Eastern Standard Tribe by Cory Doctorow (best novels to read for students .TXT) 📖

id="id00840">"You want to sell this to them?"

"Well, I want to sell this. Who to sell it to is another matter."

Art waved his hands confusedly. "You're joking, right?"

Fede crouched down beside Art and looked into his eyes. "No, Art, I am serious as a funeral here. This is big, and it's not in the scope of work that we signed up for. You and me, we can score big on this, but not by handing it over to those shitheads in Jersey and begging for a bonus."

"What are you talking about? Who else would pay for this?"

"You have to ask? V/DT for starters. Anyone working on a bid for MassPike, or
TollPass, or FastPass, or EuroPass."

"But we can't sell this to just *anyone*, Fede!"

"Why not?"

"Jesus. Why not? Because of the Tribes."

Fede quirked him half a smile. "Sure, the Tribes."

"What does that mean?"

"Art, you know that stuff is four-fifths' horseshit, right? It's just a game.
When it comes down to your personal welfare, you can't depend on time zones.
This is more job than calling, you know."

Art squirmed and flushed. "Lots of us take this stuff seriously, Fede. It's not just a mind-game. Doesn't loyalty mean anything to you?"

Fede laughed nastily. "Loyalty! If you're doing all of this out of loyalty, then why are you drawing a paycheck? Look, I'd rather that this go to Jersey. They're basically decent sorts, and I've drawn a lot of pay from them over the years, but they haven't paid for this. They wouldn't give us a free ride, so why should we give them one? All I'm saying is, we can offer this to Jersey, of course, but they have to bid for it in a competitive marketplace. I don't want to gouge them, just collect a fair market price for our goods."

"You're saying you don't feel any fundamental loyalty to anything, Fede?"

"That's what I'm saying."

"And you're saying that I'm a sucker for putting loyalty ahead of personal gain — after all, no one else is, right?"

"Exactly."

"Then how did this idea become 'ours,' Fede? I came up with it."

Fede lost his nasty smile. "There's loyalty and then there's loyalty."

"Uh-huh."

"No, really. You and I are a team. I rely on you and you rely on me. We're loyal to something concrete — each other. The Eastern Standard Tribe is an abstraction. It's a whole bunch of people, and neither of us like most of 'em. It's useful and pleasant, but you can't put your trust in institutions — otherwise you get Nazism."

"And patriotism."

"Blind patriotism."

"So there's no other kind? Just jingoism? You're either loyal to your immediate circle of friends or you're a deluded dupe?"

"No, that's not what I'm saying."

"So where does informed loyalty leave off and jingoism begin? You come on all patronizing when I talk about being loyal to the Tribe, and you're certainly not loyal to V/DT, nor are you loyal to Jersey. What greater purpose are you loyal to?"

"Well, humanity, for starters."

"Really. What's that when it's at home?"

"Huh?"

"How do you express loyalty to something as big and abstract as 'humanity'?"

"Well, that comes down to morals, right? Not doing things that poison the world.
Paying taxes. Change to panhandlers. Supporting charities." Fede drummed his
fingers on his thighs. "Not murdering or raping, you know. Being a good person.
A moral person."

"OK, that's a good code of conduct. I'm all for not murdering and raping, and not just because it's *wrong*, but because a world where the social norms include murdering and raping is a bad one for me to live in."

"Exactly."

"That's the purpose of morals and loyalty, right? To create social norms that produce a world you want to live in."

"Right! And that's why *personal* loyalty is important."

Art smiled. Trap baited and sprung. "OK. So institutional loyalty — loyalty to a Tribe or a nation — that's not an important social norm. As far as you're concerned, we could abandon all pretense of institutional loyalty." Art dropped his voice. "You could go to work for the Jersey boys, sabotaging Virgin/Deutsche Telekom, just because they're willing to pay you to do it. Nothing to do with Tribal loyalty, just a job."

Fede looked uncomfortable, sensing the impending rhetorical headlock. He nodded cautiously.

"Which means that the Jersey boys have no reason to be loyal to you. It's just a job. So if there were an opportunity for them to gain some personal advantage by selling you out, turning you into a patsy for them, well, they should just go ahead and do it, right?"

"Uh —"

"Don't worry, it's a rhetorical question. Jersey boys sell you out. You take their fall, they benefit. If there was no institutional loyalty, that's where you'd end up, right? That's the social norm you want."

"No, of course it isn't."

"No, of course not. You want a social norm where individuals can be disloyal to the collective, but not vice versa."

"Yes —"

"Yes, but loyalty is bidirectional. There's no basis on which you may expect loyalty from an institution unless you're loyal to it."

"I suppose."

"You know it. I know it. Institutional loyalty is every bit as much about informed self-interest as personal loyalty is. The Tribe takes care of me, I take care of the Tribe. We'll negotiate a separate payment from Jersey for this — after all, this is outside of the scope of work that we're being paid for — and we'll split the money, down the middle. We'll work in a residual income with Jersey, too, because, as you say, this is bigger than MassPike. It's a genuinely good idea, and there's enough to go around. All right?"

"Are you asking me or telling me?"

"I'm asking you. This will require both of our cooperation. I'm going to need to manufacture an excuse to go stateside to explain this to them and supervise the prototyping. You're going to have to hold down the fort here at V/DT and make sure that I'm clear to do my thing. If you want to go and sell this idea elsewhere, well, that's going to require my cooperation, or at least my silence — if I turn this over to V/DT, they'll pop you for industrial espionage. So we need each other."

Art stood and looked down at Fede, who was a good ten centimeters shorter than he, looked down at Fede's sweaty upper lip and creased brow. "We're a good team, Fede. I don't want to toss away an opportunity, but I also don't want to exploit it at the expense of my own morals. Can you agree to work with me on this, and trust me to do the right thing?"

Fede looked up. "Yes," he said. On later reflection, Art thought that the *yes* came too quickly, but then, he was just relieved to hear it. "Of course. Of course. Yes. Let's do it."

"That's just fine," Art said. "Let's get to work, then."

They fell into their traditional division of labor then, Art working on a variety of user-experience plans, dividing each into subplans, then devising protocols for user testing to see what would work in the field; Fede working on logistics from plane tickets to personal days to budget and critical-path charts. They worked side by side, but still used the collaboration tools that Art had grown up with, designed to allow remote, pseudonymous parties to fit their separate work components into the same structure, resolving schedule and planning collisions where it could and throwing exceptions where it couldn't. They worked beside each other and each hardly knew the other was there, and that, Art thought, when he thought of it, when the receptionist commed him to tell him that "Linderrr" — freakin' teabags — was there for him, that was the defining characteristic of a Tribalist. A norm, a modus operandi, a way of being that did not distinguish between communication face-to-face and communication at a distance.

"Linderrr?" Fede said, cocking an eyebrow.

"I hit her with my car," Art said.

"Ah," Fede said. "Smooth."

Art waved a hand impatiently at him and went out to the reception area to fetch her. The receptionist had precious little patience for entertaining personal visitors, and Linda, in track pants and a baggy sweater, was clearly not a professional contact. The receptionist glared at him as he commed into the lobby and extended his hand to Linda, who took it, put it on her shoulder, grabbed his ass, crushed their pelvises together and jammed her tongue in his ear. "I missed you," she slurped, the buzz of her voice making him writhe. "I'm not wearing any knickers," she continued, loud enough that he was sure that the receptionist heard. He felt the blush creeping over his face and neck and ears.

The receptionist. Dammit, why was he thinking about the receptionist? "Linda," he said, pulling away. Introduce her, he thought. Introduce them, and that'll make it less socially awkward. The English can't abide social awkwardness. "Linda, meet —" and he trailed off, realizing he didn't actually know the receptionist's name.

The receptionist glared at him from under a cap of shining candy-apple red hair, narrowing her eyes, which were painted in high style with Kubrick action-figure faces.

"My *name* is Tonaishah," she hissed. Or maybe it was *Tanya Iseah*, or
*Taneesha*. He still didn't know her goddamned name.

"And this is Linda," he said, weakly. "We're going out tonight."

"And won't you have a dirty great time, then?" Tonaishah said.

"I'm sure we will," he said.

"Yes," Tonaishah said.

Art commed the door and missed the handle, then snagged it and grabbed Linda's hand and yanked her through.

"I'm a little randy," she said, directly into his ear. "Sorry." She giggled.

"Someone you have to meet," he said, reaching down to rearrange his pants to hide his boner.

"Ooh, right here in your office?" Linda said, covering his hand with hers.

"Someone with *two* eyes," he said, moving her hand to his hip.

"Ahh," she said. "What a disappointment."

"I'm serious. I want you to meet my friend Fede. I think you two will really hit it off."

"Wait," Linda said. "Isn't this a major step? Meeting the friends? Are we getting that serious already?"

"Oh, I think we're ready for it," Art said, draping an arm around her shoulders and resting his fingertips on the upper swell of her breast.

She ducked out from under his arm and stopped in her tracks. "Well, I don't.
Don't I get a say in this?"

"What?" Art said.

"Whether it's time for me to meet your friends or not. Shouldn't I have a say?"

"Linda, I just wanted to introduce you to a coworker before we went out. He's in my office — I gotta grab my jacket there, anyway."

"Wait, is he a friend or a coworker?"

"He's a friend I work with. Come on, what's the big deal?"

"Well, first you spring this on me, then you change your story and tell me he's a coworker, now he's a friend again. I don't want to be put on display for your pals. If we're going to meet your friends, I'll dress for it, put on some makeup. This isn't fair."

"Linda," Art said, placating.

"No," she said. "Screw it. I'm not here to meet your friends. I came all the way across town to meet you at your office because you wanted to head back to your place after work, and you play headgames with me like this?"

"All right," Art said. "I'll show you back out to the lobby and you can wait with Tonaishah while I get my jacket."

"Don't take that tone with me," she said.

"What tone?" Art said. "Jesus Christ! You can't wait in the hall, it's against policy. You don't have a badge, so you have to be with me or in the lobby. I don't give a shit if you meet Fede or not."

"I won't tell you again, Art," she said. "Moderate your tone. I won't be shouted at."

Art tried to rewind the conversation and figure out how they came to this pass, but he couldn't. Was Linda really acting *this* nuts? Or was he just reading her wrong or pushing her buttons or something?

"Let's start over," he said, grabbing both of her hands in his. "I need to get my jacket from my office. You can come with me if you want to,