIRST.
CHAPTER SECOND
CHAPTER THIRD
CHAPTER FOURTH.
CHAPTER FIFTH.
CHAPTER SIXTH.
CHAPTER SEVENTH.
CHAPTER EIGHTH.
CHAPTER NINTH.
CHAPTER TENTH.
CHAPTER ELEVENTH.
CHAPTER TWELFTH.
CHAPTER THIRTEETH
CHAPTER FOURTEENTH.
CHAPTER FIFTEENTH.
CHAPTER SIXTEENTH.
CHAPTER SEVENTEENTH.
CHAPTER EIGHTEENTH.
CHAPTER NINETEENTH.
CHAPTER TWENTIETH.
CHAPTER TWENTY-FIRST.
CHAPTER TWENTY-SECOND.
CHAPTER TWENTY-THIRD.
CHAPTER TWENTY-FOURTH.
CHAPTER TWENTY-FIFTH.
CHAPTER TWENTY-SIXTH.
CHAPTER TWENTY-SEVENTH.
CHAPTER TWENTY-EIGHTH.
NOTE A.—AUTHOR’S CONNECTION WITH QUAKERISM
NOTE B.—TOMBSTONE TO HELEN WALKER.
NOTE C.—THE OLD TOLBOOTH.
NOTE D—THE PORTEOUS MOB.
NOTE E.—CARSPHARN JOHN.
NOTE F.—PETER WALKER.
NOTE G.—MUSCHAT’S CAIRN.
NOTE H.—HANGMAN, OR LOCKMAN.
NOTE I.—THE FAIRY BOY OF LEITH,
NOTE J.—COVENANTERS WITH THE INVISIBLE WORLD.
NOTE K.—CHILD-MURDER.
NOTE L.—CALUMNIATOR OF THE FAIR SEX.
NOTE M.—Sir William Dick of Braid.
NOTE N.—Doomster, or Dempster,
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