Vittoria — Complete by George Meredith (8 ebook reader .txt) 📖
- Author: George Meredith
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He uttered this with a profound conviction of his quality as leader, that escaped the lurid play of self-inspection which characterized what he had previously spoken, and served singularly in bearing witness to the truth of his charge against himself.
“Useless!” he said, waving his hand at anticipated remonstrances. “Look with the eyes of my country; not with your own, my friend. I am disgraced if I do not go out. My friends are disgraced if I do not head them in. Brescia—sacrificed!—murdered!—how can I say what? Can I live under disgrace or remorse? The king stakes on his army; I on the king. Whether he fights and wins, or fights and loses, I go out. I have promised my men—promised them success, I believe!—God forgive me! Did you ever see a fated man before? None had plotted against me. I have woven my own web, and that's the fatal thing. I have a wife, the sweetest woman of her time. Goodnight to her! our parting is over.”
He glanced at his watch. “Perhaps she will be at the door below. Her heart beats like mine just now. You wish to say that you think me betrayed, and therefore I may draw back? Did you not hear that Bergamo has risen? The Brescians are up too by this time. Gallant Brescians! they never belie the proverb in their honour; and to die among them would be sweet if I had all my manhood about me. You would have me making a scene with Violetta.”
“Set the woman face to face with me!” cried Merthyr, sighting a gleam of hope.
Carlo smiled. “Can she bear my burden though she be ten times guilty? Let her sleep. I have her here harmless for the night. The Brescians are up:—that's an hour that has struck, and there's no calling it to move a step in the rear. Brescia under the big Eastern hill which throws a cloak on it at sunrise! Brescia is always the eagle that looks over Lombardy! And Bergamo! you know the terraces of Bergamo. Aren't they like a morning sky? Dying there is not death; it's flying into the dawn. You Romans envy us. Come, confess it; you envy us. You have no Alps, no crimson hills, nothing but old walls to look on while you fight. Farewell, Merthyr Powys. I hear my servant's foot outside. My horse is awaiting me saddled, a mile from the city. Perhaps I shall see my wife again at the door below, or in heaven. Addio! Kiss Luciano for me. Tell him that I knew myself as well as he did, before the end came. Enrico, Emilio, and the others—tell them I love them. I doubt if there will ever be but a ghost of me to fight beside them in Rome. And there's no honour, Merthyr, in a ghost's fighting, because he's shotproof; so I won't say what the valiant disembodied 'I' may do by-and-by.”
He held his hands out, with the light soft smile of one who asks forgiveness for flippant speech, and concluded firmly: “I have talked enough, and you are the man of sense I thought you; for to give me advice is childish when no power on earth could make me follow it. Addio! Kiss me.”
They embraced. Merthyr said no more than that he would place messengers on the road to Brescia to carry news of the king's army. His voice was thick, and when Carlo laughed at him, his sensations strangely reversed their situations.
There were two cloaked figures at different points in the descent of the stairs. These rose severally at Carlo's approach, took him to their bosoms, and kissed him in silence. They were his mother and Laura. A third crouched by the door of the courtyard, which was his wife.
Merthyr kept aloof until the heavy door rolled a long dull sound. Vittoria's head was shawled over. She stood where her husband had left her, groping for him with one hand, that closed tremblingly hard on Merthyr when he touched it. Not a word was uttered in the house.
CHAPTER XLV SHOWS MANY PATHS CONVERGING TO THE END
Until daylight Merthyr sat by himself, trying to realize the progressive steps of the destiny which seemed like a visible hand upon Count Ammiani, that he might know it to be nothing else than Carlo's work. He sat in darkness in the room where Carlo had spoken, thinking of him as living and dead. The brilliant life in Carlo protested against a possible fatal tendency in his acts so irrevocable as to plunge him to destruction when his head was clear, his blood cool, and a choice lay open to him. That brilliant young life, that fine face, the tones of Carlo's voice,
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