The Vicomte de Bragelonne; Or, Ten Years Later<br />Being the completion of "The Three Musketeers" a by Alexandre Dumas (read the beginning after the end novel .TXT) 📖

the finances to a sound condition, M. Fouquet will be able to remain the sovereign ruler in his little court of poets and painters, but we shall have made him rich. When that has been done, and I shall have become your royal highness's prime minister, I shall be able to think of my own interests and yours."

The young man looked at his interrogator.

"M. de Richelieu, of whom we were speaking just now, was very blamable in the fixed idea he had of governing France alone, unaided. He allowed two kings, the King Louis XIII. and himself, to be seated upon the same throne, while he might have installed them more conveniently upon two separate and distinct thrones."

"Upon two thrones?" said the young man, thoughtfully.

"In fact," pursued Aramis, quietly, "a cardinal, prime minister of France, assisted by the favor and by the countenance of his Most Christian Majesty the the king of France, a cardinal to whom the king his master lends the treasures of the state, his arm, his counsel, such a man would be acting with twofold injustice in applying these mighty resources to France alone. Besides," added Aramis, "you will not be a king such as your father was; delicate in health, slow in judgment, whom all things wearied; you will be a king governing by your brain and by your sword; you would have in the government of the state no more than you could manage unaided; I should only interfere with you. Besides, our friend[Pg 344]ship ought never to be, I do not say impaired, but in any way affected, by a secret thought. I shall have given you the throne of France, you will confer on me the throne of St. Peter. Whenever your loyal, firm, and mailed hand shall have joined in ties of intimate association the hand of a pope such as I shall be, neither Charles the Fifth, who owned two-thirds of the habitable globe, nor Charlemagne, who possessed it entirely, will be able to reach to half your stature. I have no alliances, I have no predilections; I will not throw you into persecutions of heretics, nor will I cast you into the troubled waters of family dissension; I will simply say to you: The whole universe is our own: for me the minds of men, for you their bodies. And as I shall be the first to die, you will have my inheritance. What do you say of my plan, monseigneur?"

"I say that you render me happy and proud, for no other reason than that of having comprehended you thoroughly. Monsieur d'Herblay, you shall be cardinal, and when cardinal, my prime minister; and then you will point out to me the necessary steps to be taken to secure your election as pope, and I will take them. You can ask what guarantees from me you please."

"It is useless. I shall never act except in such a manner that you are the gainer; I shall never ascend the ladder of fortune, fame, or position, until I shall have first seen you placed upon the round of the ladder immediately above me; I shall always hold myself sufficiently aloof from you to escape incurring your jealousy, sufficiently near to sustain your personal advantage and to watch over your friendship. All the contracts in the world are easily violated because the interest included in them inclines more to one side than to another. With us, however, it will never be the case; I have no need of any guarantees."

"And so—my brother—will disappear?"

"Simply. We will remove him from his bed by means of a plank which yields to the pressure of the finger. Having retired to rest as a crowned sovereign, he will awaken in captivity. Alone you will rule from that moment, and you will have no interest dearer and better than that of keeping me near you."

"I believe it. There is my hand on it, Monsieur d'Herblay."

"Allow me to kneel before you, sire, most respectfully. We will embrace each other on the day we shall both have on our temples, you the crown, and I the tiara."

"Still embrace me this very day also, and be, for and toward me, more than great, more than skillful, more than sublime in genius; be kind and indulgent—be my father."

Aramis was almost overcome as he listened to his voice; he fancied he detected in his own heart an emotion hitherto unknown to him; but this impression was speedily removed. "His father!" he thought; "yes, his Holy Father."

And they resumed their places in the carriage, which sped rapidly along the road leading to Vaux-le-Vicomte.

CHAPTER LXXXV. THE CHATEAU DE VAUX-LE-VICOMTE.

The chateau of Vaux-le-Vicomte, situated about a league from Melun, had been built by Fouquet in 1655, at a time when there was a scarcity of money in France; Mazarin had taken all that there was, and Fouquet expended the remainder. However, as certain men have fertile faults and useful vices, Fouquet, in scattering broadcast millions of money in the construction of this palace, had found a means of gathering, as the result of his generous profusion, three illustrious men together: Levan, the architect of the building; Lenotre, the designer of the gardens; and Lebrun, the decorator of the apartments. If the Chateau de Vaux possessed a single fault with which it could be reproached, it was its grand, pretentious character. It is even at the present day proverbial to calculate the number of acres of roofing, the reparation of which would, in our age, be the ruin of fortunes cramped and narrowed as the epoch itself. Vaux-le-Vicomte, when its magnificent gates, supported by caryatides, have been passed through, has the principal front of the main building opening upon a vast, so-called court of honor, inclosed by deep ditches, bordered by a magnificent stone balustrade. Nothing could be more noble in appearance than the forecourt of the middle, raised upon the flight of steps, like a king upon his throne, having around it four pavilions forming the angles, the immense Ionic columns of which rose majestically to the whole height of the building. The friezes ornamented with arabesques, and the pediments which crowned the pilasters, conferred richness and grace upon every part of the building, while the domes which surmounted the whole added proportion and majesty. This mansion, built by a subject, bore a far greater resemblance to those royal residences which Wolsey fancied he was called upon to construct, in order to present them to his master from the fear of rendering him jealous.

But if magnificence and splendor were displayed in any one particular part of this palace more than in another—if anything could be preferred to the wonderful arrangement of the interior, to the sumptuousness of the gilding, and to the profusion of the paintings and statues, it would be the park and gardens of Vaux. The jets d'eau, which were regarded as wonderful in 1653, are still so, even at the present time; the cascades awakened the admiration of kings and princes; and as for the famous grotto, the theme of so many poetical effusions, the residence of that illustrious nymph of Vaux, whom Pellisson made converse with La Fontaine, we must be spared the description of all its beauties. We will do as Despreaux did—we will enter the park, the trees of which are of eight years' growth only, and whose summits even yet, as they proudly tower aloft, blushingly unfold their leaves to the earliest rays of the rising sun. Lenotre had accelerated the pleasure of the Mecænas of his period; all the nursery-grounds had furnished[Pg 345] trees whose growth had been accelerated by careful culture and rich manure. Every tree in the neighborhood which presented a fair appearance of beauty or stature, had been taken up by its roots and transplanted to the park. Fouquet could well afford to purchase trees to ornament his park, since he had bought up three villages and their appurtenances (to use a legal word) to increase its extent. M. de Scudery said of this palace, that for the purpose of keeping the grounds and gardens well watered, M. Fouquet had divided a river into a thousand fountains, and gathered the waters of a thousand fountains into torrents. This same Monsieur de Scudery said a great many other things in his "Clelie" about this palace of Valterre, the charms of which he describes most minutely. We should be far wiser to send our curious readers to Vaux to judge for themselves, than to refer them to the "Clelie" and yet there are as many leagues from Paris to Vaux as there are volumes of the "Clelie."

This magnificent palace had been got ready for the reception of the greatest reigning sovereign of the time. M. Fouquet's friends had transported thither, some their actors and their dresses, others their troops of sculptors and artists; not forgetting others with their ready-mended pens—floods of impromptus were contemplated. The cascades, somewhat rebellious nymphs though they were, poured forth their waters brighter and clearer than crystal; they scattered over the bronze tritons and nereids their waves of foam, which glistened like fire in the rays of the sun. An army of servants were hurrying to and fro in squadrons in the courtyard and corridors; while Fouquet, who had only that morning arrived, walked all through the palace with a calm, observant glance, in order to give his last orders, after his intendants had inspected everything.

It was, as we have said, the 15th of August. The sun poured down its burning rays upon the heathen deities of marble and bronze; it raised the temperature of the water in the conch shells, and ripened, on the walls, those magnifi[Pg 346]cent peaches, of which the king, fifty years later, spoke so regretfully, when, at Marly, on an occasion of a scarcity of the finer sorts of peaches being complained of, in the beautiful gardens there—gardens which had cost France double the amount that had been expended on Vaux—the great king observed to some one, "You are far too young to have eaten any of M. Fouquet's peaches."

Oh! fame! Oh! the blazonry of renown! Oh! the glory of this earth! That very man whose judgment was so sound and accurate where merit was concerned—he who had swept into his coffers the inheritance of Nicholas Fouquet, who had robbed him of Lenotre and Lebrun, and had sent him to rot for the remainder of his life in one of the state prisons—merely remembered the peaches of that vanquished, crushed, forgotten enemy! It was to little purpose that Fouquet had squandered thirty millions of francs in the fountains of his gardens, in the crucibles of his sculptors, in the writing-desks of his literary friends, in the portfolios of his painters; vainly had he fancied that thereby he might be remembered. A peach—a blushing, rich-flavored fruit, nestling in the trellis-work on the garden wall, hidden beneath its long green leaves—this small vegetable production, that a dormouse would nibble up without a thought, was sufficient to recall to the memory of this great monarch the mournful shade of the last surintendant of France.

With a perfect reliance that Aramis had made arrangements fairly to distribute the vast number of guests throughout the palace, and that he had not omitted to attend to any of the internal regulations for their comfort, Fouquet devoted his entire attention to the ensemble alone; in one direction Gourville showed him the preparations which had been made for the fireworks; in another, Moliere led him over the theater; at last, after he had visited the chapel, the salons, and the galleries, and was again going downstairs, exhausted with fatigue, Fouquet saw Aramis on the staircase. The prelate beckoned to him. The surintendant joined his friend, and, with him, paused before a large picture scarcely finished. Applying himself heart and soul to his work, the painter, Lebrun, covered with perspiration, stained with paint, pale from fatigue and inspiration of genius, was putting the last finishing touches with his rapid brush. It was the portrait of the king, whom they were expecting, dressed in the court-suit which Percerin had condescended to show beforehand to the bishop of Vannes. Fouquet placed himself before this portrait, which seemed to live, as one might say, in the cool freshness of its flesh, and in its warmth of color. He gazed upon it long and fixedly, estimated the prodigious labor that had been bestowed upon it, and, not being able to find any recompense sufficiently great for this Herculean effort, he passed his arm round the painter's neck, and embraced him. The surintendant, by this action, had utterly ruined a suit of clothes worth a thousand pistoles, but he had satisfied, more than satisfied, Lebrun. It was a happy moment for the artist; it was an unhappy one for M. Percerin, who was walking behind Fouquet, and was engaged in admiring, in Lebrun's painting, the suit that he had had