Our Mutual Friend by Charles Dickens (the chimp paradox .txt) 📖

are you then?' demanded Miss Wren.

'I am a gentleman, I am,' said Fledgeby.

'Oh!' assented Jenny, screwing up her mouth with an appearance of conviction. 'Yes, to be sure! That accounts for your having so much time to give to interceding. But only to think how kind and friendly a gentleman you must be!'

Mr Fledgeby found that he was skating round a board marked Dangerous, and had better cut out a fresh track. 'Let's get back to the dodgerest of the dodgers,' said he. 'What's he up to in the case of your friend the handsome gal? He must have some object. What's his object?'

'Cannot undertake to say, sir, I am sure!' returned Miss Wren, composedly.

'He won't acknowledge where she's gone,' said Fledgeby; 'and I have a fancy that I should like to have another look at her. Now I know he knows where she is gone.'

'Cannot undertake to say, sir, I am sure!' Miss Wren again rejoined.

'And you know where she is gone,' hazarded Fledgeby.

'Cannot undertake to say, sir, really,' replied Miss Wren.

The quaint little chin met Mr Fledgeby's gaze with such a baffling hitch, that that agreeable gentleman was for some time at a loss how to resume his fascinating part in the dialogue. At length he said:

'Miss Jenny!—That's your name, if I don't mistake?'

'Probably you don't mistake, sir,' was Miss Wren's cool answer; 'because you had it on the best authority. Mine, you know.'

'Miss Jenny! Instead of coming up and being dead, let's come out and look alive. It'll pay better, I assure you,' said Fledgeby, bestowing an inveigling twinkle or two upon the dressmaker. 'You'll find it pay better.'

'Perhaps,' said Miss Jenny, holding out her doll at arm's length, and critically contemplating the effect of her art with her scissors on her lips and her head thrown back, as if her interest lay there, and not in the conversation; 'perhaps you'll explain your meaning, young man, which is Greek to me.—You must have another touch of blue in your trimming, my dear.' Having addressed the last remark to her fair client, Miss Wren proceeded to snip at some blue fragments that lay before her, among fragments of all colours, and to thread a needle from a skein of blue silk.

'Look here,' said Fledgeby.—'Are you attending?'

'I am attending, sir,' replied Miss Wren, without the slightest appearance of so doing. 'Another touch of blue in your trimming, my dear.'

'Well, look here,' said Fledgeby, rather discouraged by the circumstances under which he found himself pursuing the conversation. 'If you're attending—'

('Light blue, my sweet young lady,' remarked Miss Wren, in a sprightly tone, 'being best suited to your fair complexion and your flaxen curls.')

'I say, if you're attending,' proceeded Fledgeby, 'it'll pay better in this way. It'll lead in a roundabout manner to your buying damage and waste of Pubsey and Co. at a nominal price, or even getting it for nothing.'

'Aha!' thought the dressmaker. 'But you are not so roundabout, Little Eyes, that I don't notice your answering for Pubsey and Co. after all! Little Eyes, Little Eyes, you're too cunning by half.'

'And I take it for granted,' pursued Fledgeby, 'that to get the most of your materials for nothing would be well worth your while, Miss Jenny?'

'You may take it for granted,' returned the dressmaker with many knowing nods, 'that it's always well worth my while to make money.'

'Now,' said Fledgeby approvingly, 'you're answering to a sensible purpose. Now, you're coming out and looking alive! So I make so free, Miss Jenny, as to offer the remark, that you and Judah were too thick together to last. You can't come to be intimate with such a deep file as Judah without beginning to see a little way into him, you know,' said Fledgeby with a wink.

'I must own,' returned the dressmaker, with her eyes upon her work, 'that we are not good friends at present.'

'I know you're not good friends at present,' said Fledgeby. 'I know all about it. I should like to pay off Judah, by not letting him have his own deep way in everything. In most things he'll get it by hook or by crook, but—hang it all!—don't let him have his own deep way in everything. That's too much.' Mr Fledgeby said this with some display of indignant warmth, as if he was counsel in the cause for Virtue.

'How can I prevent his having his own way?' began the dressmaker.

'Deep way, I called it,' said Fledgeby.

'—His own deep way, in anything?'

'I'll tell you,' said Fledgeby. 'I like to hear you ask it, because it's looking alive. It's what I should expect to find in one of your sagacious understanding. Now, candidly.'

'Eh?' cried Miss Jenny.

'I said, now candidly,' Mr Fledgeby explained, a little put out.

'Oh-h!'

'I should be glad to countermine him, respecting the handsome gal, your friend. He means something there. You may depend upon it, Judah means something there. He has a motive, and of course his motive is a dark motive. Now, whatever his motive is, it's necessary to his motive'—Mr Fledgeby's constructive powers were not equal to the avoidance of some tautology here—'that it should be kept from me, what he has done with her. So I put it to you, who know: What has he done with her? I ask no more. And is that asking much, when you understand that it will pay?'

Miss Jenny Wren, who had cast her eyes upon the bench again after her last interruption, sat looking at it, needle in hand but not working, for some moments. She then briskly resumed her work, and said with a sidelong glance of her eyes and chin at Mr Fledgeby:

'Where d'ye live?'

'Albany, Piccadilly,' replied Fledgeby.

'When are you at home?'

'When you like.'

'Breakfast-time?' said Jenny, in her abruptest and shortest manner.

'No better time in the day,' said Fledgeby.

'I'll look in upon you to-morrow, young man. Those two ladies,' pointing to dolls, 'have an appointment in Bond Street at ten precisely. When I've dropped 'em there, I'll drive round to you.' With a weird little laugh, Miss Jenny pointed to her crutch-stick as her equipage.

'This is looking alive indeed!' cried Fledgeby, rising.

'Mark you! I promise you nothing,' said the dolls' dressmaker, dabbing two dabs at him with her needle, as if she put out both his eyes.

'No no. I understand,' returned Fledgeby. 'The damage and waste question shall be settled first. It shall be made to pay; don't you be afraid. Good-day, Miss Jenny.'

'Good-day, young man.'

Mr Fledgeby's prepossessing form withdrew itself; and the little dressmaker, clipping and snipping and stitching, and stitching and snipping and clipping, fell to work at a great rate; musing and muttering all the time.

'Misty, misty, misty. Can't make it out. Little Eyes and the wolf in a conspiracy? Or Little Eyes and the wolf against one another? Can't make it out. My poor Lizzie, have they both designs against you, either way? Can't make it out. Is Little Eyes Pubsey, and the wolf Co? Can't make it out. Pubsey true to Co, and Co to Pubsey? Pubsey false to Co, and Co to Pubsey? Can't make it out. What said Little Eyes? “Now, candidly?” Ah! However the cat jumps, he's a liar. That's all I can make out at present; but you may go to bed in the Albany, Piccadilly, with that for your pillow, young man!' Thereupon, the little dressmaker again dabbed out his eyes separately, and making a loop in the air of her thread and deftly catching it into a knot with her needle, seemed to bowstring him into the bargain.

For the terrors undergone by Mr Dolls that evening when his little parent sat profoundly meditating over her work, and when he imagined himself found out, as often as she changed her attitude, or turned her eyes towards him, there is no adequate name. Moreover it was her habit to shake her head at that wretched old boy whenever she caught his eye as he shivered and shook. What are popularly called 'the trembles' being in full force upon him that evening, and likewise what are popularly called 'the horrors,' he had a very bad time of it; which was not made better by his being so remorseful as frequently to moan 'Sixty threepennorths.' This imperfect sentence not being at all intelligible as a confession, but sounding like a Gargantuan order for a dram, brought him into new difficulties by occasioning his parent to pounce at him in a more than usually snappish manner, and to overwhelm him with bitter reproaches.

What was a bad time for Mr Dolls, could not fail to be a bad time for the dolls' dressmaker. However, she was on the alert next morning, and drove to Bond Street, and set down the two ladies punctually, and then directed her equipage to conduct her to the Albany. Arrived at the doorway of the house in which Mr Fledgeby's chambers were, she found a lady standing there in a travelling dress, holding in her hand—of all things in the world—a gentleman's hat.

'You want some one?' said the lady in a stern manner.

'I am going up stairs to Mr Fledgeby's.'

'You cannot do that at this moment. There is a gentleman with him. I am waiting for the gentleman. His business with Mr Fledgeby will very soon be transacted, and then you can go up. Until the gentleman comes down, you must wait here.'

While speaking, and afterwards, the lady kept watchfully between her and the staircase, as if prepared to oppose her going up, by force. The lady being of a stature to stop her with a hand, and looking mightily determined, the dressmaker stood still.

'Well? Why do you listen?' asked the lady.

'I am not listening,' said the dressmaker.

'What do you hear?' asked the lady, altering her phrase.

'Is it a kind of a spluttering somewhere?' said the dressmaker, with an inquiring look.

'Mr Fledgeby in his shower-bath, perhaps,' remarked the lady, smiling.

'And somebody's beating a carpet, I think?'

'Mr Fledgeby's carpet, I dare say,' replied the smiling lady.

Miss Wren had a reasonably good eye for smiles, being well accustomed to them on the part of her young friends, though their smiles mostly ran smaller than in nature. But she had never seen so singular a smile as that upon this lady's face. It twitched her nostrils open in a remarkable manner, and contracted her lips and eyebrows. It was a smile of enjoyment too, though of such a fierce kind that Miss Wren thought she would rather not enjoy herself than do it in that way.

'Well!' said the lady, watching her. 'What now?'

'I hope there's nothing the matter!' said the dressmaker.

'Where?' inquired the lady.

'I don't know where,' said Miss Wren, staring about her. 'But I never heard such odd noises. Don't you think I had better call somebody?'

'I think you had better not,' returned the lady with a significant frown, and drawing closer.

On this hint, the dressmaker relinquished the idea, and stood looking at the lady as hard as the lady looked at her. Meanwhile the dressmaker listened with amazement to the odd noises which still continued, and the lady listened too, but with a coolness in which there was no trace of amazement.

Soon afterwards, came a slamming and banging of doors; and then came running down stairs, a gentleman with whiskers, and out of breath, who seemed to be red-hot.

'Is your business done, Alfred?' inquired the lady.

'Very thoroughly done,' replied the gentleman, as he took his hat from her.

'You can go up to Mr Fledgeby as soon as you like,' said the lady, moving haughtily away.

'Oh! And you can take these three pieces of stick with you,' added the gentleman politely, 'and say, if you please, that they come from Mr Alfred Lammle, with his compliments on leaving England. Mr Alfred Lammle. Be so good as not to forget the name.'

The three pieces of stick were three broken and frayed fragments of a stout lithe cane. Miss Jenny taking them wonderingly, and the gentleman repeating with a grin, 'Mr Alfred Lammle, if you'll be so