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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Our Mutual Friend by Charles Dickens (the chimp paradox .txt) 📖

Book online «Our Mutual Friend by Charles Dickens (the chimp paradox .txt) 📖». Author Charles Dickens



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good. Compliments, on leaving England,' the lady and gentleman walked away quite deliberately, and Miss Jenny and her crutch-stick went up stairs. 'Lammle, Lammle, Lammle?' Miss Jenny repeated as she panted from stair to stair, 'where have I heard that name? Lammle, Lammle? I know! Saint Mary Axe!'

With a gleam of new intelligence in her sharp face, the dolls' dressmaker pulled at Fledgeby's bell. No one answered; but, from within the chambers, there proceeded a continuous spluttering sound of a highly singular and unintelligible nature.

'Good gracious! Is Little Eyes choking?' cried Miss Jenny.

Pulling at the bell again and getting no reply, she pushed the outer door, and found it standing ajar. No one being visible on her opening it wider, and the spluttering continuing, she took the liberty of opening an inner door, and then beheld the extraordinary spectacle of Mr Fledgeby in a shirt, a pair of Turkish trousers, and a Turkish cap, rolling over and over on his own carpet, and spluttering wonderfully.

'Oh Lord!' gasped Mr Fledgeby. 'Oh my eye! Stop thief! I am strangling. Fire! Oh my eye! A glass of water. Give me a glass of water. Shut the door. Murder! Oh Lord!' And then rolled and spluttered more than ever.

Hurrying into another room, Miss Jenny got a glass of water, and brought it for Fledgeby's relief: who, gasping, spluttering, and rattling in his throat betweenwhiles, drank some water, and laid his head faintly on her arm.

'Oh my eye!' cried Fledgeby, struggling anew. 'It's salt and snuff. It's up my nose, and down my throat, and in my wind-pipe. Ugh! Ow! Ow! Ow! Ah—h—h—h!' And here, crowing fearfully, with his eyes starting out of his head, appeared to be contending with every mortal disease incidental to poultry.

'And Oh my Eye, I'm so sore!' cried Fledgeby, starting, over on his back, in a spasmodic way that caused the dressmaker to retreat to the wall. 'Oh I smart so! Do put something to my back and arms, and legs and shoulders. Ugh! It's down my throat again and can't come up. Ow! Ow! Ow! Ah—h—h—h! Oh I smart so!' Here Mr Fledgeby bounded up, and bounded down, and went rolling over and over again.

The dolls' dressmaker looked on until he rolled himself into a corner with his Turkish slippers uppermost, and then, resolving in the first place to address her ministration to the salt and snuff, gave him more water and slapped his back. But, the latter application was by no means a success, causing Mr Fledgeby to scream, and to cry out, 'Oh my eye! don't slap me! I'm covered with weales and I smart so!'

However, he gradually ceased to choke and crow, saving at intervals, and Miss Jenny got him into an easy-chair: where, with his eyes red and watery, with his features swollen, and with some half-dozen livid bars across his face, he presented a most rueful sight.

'What ever possessed you to take salt and snuff, young man?' inquired Miss Jenny.

'I didn't take it,' the dismal youth replied. 'It was crammed into my mouth.'

'Who crammed it?' asked Miss Jenny.

'He did,' answered Fledgeby. 'The assassin. Lammle. He rubbed it into my mouth and up my nose and down my throat—Ow! Ow! Ow! Ah—h—h—h! Ugh!—to prevent my crying out, and then cruelly assaulted me.'

'With this?' asked Miss Jenny, showing the pieces of cane.

'That's the weapon,' said Fledgeby, eyeing it with the air of an acquaintance. 'He broke it over me. Oh I smart so! How did you come by it?'

'When he ran down stairs and joined the lady he had left in the hall with his hat'—Miss Jenny began.

'Oh!' groaned Mr Fledgeby, writhing, 'she was holding his hat, was she? I might have known she was in it.'

'When he came down stairs and joined the lady who wouldn't let me come up, he gave me the pieces for you, and I was to say, “With Mr Alfred Lammle's compliments on his leaving England.”' Miss Jenny said it with such spiteful satisfaction, and such a hitch of her chin and eyes as might have added to Mr Fledgeby's miseries, if he could have noticed either, in his bodily pain with his hand to his head.

'Shall I go for the police?' inquired Miss Jenny, with a nimble start towards the door.

'Stop! No, don't!' cried Fledgeby. 'Don't, please. We had better keep it quiet. Will you be so good as shut the door? Oh I do smart so!'

In testimony of the extent to which he smarted, Mr Fledgeby came wallowing out of the easy-chair, and took another roll on the carpet.

'Now the door's shut,' said Mr Fledgeby, sitting up in anguish, with his Turkish cap half on and half off, and the bars on his face getting bluer, 'do me the kindness to look at my back and shoulders. They must be in an awful state, for I hadn't got my dressing-gown on, when the brute came rushing in. Cut my shirt away from the collar; there's a pair of scissors on that table. Oh!' groaned Mr Fledgeby, with his hand to his head again. 'How I do smart, to be sure!'

'There?' inquired Miss Jenny, alluding to the back and shoulders.

'Oh Lord, yes!' moaned Fledgeby, rocking himself. 'And all over! Everywhere!'

The busy little dressmaker quickly snipped the shirt away, and laid bare the results of as furious and sound a thrashing as even Mr Fledgeby merited. 'You may well smart, young man!' exclaimed Miss Jenny. And stealthily rubbed her little hands behind him, and poked a few exultant pokes with her two forefingers over the crown of his head.

'What do you think of vinegar and brown paper?' inquired the suffering Fledgeby, still rocking and moaning. 'Does it look as if vinegar and brown paper was the sort of application?'

'Yes,' said Miss Jenny, with a silent chuckle. 'It looks as if it ought to be Pickled.'

Mr Fledgeby collapsed under the word 'Pickled,' and groaned again. 'My kitchen is on this floor,' he said; 'you'll find brown paper in a dresser-drawer there, and a bottle of vinegar on a shelf. Would you have the kindness to make a few plasters and put 'em on? It can't be kept too quiet.'

'One, two—hum—five, six. You'll want six,' said the dress-maker.

'There's smart enough,' whimpered Mr Fledgeby, groaning and writhing again, 'for sixty.'

Miss Jenny repaired to the kitchen, scissors in hand, found the brown paper and found the vinegar, and skilfully cut out and steeped six large plasters. When they were all lying ready on the dresser, an idea occurred to her as she was about to gather them up.

'I think,' said Miss Jenny with a silent laugh, 'he ought to have a little pepper? Just a few grains? I think the young man's tricks and manners make a claim upon his friends for a little pepper?'

Mr Fledgeby's evil star showing her the pepper-box on the chimneypiece, she climbed upon a chair, and got it down, and sprinkled all the plasters with a judicious hand. She then went back to Mr Fledgeby, and stuck them all on him: Mr Fledgeby uttering a sharp howl as each was put in its place.

'There, young man!' said the dolls' dressmaker. 'Now I hope you feel pretty comfortable?'

Apparently, Mr Fledgeby did not, for he cried by way of answer, 'Oh—h how I do smart!'

Miss Jenny got his Persian gown upon him, extinguished his eyes crookedly with his Persian cap, and helped him to his bed: upon which he climbed groaning. 'Business between you and me being out of the question to-day, young man, and my time being precious,' said Miss Jenny then, 'I'll make myself scarce. Are you comfortable now?'

'Oh my eye!' cried Mr Fledgeby. 'No, I ain't. Oh—h—h! how I do smart!'

The last thing Miss Jenny saw, as she looked back before closing the room door, was Mr Fledgeby in the act of plunging and gambolling all over his bed, like a porpoise or dolphin in its native element. She then shut the bedroom door, and all the other doors, and going down stairs and emerging from the Albany into the busy streets, took omnibus for Saint Mary Axe: pressing on the road all the gaily-dressed ladies whom she could see from the window, and making them unconscious lay-figures for dolls, while she mentally cut them out and basted them.





Chapter 9 TWO PLACES VACATED

Set down by the omnibus at the corner of Saint Mary Axe, and trusting to her feet and her crutch-stick within its precincts, the dolls' dressmaker proceeded to the place of business of Pubsey and Co. All there was sunny and quiet externally, and shady and quiet internally. Hiding herself in the entry outside the glass door, she could see from that post of observation the old man in his spectacles sitting writing at his desk.

'Boh!' cried the dressmaker, popping in her head at the glass-door. 'Mr Wolf at home?'

The old man took his glasses off, and mildly laid them down beside him. 'Ah Jenny, is it you? I thought you had given me up.'

'And so I had given up the treacherous wolf of the forest,' she replied; 'but, godmother, it strikes me you have come back. I am not quite sure, because the wolf and you change forms. I want to ask you a question or two, to find out whether you are really godmother or really wolf. May I?'

'Yes, Jenny, yes.' But Riah glanced towards the door, as if he thought his principal might appear there, unseasonably.

'If you're afraid of the fox,' said Miss Jenny, 'you may dismiss all present expectations of seeing that animal. He won't show himself abroad, for many a day.'

'What do you mean, my child?'

'I mean, godmother,' replied Miss Wren, sitting down beside the Jew, 'that the fox has caught a famous flogging, and that if his skin and bones are not tingling, aching, and smarting at this present instant, no fox did ever tingle, ache, and smart.' Therewith Miss Jenny related what had come to pass in the Albany, omitting the few grains of pepper.

'Now, godmother,' she went on, 'I particularly wish to ask you what has taken place here, since I left the wolf here? Because I have an idea about the size of a marble, rolling about in my little noddle. First and foremost, are you Pubsey and Co., or are you either? Upon your solemn word and honour.'

The old man shook his head.

'Secondly, isn't Fledgeby both Pubsey and Co.?'

The old man answered with a reluctant nod.

'My idea,' exclaimed Miss Wren, 'is now about the size of an orange. But before it gets any bigger, welcome back, dear godmother!'

The little creature folded her arms about the old man's neck with great earnestness, and kissed him. 'I humbly beg your forgiveness, godmother. I am truly sorry. I ought to have had more faith in you. But what could I suppose when you said nothing for yourself, you know? I don't mean to offer that as a justification, but what could I suppose, when you were a silent party to all he said? It did look bad; now didn't it?'

'It looked so bad, Jenny,' responded the old man, with gravity, 'that I will straightway tell you what an impression it wrought upon me. I was hateful in mine own eyes. I was hateful to myself, in being so hateful to the debtor and to you. But more than that, and worse than that, and to pass out far and broad beyond myself—I reflected that evening, sitting alone in my garden on the housetop, that I was doing dishonour to my ancient faith and race. I reflected—clearly reflected for the first time—that in bending my neck to the yoke I was willing to wear, I bent the unwilling necks of the whole Jewish people. For it is not, in Christian countries, with the Jews as with other peoples. Men say, 'This is a bad Greek, but there are good Greeks. This is a bad Turk, but there are good Turks.' Not so with

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