Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Les Misérables by Victor Hugo (top novels .txt) 📖
- Author: Victor Hugo
Book online «Les Misérables by Victor Hugo (top novels .txt) 📖». Author Victor Hugo
On the day when a woman as she passes before you emits light as she walks, you are lost, you love. But one thing remains for you to do: to think of her so intently that she is constrained to think of you.
What love commences can be finished by God alone.
True love is in despair and is enchanted over a glove lost or a handkerchief found, and eternity is required for its devotion and its hopes. It is composed both of the infinitely great and the infinitely little.
If you are a stone, be adamant; if you are a plant, be the sensitive plant; if you are a man, be love.
Nothing suffices for love. We have happiness, we desire paradise; we possess paradise, we desire heaven.
Oh ye who love each other, all this is contained in love. Understand how to find it there. Love has contemplation as well as heaven, and more than heaven, it has voluptuousness.
“Does she still come to the Luxembourg?” “No, sir.” “This is the church where she attends mass, is it not?” “She no longer comes here.” “Does she still live in this house?” “She has moved away.” “Where has she gone to dwell?”
“She did not say.”
What a melancholy thing not to know the address of one’s soul!
Love has its childishness, other passions have their pettinesses. Shame on the passions which belittle man! Honor to the one which makes a child of him!
There is one strange thing, do you know it? I dwell in the night. There is a being who carried off my sky when she went away.
Oh! would that we were lying side by side in the same grave, hand in hand, and from time to time, in the darkness, gently caressing a finger,—that would suffice for my eternity!
Ye who suffer because ye love, love yet more. To die of love, is to live in it.
Love. A sombre and starry transfiguration is mingled with this torture. There is ecstasy in agony.
Oh joy of the birds! It is because they have nests that they sing.
Love is a celestial respiration of the air of paradise.
Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again.
I encountered in the street, a very poor young man who was in love. His hat was old, his coat was worn, his elbows were in holes; water trickled through his shoes, and the stars through his soul.
What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake.
If there did not exist some one who loved, the sun would become extinct.
As Cosette read, she gradually fell into thought. At the very moment when she raised her eyes from the last line of the note-book, the handsome officer passed triumphantly in front of the gate,—it was his hour; Cosette thought him hideous.
She resumed her contemplation of the book. It was written in the most charming of chirography, thought Cosette; in the same hand, but with divers inks, sometimes very black, again whitish, as when ink has been added to the inkstand, and consequently on different days. It was, then, a mind which had unfolded itself there, sigh by sigh, irregularly, without order, without choice, without object, hap-hazard. Cosette had never read anything like it. This manuscript, in which she already perceived more light than obscurity, produced upon her the effect of a half-open sanctuary. Each one of these mysterious lines shone before her eyes and inundated her heart with a strange radiance. The education which she had received had always talked to her of the soul, and never of love, very much as one might talk of the firebrand and not of the flame. This manuscript of fifteen pages suddenly and sweetly revealed to her all of love, sorrow, destiny, life, eternity, the beginning, the end. It was as if a hand had opened and suddenly flung upon her a handful of rays of light. In these few lines she felt a passionate, ardent, generous, honest nature, a sacred will, an immense sorrow, and an immense despair, a suffering heart, an ecstasy fully expanded. What was this manuscript? A letter. A letter without name, without address, without date, without signature, pressing and disinterested, an enigma composed of truths, a message of love made to be brought by an angel and read by a virgin, an appointment made beyond the bounds of earth, the love-letter of a phantom to a shade. It was an absent one, tranquil and dejected, who seemed ready to take refuge in death and who sent to the absent love, his lady, the secret of fate, the key of life, love. This had been written with one foot in the grave and one finger in heaven. These lines, which had fallen one by one on the paper, were what might be called drops of soul.
Now, from whom could these pages come? Who could have penned them?
Cosette did not hesitate a moment. One man only.
He!
Day had dawned once more in her spirit; all had reappeared. She felt an unheard-of joy, and a profound anguish. It was he! he who had written! he was there! it was he whose arm had been thrust through that railing! While she was forgetful of him, he had found her again! But had she forgotten him? No, never! She was foolish to have thought so for a single moment. She had always loved him, always adored him. The fire had been smothered, and had smouldered for a time, but she saw all plainly now; it had but made headway, and now it had burst forth afresh, and had inflamed her whole being. This note-book was like a spark which had fallen from that other soul into hers. She felt the conflagration starting up once more.
She imbued herself thoroughly with every word of the manuscript: “Oh yes!” said she, “how perfectly I recognize all that! That is what I had already read in his eyes.” As she was finishing it for the third time, Lieutenant Théodule passed the gate once more, and rattled his spurs upon the pavement. Cosette was forced to raise her eyes. She thought him insipid, silly, stupid, useless, foppish, displeasing, impertinent, and extremely ugly. The officer thought it his duty to smile at her.
She turned away as in shame and indignation. She would gladly have thrown something at his head.
She fled, re-entered the house, and shut herself up in her chamber to peruse the manuscript once more, to learn it by heart, and to dream. When she had thoroughly mastered it she kissed it and put it in her bosom.
All was over, Cosette had fallen back into deep, seraphic love. The abyss of Eden had yawned once more.
All day long, Cosette remained in a sort of bewilderment. She scarcely thought, her ideas were in the state of a tangled skein in her brain, she could not manage to conjecture anything, she hoped through a tremor, what? vague things. She dared make herself no promises, and she did not wish to refuse herself anything. Flashes of pallor passed over her countenance, and shivers ran through her frame. It seemed to her, at intervals, that she was entering the land of chimæras; she said to herself: “Is this reality?” Then she felt of the dear paper within her bosom under her gown, she pressed it to her heart, she felt its angles against her flesh; and if Jean Valjean had seen her at the moment, he would have shuddered in the presence of that luminous and unknown joy, which overflowed from beneath her eyelids.—“Oh yes!” she thought, “it is certainly he! This comes from him, and is for me!”
And she told herself that an intervention of the angels, a celestial chance, had given him back to her.
Oh transfiguration of love! Oh dreams! That celestial chance, that intervention of the angels, was a pellet of bread tossed by one thief to another thief, from the Charlemagne Courtyard to the Lion’s Ditch, over the roofs of La Force.
When evening came, Jean Valjean went out; Cosette dressed herself. She arranged her hair in the most becoming manner, and she put on a dress whose bodice had received one snip of the scissors too much, and which, through this slope, permitted a view of the beginning of her throat, and was, as young girls say, “a trifle indecent.” It was not in the least indecent, but it was prettier than usual. She made her toilet thus without knowing why she did so.
Did she mean to go out? No.
Was she expecting a visitor? No.
At dusk, she went down to the garden. Toussaint was busy in her kitchen, which opened on the back yard.
She began to stroll about under the trees, thrusting aside the branches from time to time with her hand, because there were some which hung very low.
In this manner she reached the bench.
The stone was still there.
She sat down, and gently laid her white hand on this stone as though she wished to caress and thank it.
All at once, she experienced that indefinable impression which one undergoes when there is some one standing behind one, even when she does not see the person.
She turned her head and rose to her feet.
It was he.
His head was bare. He appeared to have grown thin and pale. His black clothes were hardly discernible. The twilight threw a wan light on his fine brow, and covered his eyes in shadows. Beneath a veil of incomparable sweetness, he had something about him that suggested death and night. His face was illuminated by the light of the dying day, and by the thought of a soul that is taking flight.
He seemed to be not yet a ghost, and he was no longer a man.
He had flung away his hat in the thicket, a few paces distant.
Cosette, though ready to swoon, uttered no cry. She retreated slowly, for she felt herself attracted. He did not stir. By virtue of something ineffable and melancholy which enveloped him, she felt the look in his eyes which she could not see.
Cosette, in her retreat, encountered a tree and leaned against it. Had it not been for this tree, she would have fallen.
Then she heard his voice, that voice which she had really never heard, barely rising above the rustle of the leaves, and murmuring:—
“Pardon me, here I am. My heart is full. I could not live on as I was living, and I have come. Have you read what I placed there on the bench? Do you recognize me at all? Have no fear of me. It is a long time, you remember the day, since you looked at me at the Luxembourg, near the Gladiator. And the day when you passed before me? It was on the 16th of June and the 2d of July. It is nearly a year ago. I have not seen you for a long time. I inquired of the woman who let the chairs, and she told me that she no longer saw you. You lived in the Rue de l’Ouest, on the third floor, in the front apartments of a new house,—you see that I know! I followed you. What else was there for me to do? And then you disappeared. I thought I saw you pass once, while I was reading the newspapers under the arcade of the Odéon.
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