The Saracen: Land of the Infidel by Robert Shea (poetry books to read txt) 📖
- Author: Robert Shea
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"It is not overly full," he said impatiently.
But the man with the black hat still stood before him. "Are you sure that we will be welcome, Signore?"
"You can pay for a place in the common bed, can you not?" said Daoud, eager to finish the prayer.
"Oh, we do not require a bed, Signore," said the old man. "We will sleep in the stable, or sit up"—he chuckled—"or even sleep standing up, as our donkey does. It is just that we cannot go farther tonight. Rome has more robbers than a dog has fleas."
Why in the name of God was the man so hesitant? Daoud, seeing no need to continue the conversation, remained silent.
The old man sighed. "Peace be to you, Signore," he said again. "Come, my son."
The man's son climbed down, and the two travelers pulled the donkey through the inn's gate. Leather packs hung from either side of the donkey, and Daoud wondered what was in them. Probably nothing of value, but robbers would attack anyone who looked vulnerable, and the old man's fear was doubtless justified.
Daoud thought of the precious stones he and Celino carried between[69] them. He felt the cold breath of danger on the back of his neck.
Here in this inn they may all be honest men, but if they knew what wealth we had, even honest men would try to cut our throats.
He turned his mind again to his prayers. By the time he finished and turned to go through the gate leading to the courtyard, he sensed a change in the noises from within. Shrill, angry voices had replaced the cheerful murmur of general conversation.
The donkey and the boy who had ridden it huddled in the corner where the stables met the main building.
Daoud stood listening in the center of the inn yard, his hand resting lightly on the dagger at his belt. He faced the two-story main building, the dining hall at ground level, the beds that slept six or more upstairs. Access to the sleeping room was by way of a flight of outside wooden stairs leading to a platform and an upper door. The doors and the window shutters on both levels were open to let in the cool night air. Stables secured with half doors on his left, a storage shed on his right.
As Daoud strode past the old man's son, he caught a glimpse of bright black eyes reflecting the light from oil lanterns hung on wooden pegs set high on either side of the inn door.
Daoud moved to the doorway, and as he looked into the smoky, candlelit hall, his heart sank.
The crowd of men and women in the room were turned toward Lorenzo Celino. He stood against the far wall, the long blade of his sword gleaming in the candlelight, facing six naked daggers.
Beside Celino, the hound Scipio stood stiff-legged, tail whipping from side to side, fangs bared, growling softly. Fear of that dog was keeping Celino's opponents back as much as fear of his sword, thought Daoud.
The bearded old man who had spoken to Daoud was standing to Celino's left and a little behind him. Celino's eyes flicked toward Daoud for an instant, and then quickly away before anyone might notice that he had looked toward the doorway.
Daoud scanned the room for Sophia. She was standing in the shadows, almost invisible in a long, hooded cloak. No one was threatening her.
One of the men facing Celino, Daoud recognized, was the innkeeper himself. He was a huge man with broad, rounded shoulders and a shock of thick black hair cut off at the same length all the[70] way around, so it looked like a bowl. The dagger he held was a long, murderous blade, but his big hand made it look like a toy.
"Give us the Jew," the innkeeper said to Celino. "We have no quarrel with you."
The old man was a Jew? How was it, Daoud demanded of himself, that these people had known that and he had not?
"You do have a quarrel with me," said Celino, "because I do not care to see you torment and rob this old man."
Daoud swore to himself. Was this the kind of madman Manfred had yoked him with? Sworn to the utmost secrecy, carrying a fortune in jewels, and now he brings a whole inn down around his ears by defending some dusty old man?
But does not God love the compassionate?
Give us the Jew, the innkeeper had said. Daoud knew that Christians took delight in mistreating Jews.
And I told the old man to go in there. But I did not know he was a Jew. Or that these people would harm him.
Whether Celino was a madman or not, Daoud would have to get him out of this, because he was carrying half of their supply of precious stones. When they left Lucera, Daoud and Celino had divided the twenty-four jewels Manfred had traded for the great emerald. Each carried half of the precious stones in a pouch hidden under his tunic.
Daoud studied the room. There must be a good thirty people there, most of them men. Aside from the six surrounding Celino, few of them seemed menacing. But if someone jumped in to help Celino, more might join the other side.
What do I have to help me? That boy who came with the old man. Sophia. And Celino and the dog.
If only, he thought, he had the Scorpion. But that was in the dining hall there, with all their other baggage, which Celino—the fool!—was supposed to be guarding.
He backed out into the small courtyard and bumped into the boy, who had followed him to the door. "You. Your father is in danger in there. And my friend has gotten into trouble trying to help him. We must get them out, you and I."
"Why should Christians help us?" The bitter voice was high. The boy must be very young. He was wrapped up like a Bedouin. His head and face were swathed in a dark cloth, his body cloaked. Only those sparkling eyes showed.
"I must help my friend," Daoud said. "If he lives, you can ask[71] him why he chose to defend your father. Are you just going to cower here?"
"What should I do?"
What would make those men leave Celino alone long enough to give him a chance to escape? Standing outside the doorway with the boy, Daoud's eyes searched the courtyard again as his mind tried to fit what he saw into a plan.
Daoud looked up at the lanterns again. Fire was sure to take men's minds off a fight.
"Take the lanterns and run up those stairs. Throw them into the bedding and get a good fire going. Make sure the floor is burning. Then come back down to me."
Daoud took the two lanterns down from their pegs and handed them to the boy, who raced up the stairs that clung to the outer wall of the inn. Daoud went to the stable and opened the doors of the stalls that held their four horses. He dragged out the saddles and bridles and threw them over the horses' backs. Trained with horses since boyhood, he worked with practiced speed. By the time the boy was beside him again, he had two of the horses saddled.
He looked up and saw bright yellow flames flickering in the upper windows.
"You did that well," he said. "You know how to saddle horses?"
"Yes, Messere."
"Get these two ready, then. Do it right; you will be riding one. And hold them here with your donkey."
Daoud turned and shouted, "Fire!"
He ran to the doorway, looked in long enough to see the darkened spot with its glowing center in the wooden ceiling of the dining hall, and gestured toward it as he again shouted, "Fire!" Then he stepped back to let the crowd tumble out past him.
The burly innkeeper was among the first to exit, jamming his dagger back into its scabbard and shouting for help. "Take water from the horse trough. Get buckets, pots, anything!" Waving his long arms, he towered over the men milling around him like a giant commanding an army of dwarves.
When the first rush had pushed through the doorway, Daoud ran into the dining hall. He could see the blackening circle spreading in the ceiling and flames licking around its edges.
Celino and the old Jew were still standing together by the far wall. Only three men faced them now.[72]
"Come on!" Daoud shouted. He strode to the table where they had been sitting and grabbed up their packs.
"Stay where you are!" a woman's voice cried. It was the innkeeper's wife, a gaunt woman nearly as tall as her husband, with bulging eyes and a face as sharp as the carving knife she brandished.
An earthenware jug crashed down on her head. Her eyes rolled up till only the whites showed. As she slumped to the floor, Daoud saw Sophia behind her.
Well done, Byzantine woman.
"Scipio! Spegni!" Celino shouted. With a roar like a lion's, Scipio leapt at the central figure among the three men confronting his master. Scipio's prey screamed, then stumbled over a bench and fell to the floor on his back. The hound sprang onto his chest, snarls of rage all but drowning out his victim's shrieks. The other two men, their mouths gaping, their eyes fixed on nothing, ran past Daoud without seeing him.
"Stop your dog," Daoud called to Celino. "I want no killing." Smoke spreading from above was searing his nostrils.
Daoud, Celino, and Sophia, followed by the old man and the dog, made their way to the door.
Daoud threw saddlebags to Celino and Sophia. Men were dragging their panic-stricken, rearing horses out of the stables and through the gate. The giant innkeeper and other men were racing up and down the outside stairs, which had also begun to burn, dumping buckets of water on the fire. Men were fighting their way through smoke and flame into the bedroom, trying to rescue belongings they had left there.
The boy stood by their horses, exactly where Daoud had left him. Bravely done, Daoud thought. Hastily tying his packs down, Daoud unlaced one. There were two weapons inside—a Scorpion, the miniature crossbow of the Hashishiyya, and a full-size crossbow. Daoud chose the bigger one, a Genoese arbalest drawn by crank, a present from King Manfred. The quarrels were loaded by spring from a chamber within the stock that could hold six at a time, so that the bowman could fire it as quickly as he could draw it.
Holding the arbalest with one hand, Daoud vaulted into the saddle. Celino and Sophia were already up. The old man had clambered onto their spare horse, and his son was on the donkey.
I should leave that old man behind, Daoud thought angrily. Were it not for him, I would be sleeping comfortably right now.[73]
"They started the fire!" It was the innkeeper's wife in the doorway, her tall body and long arms silhouetted by leaping flames. She pointed an accusing hand at Daoud's party. "Stop them!"
The men who had been trying to put out the fire were giving up, and they turned and started for Daoud and his companions.
"Throw them into the fire!" shrieked the woman in the doorway.
Motioning the others toward the gate, Daoud turned his horse sideways and swung the crossbow in an arc to cover the attackers. The men stopped their rush, but the tall woman pushed her way through them, screaming curses.
Her hulking husband joined her, his long arms reaching for Daoud. He looked able to knock a horse to the ground.
Daoud used both hands to aim the crossbow at him, gripping the horse with his knees. He hoped the threat would be enough to stop the man. He did not want to shoot the innkeeper. If anyone were killed, the deed could follow them to Orvieto.
As he hesitated, the huge man drew back his arm and threw the dagger with the force of a catapult. Daoud heard a thump and a groan behind him. Daoud's thumb pressed the crossbow's release, and the string snapped forward with a reverberating bang. The innkeeper bellowed with pain, the cry dying away as he collapsed. The bolt probably went right through him, thought Daoud.
As the man's dying groan faded, his wife's scream rose. She fell on her knees beside him, and the other men crowded around them.
"Blood of Jesus! Pandolfo!" the innkeeper's wife wailed.
Jerking the reins with his left hand,
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