Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Heart of Mid-Lothian, Volume 2 by Walter Scott (best ereader under 100 txt) 📖
- Author: Walter Scott
Book online «The Heart of Mid-Lothian, Volume 2 by Walter Scott (best ereader under 100 txt) 📖». Author Walter Scott
"I think you give me always the fag of it, whatever is to be done," grumbled his companion.
"Leap, Laurence, you're long enough," said the other; and the fellow left the barn accordingly, without farther remonstrance.
In the meanwhile, Madge had arranged herself for repose on the straw; but still in a half-sitting posture, with her back resting against the door of the hovel, which, as it opened inwards, was in this manner kept shut by the weight of the person.
"There's mair shifts by stealing, Jeanie," said Madge Wildfire; "though whiles I can hardly get our mother to think sae. Wha wad hae thought but mysell of making a bolt of my ain back-bane? But it's no sae strong as thae that I hae seen in the Tolbooth at Edinburgh. The hammermen of Edinburgh are to my mind afore the warld for making stancheons, ring-bolts, fetter-bolts, bars, and locks. And they arena that bad at girdles for carcakes neither, though the Cu'ross hammermen have the gree for that. My mother had ance a bonny Cu'ross girdle, and I thought to have baked carcakes on it for my puir wean that's dead and gane nae fair way—But we maun a' dee, ye ken, Jeanie—You Cameronian bodies ken that brawlies; and ye're for making a hell upon earth that ye may be less unwillin' to part wi' it. But as touching Bedlam that ye were speaking about, I'se ne'er recommend it muckle the tae gate or the other, be it right—be it wrang. But ye ken what the sang says." And, pursuing the unconnected and floating wanderings of her mind, she sung aloud—
"In the bonny cells of Bedlam, Ere I was ane-and-twenty, I had hempen bracelets strong, And merry whips, ding-dong, And prayer and fasting plenty."Weel, Jeanie, I am something herse the night, and I canna sing muckle mair; and troth, I think, I am gaun to sleep."
She drooped her head on her breast, a posture from which Jeanie, who would have given the world for an opportunity of quiet to consider the means and the probability of her escape, was very careful not to disturb her. After nodding, however, for a minute'or two, with her eyes half-closed, the unquiet and restless spirit of her malady again assailed Madge. She raised her head, and spoke, but with a lowered tone, which was again gradually overcome by drowsiness, to which the fatigue of a day's journey on horseback had probably given unwonted occasion,—"I dinna ken what makes me sae sleepy—I amaist never sleep till my bonny Lady Moon gangs till her bed—mair by token, when she's at the full, ye ken, rowing aboon us yonder in her grand silver coach—I have danced to her my lane sometimes for very joy—and whiles dead folk came and danced wi' me—the like o' Jock Porteous, or ony body I had ken'd when I was living—for ye maun ken I was ance dead mysell." Here the poor maniac sung, in a low and wild tone,
"My banes are buried in yon kirkyard Sae far ayont the sea, And it is but my blithesome ghaist That's speaking now to thee."But after a', Jeanie, my woman, naebody kens weel wha's living and wha's dead—or wha's gone to Fairyland—there's another question. Whiles I think my puir bairn's dead—ye ken very weel it's buried—but that signifies naething. I have had it on my knee a hundred times, and a hundred till that, since it was buried—and how could that be were it dead, ye ken?—it's merely impossible."—And here, some conviction half-overcoming the reveries of her imagination, she burst into a fit of crying and ejaculation, "Wae's me! wae's me! wae's me!" till at length she moaned and sobbed herself into a deep sleep, which was soon intimated by her breathing hard, leaving Jeanie to her own melancholy reflections and observations.
CHAPTER SIXTH. Bind her quickly; or, by this steel, I'll tell, although I truss for company. Fletcher.
The imperfect light which shone into the window enabled Jeanie to see that there was scarcely any chance of making her escape in that direction; for the aperture was high in the wall, and so narrow, that, could she have climbed up to it, she might well doubt whether it would have permitted her to pass her body through it. An unsuccessful attempt to escape would be sure to draw down worse treatment than she now received, and she, therefore, resolved to watch her opportunity carefully ere making such a perilous effort. For this purpose she applied herself to the ruinous clay partition, which divided the hovel in which she now was from the rest of the waste barn. It was decayed and full of cracks and chinks, one of which she enlarged with her fingers, cautiously and without noise, until she could obtain a plain view of the old hag and the taller ruffian, whom they called Levitt, seated together beside the decayed fire of charcoal, and apparently engaged in close conference. She was at first terrified by the sight; for the features of the old woman had a hideous cast of hardened and inveterate malice and ill-humour, and those of the man, though naturally less unfavourable, were such as corresponded well with licentious habits, and a lawless profession.
"But I remembered," said Jeanie, "my worthy fathers tales of a winter evening, how he was confined with the blessed martyr, Mr. James Renwick, who lifted up the fallen standard of the true reformed Kirk of Scotland, after the worthy and renowned Daniel Cameron, our last blessed banner-man, had fallen among the swords of the wicked at Airsmoss, and how the very hearts of the wicked malefactors and murderers, whom they were confined withal, were melted like wax at the sound of their doctrine: and I bethought mysell, that the same help that was wi' them in their strait, wad be wi' me in mine, an I could but watch the Lord's time and opportunity for delivering my feet from their snare; and I minded the Scripture of the blessed Psalmist, whilk he insisteth on, as weel in the forty-second as in the forty-third psalm—'Why art thou cast down, O my soul, and why art thou disquieted within me? Hope in God, for I shall yet praise Him, who is the health of my countenance, and my God.'"
Strengthened in a mind naturally calm, sedate, and firm, by the influence of religious confidence, this poor captive was enabled to attend to, and comprehend, a great part of an interesting conversation which passed betwixt those into whose hands she had fallen, notwithstanding that their meaning was partly disguised by the occasional use of cant terms, of which Jeanie knew not the import, by the low tone in which they spoke, and by their mode of supplying their broken phrases by shrugs and signs, as is usual amongst those of their disorderly profession.
The man opened the conversation by saying, "Now, dame, you see I am true to my friend. I have not forgot that you planked a chury,* which helped me through the bars of the Castle of York, and I came to do your work without asking questions; for one good turn deserves another.
* Concealed a knife.
But now that Madge, who is as loud as Tom of Lincoln, is somewhat still, and this same Tyburn Neddie is shaking his heels after the old nag, why, you must tell me what all this is about, and what's to be done—for d—n me if I touch the girl, or let her be touched, and she with Jim Rat's pass, too."
"Thou art an honest lad, Frank," answered the old woman, "but e'en too good for thy trade; thy tender heart will get thee into trouble. I will see ye gang up Holborn Hill backward, and a' on the word of some silly loon that could never hae rapped to ye had ye drawn your knife across his weasand."
"You may be balked there, old one," answered the robber; "I have known many a pretty lad cut short in his first summer upon the road, because he was something hasty with his flats and sharps. Besides, a man would fain live out his two
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