The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖

Bonaparte had contracted the habit of taking snuff: but only enough to keep his brain awake. He took it habitually, not, as biographers have declared, from the pocket of his waistcoat, but from a snuff-box which he changed almost every day for a new one—having in this matter of collecting snuff-boxes a certain resemblance to the great Frederick. If he ever did take snuff from his waistcoat pocket, it was on his battle days, when it would have been difficult, while riding at a gallop under fire, to hold both reins and snuff-box. For those days he had special waistcoats, with the right-hand pocket lined with perfumed leather; and, as the sloping cut of his coat enabled him to insert his thumb and forefinger into this pocket without unbuttoning his coat, he could, under any circumstances and at any gait, take snuff when he pleased.

As general or First Consul, he never wore gloves, contenting himself with holding and crumpling them in his left hand. As Emperor, there was some advance in this propriety; he wore one glove, and as he changed his gloves, not once, but two or three times a day, his valet adopted the habit of giving him alternate gloves; thus making one pair serve as two.

Bonaparte had two great passions which Napoleon inherited—for war and architectural monuments to his fame.

Gay, almost jolly in camp, he was dreamy and sombre in repose. To escape this gloom he had recourse to the electricity of art, and saw visions of those gigantic monumental works of which he undertook many, and completed some. He realized that such works are part of the life of peoples; they are history written in capitals, landmarks of the ages, left standing long after generations are swept away. He knew that Rome lives in her ruins, that Greece speaks by her statues, that Egypt, splendid and mysterious spectre, appeared through her monuments on the threshold of civilized existence.

What he loved above everything, what he hugged in preference to all else, was renown, heroic uproar; hence his need of war, his thirst for glory. He often said:

“A great reputation is a great noise; the louder it is, the further it is heard. Laws, institutions, monuments, nations, all fall; but sound remains and resounds through other generations. Babylon and Alexandria are fallen; Semiramis and Alexander stand erect, greater perhaps through the echo of their renown, waxing and multiplying through the ages, than they were in their lifetimes.” Then he added, connecting these ideas with himself: “My power depends on my fame and on the battles I win. Conquest has made me what I am, and conquest alone can sustain me. A new born government must dazzle, must amaze. The moment it no longer flames, it dies out; once it ceases to grow, it falls.”

He was long a Corsican, impatient under the conquest of his country; but after the 13th Vendemiaire he became a true Frenchman, and ended by loving France with true passion. His dream was to see her great, happy, powerful, at the head of the nations in glory and in art. It is true that, in making France great, he became great with her, and attached his name indissolubly to her grandeur. To him, living eternally in this thought, actuality disappeared in the future; wherever the hurricane of war may have swept him, France, above all things else, above all nations, filled his thoughts. “What will my Athenians think?” said Alexander, after Issus and Arbela. “I hope the French will be content with me,” said Bonaparte, after Rivoli and the Pyramids.

Before battle, this modern Alexander gave little thought to what he should do in case of victory, but much in case of defeat. He, more than any man, was convinced that trifles often decide the greatest events; he was therefore more concerned in foreseeing such events than in producing them. He watched them come to birth, and ripen; then, when the right time came, he appeared, laid his hand on them, mastered and guided them, as an able rider roasters and guides a spirited horse.

His rapid rise in the midst of revolutions and political changes he had brought about, or seen accomplished, the events which he had controlled, had given him a certain contempt for men; moreover, he was not inclined by nature to think well of them. His lips were often heard to utter the grievous maxim—all the more grievous because he personally knew its truth—“There are two levers by which men are moved, fear and self-interest.”

With such opinions Bonaparte did not, in fact, believe in friendship.

“How often,” said Bourrienne, “has he said to me, ‘Friendship is only a word; I love no one, not even my brothers—Joseph a little possibly; but if I love him it is only from habit, and because he is my elder. Duroc, yes, I love him; but why? Because his character pleases me; because he is stern, cold, resolute; besides, Duroc never sheds a tear. But why should I love any one? Do you think I have any true friends? As long as I am what I am, I shall have friends—apparently at least; but when my luck ceases, you’ll see! Trees don’t have leaves in winter. I tell you, Bourrienne, we must leave whimpering to the women, it’s their business; as for me, no feelings. I need a vigorous hand and a stout heart; if not, better let war and government alone.’”

In his familiar intercourse, Bonaparte was what schoolboys call a tease; but his teasings were never spiteful, and seldom unkind. His ill-humor, easily aroused, disappeared like a cloud driven by the wind; it evaporated in words, and disappeared of its own will. Sometimes, however, when matters of public import were concerned, and his lieutenants or ministers were to blame, he gave way to violent anger; his outbursts were then hard and cruel, and often humiliating. He gave blows with a club, under which, willingly or unwillingly, the recipient had to bow his head; witness his scene with Jomini and that with the Duc de Bellune.

Bonaparte had two sets of enemies, the Jacobins and the royalists; he detested the first and feared the second. In speaking of the Jacobins, he invariably called them the murderers of Louis XVI.; as for the royalists, that was another thing; one might almost have thought he foresaw the Restoration. He had about him two men who had voted the death of the king, Fouché and Cambacérès.

He dismissed Fouché, and, if he kept Cambacérès, it was because he wanted the services of that eminent legist; but he could not endure him, and he would often catch his colleague, the Second Consul, by the ear, and say: “My poor Cambacérès, I’m so sorry for you; but your goose is cooked. If ever the Bourbons get back they will hang you.”

One day Cambacérès lost his temper, and with a twist of his head he pulled his ear from the living pincers that held it.

“Come,” he said, “have done with your foolish joking.”

Whenever Bonaparte escaped any danger, a childish habit, a Corsican habit, reappeared; he always made a rapid sign of the cross on his breast with the thumb.

Whenever he met with any annoyance, or was haunted with a disagreeable thought, he hummed—what air? An air of his own that was no air at all, and which nobody ever noticed, he sang so false. Then, still singing, he would sit down before his writing desk, tilting in his chair, tipping it back till he almost fell over, and mutilating, as we have said, its arms with a penknife, which served no other purpose, inasmuch as he never mended a pen himself. His secretaries were charged with that duty, and