Emile by Jean-Jacques Rousseau (new ebook reader TXT) 📖

possess her good qualities in a higher degree, but in no one are these qualities better blended to form a happy disposition. She knows how to make the best of her very faults, and if she were more perfect she would be less pleasing.

Sophy is not beautiful; but in her presence men forget the fairer women, and the latter are dissatisfied with themselves. At first sight she is hardly pretty; but the more we see her the prettier she is; she wins where so many lose, and what she wins she keeps.

Her eyes might be finer, her mouth more beautiful, her stature more imposing; but no one could have a more graceful figure, a finer complexion, a whiter hand, a daintier foot, a sweeter look, and a more expressive countenance. She does not dazzle; she arouses interest; she delights us, we know not why.

Sophy is fond of dress, and she knows how to dress; her mother has no other maid; she has taste enough to dress herself well; but she hates rich clothes; her own are always simple but elegant. She does not like showy but becoming things. She does not know what colours are fashionable, but she makes no mistake about those that suit her. No girl seems more simply dressed, but no one could take more pains over her toilet; no article is selected at random, and yet there is no trace of artificiality. Her dress is very modest in appearance and very coquettish in reality; she does not display her charms, she conceals them, but in such a way as to enhance them. When you see her you say, “That is a good modest girl,” but while you are with her, you cannot take your eyes or your thoughts off her and one might say that this very simple adornment is only put on to be removed bit by bit by the imagination.

Sophy has natural gifts; she is aware of them, and they have not been neglected; but never having had a chance of much training she is content to use her pretty voice to sing tastefully and truly; her little feet step lightly, easily, and gracefully, she can always make an easy graceful courtesy. She has had no singing master but her father, no dancing mistress but her mother; a neighbouring organist has given her a few lessons in playing accompaniments on the spinet, and she has improved herself by practice. At first she only wished to show off her hand on the dark keys; then she discovered that the thin clear tone of the spinet made her voice sound sweeter; little by little she recognised the charms of harmony; as she grew older she at last began to enjoy the charms of expression, to love music for its own sake. But she has taste rather than talent; she cannot read a simple air from notes.

Needlework is what Sophy likes best; and the feminine arts have been taught her most carefully, even those you would not expect, such as cutting out and dressmaking. There is nothing she cannot do with her needle, and nothing that she does not take a delight in doing; but lace-making is her favourite occupation, because there is nothing which requires such a pleasing attitude, nothing which calls for such grace and dexterity of finger. She has also studied all the details of housekeeping; she understands cooking and cleaning; she knows the prices of food, and also how to choose it; she can keep accounts accurately, she is her mother’s housekeeper.

Some day she will be the mother of a family; by managing her father’s house she is preparing to manage her own; she can take the place of any of the servants and she is always ready to do so. You cannot give orders unless you can do the work yourself; that is why her mother sets her to do it. Sophy does not think of that; her first duty is to be a good daughter, and that is all she thinks about for the present. Her one idea is to help her mother and relieve her of some of her anxieties. However, she does not like them all equally well. For instance, she likes dainty food, but she does not like cooking; the details of cookery offend her, and things are never clean enough for her. She is extremely sensitive in this respect and carries her sensitiveness to a fault; she would let the whole dinner boil over into the fire rather than soil her cuffs. She has always disliked inspecting the kitchen-garden for the same reason.

The soil is dirty, and as soon as she sees the manure heap she fancies there is a disagreeable smell.

This defect is the result of her mother’s teaching. According to her, cleanliness is one of the most necessary of a woman’s duties, a special duty, of the highest importance and a duty imposed by nature. Nothing could be more revolting than a dirty woman, and a husband who tires of her is not to blame. She insisted so strongly on this duty when Sophy was little, she required such absolute cleanliness in her person, clothing, room, work, and toilet, that use has become habit, till it absorbs one half of her time and controls the other; so that she thinks less of how to do a thing than of how to do it without getting dirty.

Yet this has not degenerated into mere affectation and softness; there is none of the over refinement of luxury. Nothing but clean water enters her room; she knows no perfumes but the scent of flowers, and her husband will never find anything sweeter than her breath. In conclusion, the attention she pays to the outside does not blind her to the fact that time and strength are meant for greater tasks; either she does not know or she despises that exaggerated cleanliness of body which degrades the soul. Sophy is more than clean, she is pure.

I said that Sophy was fond of good things. She was so by nature; but she became temperate by habit and now she is temperate by virtue.

Little girls are not to be controlled, as little boys are, to some extent, through their greediness. This tendency may have ill effects on women and it is too dangerous to be left unchecked.

When Sophy was little, she did not always return empty handed if she was sent to her mother’s cupboard, and she was not quite to be trusted with sweets and sugar-almonds. Her mother caught her, took them from her, punished her, and made her go without her dinner.

At last she managed to persuade her that sweets were bad for the teeth, and that over-eating spoiled the figure. Thus Sophy overcame her faults; and when she grew older other tastes distracted her from this low kind of self-indulgence. With awakening feeling greediness ceases to be the ruling passion, both with men and women. Sophy has preserved her feminine tastes; she likes milk and sweets; she likes pastry and made-dishes, but not much meat. She has never tasted wine or spirits; moreover, she eats sparingly; women, who do not work so hard as men, have less waste to repair. In all things she likes what is good, and knows how to appreciate it; but she can also put up with what is not so good, or can go without it.

Sophy’s mind is pleasing but not brilliant, and thorough but not deep; it is the sort of mind which calls for no remark, as she never seems cleverer or stupider than oneself. When people talk to her they always find what she says attractive, though it may not be highly ornamental according to modern ideas of an educated woman; her mind has been formed not only by reading, but by conversation with her father and mother, by her own reflections, and by her own observations in the little world in which she has lived. Sophy is naturally merry; as a child she was even giddy; but her mother cured her of her silly ways, little by little, lest too sudden a change should make her self-conscious. Thus she became modest and retiring while still a child, and now that she is a child no longer, she finds it easier to continue this conduct than it would have been to acquire it without knowing why. It is amusing to see her occasionally return to her old ways and indulge in childish mirth and then suddenly check herself, with silent lips, downcast eyes, and rosy blushes; neither child nor woman, she may well partake of both.

Sophy is too sensitive to be always good humoured, but too gentle to let this be really disagreeable to other people; it is only herself who suffers. If you say anything that hurts her she does not sulk, but her heart swells; she tries to run away and cry. In the midst of her tears, at a word from her father or mother she returns at once laughing and playing, secretly wiping her eyes and trying to stifle her sobs.

Yet she has her whims; if her temper is too much indulged it degenerates into rebellion, and then she forgets herself. But give her time to come round and her way of making you forget her wrong-doing is almost a virtue. If you punish her she is gentle and submissive, and you see that she is more ashamed of the fault than the punishment. If you say nothing, she never fails to make amends, and she does it so frankly and so readily that you cannot be angry with her. She would kiss the ground before the lowest servant and would make no fuss about it; and as soon as she is forgiven, you can see by her delight and her caresses that a load is taken off her heart. In a word, she endures patiently the wrong-doing of others, and she is eager to atone for her own. This amiability is natural to her sex when unspoiled. Woman is made to submit to man and to endure even injustice at his hands. You will never bring young lads to this; their feelings rise in revolt against injustice; nature has not fitted them to put up with it.

“Gravem Pelidae stomachum cedere nescii.”

HORACE, lib. i. ode vi.

Sophy’s religion is reasonable and simple, with few doctrines and fewer observances; or rather as she knows no course of conduct but the right her whole life is devoted to the service of God and to doing good. In all her parents’ teaching of religion she has been trained to a reverent submission; they have often said, “My little girl, this is too hard for you; your husband will teach you when you are grown up.” Instead of long sermons about piety, they have been content to preach by their example, and this example is engraved on her heart.

Sophy loves virtue; this love has come to be her ruling passion; she loves virtue because there is nothing fairer in itself, she loves it because it is a woman’s glory and because a virtuous woman is little lower than the angels; she loves virtue as the only road to real happiness, because she sees nothing but poverty, neglect, unhappiness, shame, and disgrace in the life of a bad woman; she loves virtue because it is dear to her revered father and to her tender and worthy mother; they are not content to be happy in their own virtue, they desire hers; and she finds her chief happiness in the hope of making them happy. All these feelings inspire an enthusiasm which stirs her heart and keeps all its budding passions in subjection to this noble enthusiasm. Sophy will be chaste and good till her dying day; she has vowed it in her secret heart, and not before she knew how hard it would