Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Under the Red Robe by Stanley John Weyman (trending books to read .txt) 📖
- Author: Stanley John Weyman
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Transcriber’s Note:
In this Etext, text in italics has been written in capital letters.
Many French words in the text have accents, etc. which have been omitted.
UNDER THE RED ROBE
CHAPTER I. AT ZATON’S
‘Marked cards!’
There were a score round us when the fool, little knowing the man with whom he had to deal, and as little how to lose like a gentleman, flung the words in my teeth. He thought, I’ll be sworn, that I should storm and swear and ruffle it like any common cock of the hackle. But that was never Gil de Berault’s way. For a few seconds after he had spoken I did not even look at him. I passed my eye instead—smiling, BIEN ENTENDU—round the ring of waiting faces, saw that there was no one except De Pombal I had cause to fear; and then at last I rose and looked at the fool with the grim face I have known impose on older and wiser men.
‘Marked cards, M. l’Anglais?’ I said, with a chilling sneer. ‘They are used, I am told, to trap players—not unbirched schoolboys.’
‘Yet I say that they are marked!’ he replied hotly, in his queer foreign jargon. ‘In my last hand I had nothing. You doubled the stakes. Bah, sir, you knew! You have swindled me!’
‘Monsieur is easy to swindle—when he plays with a mirror behind him,’ I answered tartly.
At that there was a great roar of laughter, which might have been heard in the street, and which brought to the table everyone in the eating-house whom his voice had not already attracted. But I did not relax my face. I waited until all was quiet again, and then waving aside two or three who stood between us and the entrance, I pointed gravely to the door.
‘There is a little space behind the church of St Jacques, M. l’Etranger,’ I said, putting on my hat and taking my cloak on my arm. ‘Doubtless you will accompany me thither?’
He snatched up his
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