The Heart of Mid-Lothian, Complete by Walter Scott (best new books to read .TXT) đź“–
- Author: Walter Scott
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“Oh, Jeanie Deans—Jeanie Deans!” exclaimed the poor maniac, “save my mother, and I will take ye to the Interpreter’s house again,—and I will teach ye a’ my bonny sangs,—and I will tell ye what came o’ the.” The rest of her entreaties were drowned in the shouts of the rabble.
“Save her, for God’s sake!—save her from those people!” exclaimed Jeanie to Archibald.
“She is mad, but quite innocent; she is mad, gentlemen,” said Archibald; “do not use her ill, take her before the Mayor.”
“Ay, ay, we’se hae care enow on her,” answered one of the fellows; “gang thou thy gate, man, and mind thine own matters.”
“He’s a Scot by his tongue,” said another; “and an he will come out o’ his whirligig there, I’se gie him his tartan plaid fu’ o’ broken banes.”
It was clear nothing could be done to rescue Madge; and Archibald, who was a man of humanity, could only bid the postilions hurry on to Carlisle, that he might obtain some assistance to the unfortunate woman. As they drove off, they heard the hoarse roar with which the mob preface acts of riot or cruelty, yet even above that deep and dire note, they could discern the screams of the unfortunate victim. They were soon out of hearing of the cries, but had no sooner entered the streets of Carlisle, than Archibald, at Jeanie’s earnest and urgent entreaty, went to a magistrate, to state the cruelty which was likely to be exercised on this unhappy creature.
In about an hour and a half he returned, and reported to Jeanie, that the magistrate had very readily gone in person, with some assistance, to the rescue of the unfortunate woman, and that he had himself accompanied him; that when they came to the muddy pool, in which the mob were ducking her, according to their favourite mode of punishment, the magistrate succeeded in rescuing her from their hands, but in a state of insensibility, owing to the cruel treatment which she had received. He added, that he had seen her carried to the workhouse, and understood that she had been brought to herself, and was expected to do well.
This last averment was a slight alteration in point of fact, for Madge Wildfire was not expected to survive the treatment she had received; but Jeanie seemed so much agitated, that Mr. Archibald did not think it prudent to tell her the worst at once. Indeed, she appeared so fluttered and disordered by this alarming accident, that, although it had been their intention to proceed to Longtown that evening, her companions judged it most advisable to pass the night at Carlisle.
This was particularly agreeable to Jeanie, who resolved, if possible, to procure an interview with Madge Wildfire. Connecting some of her wild flights with the narrative of George Staunton, she was unwilling to omit the opportunity of extracting from her, if possible, some information concerning the fate of that unfortunate infant which had cost her sister so dear. Her acquaintance with the disordered state of poor Madge’s mind did not permit her to cherish much hope that she could acquire from her any useful intelligence; but then, since Madge’s mother had suffered her deserts, and was silent for ever, it was her only chance of obtaining any kind of information, and she was loath to lose the opportunity.
She coloured her wish to Mr. Archibald by saying that she had seen Madge formerly, and wished to know, as a matter of humanity, how she was attended to under her present misfortunes. That complaisant person immediately went to the workhouse, or hospital, in which he had seen the sufferer lodged, and brought back for reply, that the medical attendants positively forbade her seeing any one. When the application for admittance was repeated next day, Mr. Archibald was informed that she had been very quiet and composed, insomuch that the clergyman who acted as chaplain to the establishment thought it expedient to read prayers beside her bed, but that her wandering fit of mind had returned soon after his departure; however, her countrywoman might see her if she chose it. She was not expected to live above an hour or two.
Jeanie had no sooner received this information than she hastened to the hospital, her companions attending her. They found the dying person in a large ward, where there were ten beds, of which the patient’s was the only one occupied.
Madge was singing when they entered—singing her own wild snatches of songs and obsolete airs, with a voice no longer overstrained by false spirits, but softened, saddened, and subdued by bodily exhaustion. She was still insane, but was no longer able to express her wandering ideas in the wild notes of her former state of exalted imagination. There was death in the plaintive tones of her voice, which yet, in this moderated and melancholy mood, had something of the lulling sound with which a mother sings her infant asleep. As Jeanie entered she heard first the air, and then a part of the chorus and words, of what had been, perhaps, the song of a jolly harvest-home.
“Our work is over—over now, The goodman wipes his weary brow, The last long wain wends slow away, And we are free to sport and play. “The night comes on when sets the sun, And labour ends when day is done. When Autumn’s gone and Winter’s come, We hold our jovial harvest-home.”Jeanie advanced to the bedside when the strain was finished, and addressed Madge by her name. But it produced no symptoms of recollection. On the contrary, the patient, like one provoked by interruption, changed her posture, and called out with an impatient tone, “Nurse—nurse, turn my face to the wa’, that I may never answer to that name ony mair, and never see mair of a wicked world.”
The attendant on the hospital arranged her in her bed as she desired, with her face to the wall and her back to the light. So soon as she was quiet in this new position, she began again to sing in the same low and modulated strains, as if she was recovering the state of abstraction which the interruption of her visitants had disturbed. The strain, however, was different, and rather resembled the music of the Methodist hymns, though the measure of the song was similar to that of the former:
“When the fight of grace is fought—
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