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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Vicomte de Bragelonne; Or, Ten Years Later<br />Being the completion of "The Three Musketeers" a by Alexandre Dumas (read the beginning after the end novel .TXT) 📖

Book online «The Vicomte de Bragelonne; Or, Ten Years Later&lt;br /&gt;Being the completion of &quot;The Three Musketeers&quot; a by Alexandre Dumas (read the beginning after the end novel .TXT) 📖». Author Alexandre Dumas



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of the king's military escort," objected Colbert, softly, "will make his majesty lose all the advantage of his speed, however quick he may be."

"Double ass that you are!" thought D'Artagnan; "if I had any interest or motive in demolishing your credit, I could do it in ten minutes. If I were in the king's place," he added, aloud, "I should, in going to M. Fouquet, leave my escort behind me; I should go to him as a friend; I should enter accompanied only by my captain of the guards; I should consider that I was acting more nobly, and should be invested with a still more sacred character by doing so."

Delight sparkled in the king's eyes. "That is indeed a very good suggestion. We will go to see a friend as friends; those gentlemen who are with the carriages can go slowly: but we who are mounted will ride on." And he rode off, accompanied by all those who were mounted. Colbert hid his ugly head behind his horse's neck.

"I shall be quits," said D'Artagnan, as he galloped along, "by getting a little talk with Aramis this evening. And then, M. Fouquet is a man of honor. Mordioux! I have said so, and it must be so."

And this was the way how, toward seven o'clock in the evening, without announcing his arrival by the din of trumpets, and without even his advanced guard, without out-riders or musketeers, the king presented himself before the gate of Vaux, where Fouquet, who had been informed of his royal guest's approach, had been waiting for the last half-hour, with his head uncovered, surrounded by his household and his friends.

CHAPTER LXXXVII. NECTAR AND AMBROSIA.

M. Fouquet held the stirrup of the king, who, having dismounted, bowed most graciously, and more graciously still held out his hand to him, which Fouquet, in spite of a slight resistance on the king's part, carried respectfully to his lips. The king wished to wait in the first courtyard for the arrival of the carriages, nor had he long to wait, for the roads had been put into excellent order by the surintendant, and a stone would hardly have been found of the size of an egg the whole way from Melun to Vaux; so that the carriages, rolling along as though on a carpet, brought the ladies to Vaux, without jolting or fatigue, by eight o'clock. They were received by Madame Fouquet, and at the moment these made their appearance, a light as bright as day burst forth from all the trees, and vases, and marble statues. This species of enchantment lasted until their majesties had retired into the palace. All these wonders and magical effects which the chronicler has heaped up, or rather, preserved, in his recital, at the risk of rivaling the creations of a romancist; these splendors whereby night seemed conquered and nature corrected; together with every delight and luxury combined for the satisfaction of all the senses, as well as of the mind, Fouquet did in real truth offer to his sovereign in that enchanting retreat of which no monarch could at that time boast of possessing an equal. We do not intend to describe the grand banquet, at which all the royal guests were present, nor the concerts, nor the fairy-like and magical transformations and metamorphoses; it will be more than enough for our purpose to depict the countenance which the king assumed, and which, from being gay, soon wore a gloomy, constrained, and irritated expression. He remembered his own residence, royal though it was, and the mean and indifferent style of luxury which prevailed there, and which comprised only that which was merely useful for the royal wants, without being his own personal property. The large vases of the Louvre, the old furniture and plate of Henry II., of Francis I., of Louis XI., were merely historical monuments of earlier days; they were nothing but specimens of art, the relics of his predecessors; while with Fouquet, the value of the article was as much in the workmanship as in the article itself. Fouquet ate from a gold service, which artists in his own employ had modeled and cast for himself alone. Fouquet drank wines of which the king of France did not even know the name, and drank them out of goblets each more precious than the whole royal cellar.

What, too, can be said of the apartments, the hangings, the pictures, the servants and officers, of every description, of his household? What can be said of the mode of service in which etiquette was replaced by order; stiff formality by personal, unrestrained comfort; the happiness and contentment of the guest became the supreme law of all who obeyed the host. The perfect swarm of busily engaged persons moving about noiselessly; the multitude of guests—who were, however, even less numerous than the servants who waited on them—the myriads of exquisitely prepared dishes, of gold and silver vases; the floods of dazzling light, the masses of unknown flowers of which the hot-houses had been despoiled, and which were redundant with all the luxuriance of unequaled beauty; the perfect harmony of everything which surrounded them, and which indeed was no more than the prelude of the promised fete, more than charmed all who were there, and who testified their admiration over and over again, not by voice or gesture, but by deep silence and rapt attention, those[Pg 351] two languages of the courtier which acknowledge the hand of no master powerful enough to restrain them.

As for the king, his eyes filled with tears; he dared not look at the queen. Anne of Austria, whose pride, as it ever had been, was superior to that of any creature breathing, overwhelmed her host by the contempt with which she treated everything handed to her. The young queen, kind-hearted by nature and curious by disposition, praised Fouquet, ate with an exceedingly good appetite, and asked the names of the different fruits which were placed upon the table. Fouquet replied that he was not aware of their names. The fruits came from his own stores: he had often cultivated them himself, having an intimate acquaintance with the cultivation of exotic fruits and plants. The king felt and appreciated the delicacy of the reply, but was only the more humiliated at it; he thought that the queen was a little too familiar in her manners, and that Anne of Austria resembled Juno a little too much, in being too proud and haughty; his chief anxiety, however, was himself, that he might remain cold and distant in his behavior, bordering slightly on the limits of extreme disdain or of simple admiration.

But Fouquet had foreseen all that; he was, in fact, one of those men who foresee everything. The king had expressly declared that so long as he remained under M. Fouquet's roof he did not wish his own different repasts to be served in accordance with the usual etiquette, and that he would, consequently, dine with the rest of the society; but by the thoughtful attention of the surintendant, the king's dinner was served up separately, if one may so express it, in the middle of the general table; the dinner, wonderful in every respect, from the dishes of which it was composed, comprised everything the king liked, and which he generally preferred to anything else. Louis had no excuse—he, indeed, who had the keenest appetite in his kingdom—for saying that he was not hungry. Nay, M. Fouquet even did better still; he certainly, in obedience to the king's expressed desire,[Pg 352] seated himself at the table, but as soon as the soups were served, he rose and personally waited on the king, while Madame Fouquet stood behind the queen-mother's armchair. The disdain of Juno and the sulky fits of temper of Jupiter could not resist this excess of kindly feeling and polite attention. The queen ate a biscuit dipped in a glass of San-Lucar wine; and the king ate of everything, saying to M. Fouquet: "It is impossible, Monsieur le Surintendant, to dine better anywhere." Whereupon the whole court began, on all sides, to devour the dishes spread before them, with such enthusiasm that it looked like a cloud of Egyptian locusts settling down upon the uncut crops.

As soon, however, as his hunger was appeased, the king became dull and gloomy again; the more so in proportion to the satisfaction he fancied he had manifested, and particularly on account of the deferential manner which his courtiers had shown toward Fouquet. D'Artagnan, who ate a good deal and drank but little, without allowing it to be noticed, did not lose a single opportunity, but made a great number of observations which he turned to good profit.

When the supper was finished, the king expressed a wish not to lose the promenade. The park was illuminated; the moon, too as if she had placed herself at the orders of the Lord of Vaux, silvered the trees and lakes with her bright phosphoric light. The air was soft and balmy; the graveled walks through the thickly set avenues yielded luxuriously to the feet. The fete was complete in every respect, for the king, having met La Valliere in one of the winding paths of the wood, was able to press her by the hand and say, "I love you," without any one overhearing him except M. d'Artagnan who followed, and M. Fouquet who preceded him.

The night of magical enchantments stole on. The king having requested to be shown his room, there was immediately a movement in every direction. The queens passed to their own apartments, accompanied by the music of theorbos and lutes; the king found his musketeers awaiting him on the grand flight of steps, for M. Fouquet had brought them on from Melun, and had invited them to supper. D'Artagnan's suspicions at once disappeared. He was weary, he had supped well, and wished, for once in his life, thoroughly to enjoy a fete given by a man who was in every sense of the word a king. "M. Fouquet," he said, "is the man for me."

The king was conducted with the greatest ceremony to the chamber of Morpheus, of which we owe some slight description to our readers. It was the handsomest and the largest in the palace. Lebrun had painted on the vaulted ceiling the happy, as well as disagreeable, dreams with which Morpheus affects kings as well as other men. Everything that sleep gives birth to that is lovely, its perfumes, its flowers and nectar, the wild voluptuousness or deep repose of the senses, had the painter enriched with his frescoes. It was a composition as soft and pleasing in one part as dark and gloomy and terrible in another. The poisoned chalice, the glittering dagger suspended over the head of the sleeper; wizards and phantoms with hideous masks, those half dim shadows, more terrific than the brightness of flame or the blackness of night; these, and such as these, he had made the companions of his more pleasing pictures. No sooner had the king entered the room than a cold shiver seemed to pass through him, and on Fouquet asking him the cause of it, the king replied, as pale as death:

"I am sleepy, that is all."

"Does your majesty wish for your attendants at once."

"No; I have to talk with a few persons first," said the king. "Will you have the goodness to tell M. Colbert I wish to see him." Fouquet bowed and left the room.

CHAPTER LXXXVIII. A GASCON, AND A GASCON AND A HALF.

D'Artagnan had determined to lose no time, and in fact he never was in the habit of doing so. After having inquired[Pg 353] [Pg 354]for Aramis, he had looked for him in every direction until he had succeeded in finding him. Besides, no sooner had the king entered into Vaux, than Aramis had retired to his own room, meditating, doubtlessly, some new piece of gallant attention for his majesty's amusement. D'Artagnan desired the servants to announce him, and found on the second story, (in a beautiful room called the Blue Room, on account of the color of its hangings) the bishop of Vannes in company with Porthos and several of the modern Epicureans. Aramis came forward to embrace his friend, and offered him the best seat. As it was after awhile generally remarked among those present that the musketeer was reserved, and wished for an opportunity for conversing secretly with Aramis, the Epicureans took their leave. Porthos, however, did not stir; for true it is that having dined exceedingly well, he was fast asleep in his armchair; and the freedom of conversation therefore was not interrupted by a third person. Porthos had a deep, harmonious snore, and people might talk in the midst of its loud bass without fear of disturbing him. D'Artagnan felt that he was called upon to open

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