Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Crystal Stopper by Maurice Leblanc (most important books of all time .TXT) 📖
- Author: Maurice Leblanc
Book online «The Crystal Stopper by Maurice Leblanc (most important books of all time .TXT) 📖». Author Maurice Leblanc
The two boats fastened to the little pier that jutted out from the garden lay rocking in its shadow. Here and there lighted windows showed through the thick mist on the margins of the lake. The Enghien Casino opposite blazed with light, though it was late in the season, the end of September. A few stars appeared through the clouds. A light breeze ruffled the surface of the water.
Arsene Lupin left the summer-house where he was smoking a cigar and, bending forward at the end of the pier:
“Growler?” he asked. “Masher?... Are you there?”
A man rose from each of the boats, and one of them answered:
“Yes, governor.”
“Get ready. I hear the car coming with Gilbert and Vaucheray.”
He crossed the garden, walked round a house in process of construction, the scaffolding of which loomed overhead, and cautiously opened the door on the Avenue de Ceinture. He was not mistaken: a bright light flashed round the bend and a large, open motor-car drew up, whence sprang two men in great-coats, with the collars turned up, and caps.
It was Gilbert and Vaucheray: Gilbert, a young fellow of twenty or twenty-two, with an attractive cast of features and a supple and sinewy frame; Vaucheray, older, shorter, with grizzled hair and a pale, sickly face.
“Well,” asked Lupin, “did you see him, the deputy?”
“Yes, governor,” said Gilbert, “we saw him take the 7.40 tram for Paris, as we knew he would.”
“Then we are free to act?”
“Absolutely. The Villa Marie-Therese is ours to do as we please with.”
The chauffeur had kept his seat. Lupin gave him his orders:
“Don’t wait here. It might attract attention. Be back at half-past nine exactly, in time to load the car unless the whole business falls through.”
“Why should it fall through?” observed Gilbert.
The motor drove away; and Lupin, taking the road to the lake with his two companions, replied:
“Why? Because I didn’t prepare the plan; and, when I don’t do a thing myself, I am only half-confident.”
“Nonsense, governor! I’ve been working with you for three years now... I’m beginning to know the ropes!”
“Yes, my lad, you’re beginning,” said Lupin, “and that’s just why I’m afraid of blunders... Here, get in with me... And you, Vaucheray, take the other boat... That’s it... And now push off, boys... and make as little noise as you can.”
Growler and Masher, the two oarsmen, made straight for the opposite bank, a little to the left of the casino.
They met a boat containing a couple locked in each other’s arms, floating at random, and another in which a number of people were singing at the top
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