Dombey and Son by Charles Dickens (ebook reader 7 inch .txt) 📖

How Susan does it, she don’t know, but she reaches to the window, kisses her, and has her arms about her neck, in a moment.

‘We are all so—so happy now, my dear Miss Floy!’ says Susan, with a suspicious catching in her breath. ‘You, you won’t be angry with me now. Now will you?’

‘Angry, Susan!’

‘No, no; I am sure you won’t. I say you won’t, my pet, my dearest!’ exclaims Susan; ‘and here’s the Captain too—your friend the Captain, you know—to say good-bye once more!’

‘Hooroar, my Heart’s Delight!’ vociferates the Captain, with a countenance of strong emotion. ‘Hooroar, Wal’r my lad. Hooroar! Hooroar!’

What with the young husband at one window, and the young wife at the other; the Captain hanging on at this door, and Susan Nipper holding fast by that; the coach obliged to go on whether it will or no, and all the other carts and coaches turbulent because it hesitates; there never was so much confusion on four wheels. But Susan Nipper gallantly maintains her point. She keeps a smiling face upon her mistress, smiling through her tears, until the last. Even when she is left behind, the Captain continues to appear and disappear at the door, crying ‘Hooroar, my lad! Hooroar, my Heart’s Delight!’ with his shirt-collar in a violent state of agitation, until it is hopeless to attempt to keep up with the coach any longer. Finally, when the coach is gone, Susan Nipper, being rejoined by the Captain, falls into a state of insensibility, and is taken into a baker’s shop to recover.

Uncle Sol and Mr Toots wait patiently in the churchyard, sitting on the coping-stone of the railings, until Captain Cuttle and Susan come back. Neither being at all desirous to speak, or to be spoken to, they are excellent company, and quite satisfied. When they all arrive again at the little Midshipman, and sit down to breakfast, nobody can touch a morsel. Captain Cuttle makes a feint of being voracious about toast, but gives it up as a swindle. Mr Toots says, after breakfast, he will come back in the evening; and goes wandering about the town all day, with a vague sensation upon him as if he hadn’t been to bed for a fortnight.

There is a strange charm in the house, and in the room, in which they have been used to be together, and out of which so much is gone. It aggravates, and yet it soothes, the sorrow of the separation. Mr Toots tells Susan Nipper when he comes at night, that he hasn’t been so wretched all day long, and yet he likes it. He confides in Susan Nipper, being alone with her, and tells her what his feelings were when she gave him that candid opinion as to the probability of Miss Dombey’s ever loving him. In the vein of confidence engendered by these common recollections, and their tears, Mr Toots proposes that they shall go out together, and buy something for supper. Miss Nipper assenting, they buy a good many little things; and, with the aid of Mrs Richards, set the supper out quite showily before the Captain and old Sol came home.

The Captain and old Sol have been on board the ship, and have established Di there, and have seen the chests put aboard. They have much to tell about the popularity of Walter, and the comforts he will have about him, and the quiet way in which it seems he has been working early and late, to make his cabin what the Captain calls ‘a picter,’ to surprise his little wife. ‘A admiral’s cabin, mind you,’ says the Captain, ‘ain’t more trim.’

But one of the Captain’s chief delights is, that he knows the big watch, and the sugar-tongs, and tea-spoons, are on board: and again and again he murmurs to himself, ‘Ed’ard Cuttle, my lad, you never shaped a better course in your life than when you made that there little property over jintly. You see how the land bore, Ed’ard,’ says the Captain, ‘and it does you credit, my lad.’

The old Instrument-maker is more distraught and misty than he used to be, and takes the marriage and the parting very much to heart. But he is greatly comforted by having his old ally, Ned Cuttle, at his side; and he sits down to supper with a grateful and contented face.

‘My boy has been preserved and thrives,’ says old Sol Gills, rubbing his hands. ‘What right have I to be otherwise than thankful and happy!’

The Captain, who has not yet taken his seat at the table, but who has been fidgeting about for some time, and now stands hesitating in his place, looks doubtfully at Mr Gills, and says:

‘Sol! There’s the last bottle of the old Madeira down below. Would you wish to have it up to-night, my boy, and drink to Wal’r and his wife?’

The Instrument-maker, looking wistfully at the Captain, puts his hand into the breast-pocket of his coffee-coloured coat, brings forth his pocket-book, and takes a letter out.

‘To Mr Dombey,’ says the old man. ‘From Walter. To be sent in three weeks’ time. I’ll read it.’

‘“Sir. I am married to your daughter. She is gone with me upon a distant voyage. To be devoted to her is to have no claim on her or you, but God knows that I am.

‘“Why, loving her beyond all earthly things, I have yet, without remorse, united her to the uncertainties and dangers of my life, I will not say to you. You know why, and you are her father.

‘“Do not reproach her. She has never reproached you.

‘“I do not think or hope that you will ever forgive me. There is nothing I expect less. But if an hour should come when it will comfort you to believe that Florence has someone ever near her, the great charge of whose life is to cancel her remembrance of past sorrow, I solemnly assure you, you may, in that hour, rest in that belief.”’

Solomon puts back the letter carefully in his pocket-book, and puts back his pocket-book in his coat.

‘We won’t drink the last bottle of the old Madeira yet, Ned,’ says the old man thoughtfully. ‘Not yet.

‘Not yet,’ assents the Captain. ‘No. Not yet.’

Susan and Mr Toots are of the same opinion. After a silence they all sit down to supper, and drink to the young husband and wife in something else; and the last bottle of the old Madeira still remains among its dust and cobwebs, undisturbed.

A few days have elapsed, and a stately ship is out at sea, spreading its white wings to the favouring wind.

Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon.

At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, ‘Oh Walter, dearest love, I am so happy!’

Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely.

‘As I hear the sea,’ says Florence, ‘and sit watching it, it brings so many days into my mind. It makes me think so much—’

‘Of Paul, my love. I know it does.’

Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!