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VITTORIA

By George Meredith

CONTENTS: BOOK 1. I. UP MONTE MOTTERONE II. ON THE HEIGHTS III. SIGNORINA VITTORIA IV. AMMIANI'S INTERCESSION V. THE SPY VI. THE WARNING VII. BARTO RIZZO VIII. THE LETTER BOOK 2. IX. IN VERONA X. THE POPE'S MOUTH XI. LAURA PIAVENI XII. THE BRONZE BUTTERFLY XIII. THE PLOT OF THE SIGNOR ANTONIO BOOK 3. XIV. AT THE MAESTRO'S DOOR XV. AMMIANI THROUGH THE MIDNIGHT XVI. COUNTESS AMMIANI XVII. IN THE PIAZZA D'ARMI XVIII. THE NIGHT OF THE FIFTEENTH XIX. THE PRIMA DONNA BOOK 4. XX. THE OPERA OF CAMILLA XXI. THE THIRD ACT XXII. WILFRID COMES FORWARD XXIII. FIRST HOURS OF THE FLIGHT XXIV. ADVENTURES OF VITTORIA AND ANGELO XXV. ACROSS THE MOUNTAINS BOOK 5. XXVI. THE DUEL IN THE PASS XXVII. A NEW ORDEAL XXVIII. THE ESCAPE OF ANGELO BOOK 6. XXIX. EPISODES OF THE REVOLT AND THE WAR—THE TOBACCO RIOTS —RINALDO GUIDASCARPI XXX. EPISODES OF THE REVOLT AND THE WAR—THE FIVE DAYS OF MILAN XXXI. EPISODES OF THE REVOLT AND THE WAR—VITTORIA DISOBEYS HER LOVER XXXII. EPISODES OF THE REVOLT AND THE WAR—THE TREACHERY OF PERICLES-THE WRITE UMBRELLA—THE DEATH OF RINALDO GUIDASCARPI BOOK 7. XXXIII. EPISODES OF THE REVOLT AND THE WAR—COUNT KARL LENKENSTEIN— THE STORY OF THE GUIDASCARPI—THE VICTORY OF THE VOLUNTEERS XXXIV. EPISODES OF THE REVOLT AND THE WAR—THE DEEDS OF BARTO RIZZO— THE MEETING AT ROVEREDO XXXV. CLOSE OF THE LOMBARD CAMPAIGN—VITTORIA'S PERPLEXITY XXXVI. A FRESH ENTANGLEMENT XXXVII. ON LAGO MAGGIORE XXXVIII. VIOLETTA D'ISORELLA XXXIX. ANNA OF LENKENSTEIN BOOK 8. XL. THROUGH THE WINTER XLI. THE INTERVIEW XLII. THE SHADOW OF CONSPIRACY XLIII. THE LAST MEETING IN MILAN XLIV. THE WIFE AND THE HUSBAND XLV. SHOWS MANY PATHS CONVERGING TO THE END XLVI. THE LAST EPILOGUE VITTORIA BOOK 1. I. UP MONTE MOTTERONE II. ON THE HEIGHTS III. SIGNORINA VITTORIA IV. AMMIANI'S INTERCESSION V. THE SPY VI. THE WARNING VII. BARTO RIZZO VIII. THE LETTER CHAPTER I

From Monte Motterone you survey the Lombard plain. It is a towering dome of green among a hundred pinnacles of grey and rust-red crags. At dawn the summit of the mountain has an eagle eye for the far Venetian boundary and the barrier of the Apennines; but with sunrise come the mists. The vast brown level is seen narrowing in; the Ticino and the Sesia waters, nearest, quiver on the air like sleepy lakes; the plain is engulphed up to the high ridges of the distant Southern mountain range, which lie stretched to a faint cloud-like line, in shape like a solitary monster of old seas crossing the Deluge. Long arms of vapour stretch across the urn-like valleys, and gradually thickening and swelling upward, enwrap the scored bodies of the ashen-faced peaks and the pastures of the green mountain, till the heights become islands over a forgotten earth. Bells of herds down the hidden run of the sweet grasses, and a continuous leaping of its rivulets, give the Motterone a voice of youth and homeliness amid that stern company of Titan-heads, for whom the hawk and the vulture cry. The storm has beaten at them until they have got the aspect of the storm. They take colour from sunlight, and are joyless in colour as in shade. When the lower world is under pushing steam, they wear the look of the revolted sons of Time, fast chained before scornful heaven in an iron peace. Day at last brings vigorous fire; arrows of light pierce the mist-wreaths, the dancing draperies, the floors of vapour; and the mountain of piled pasturages is seen with its foot on the shore of Lago Maggiore. Down an extreme gulf the full sunlight, as if darting on a jewel in the deeps, seizes the blue-green lake with its isles. The villages along the darkly-wooded borders of the lake show white as clustered swans; here and there a tented boat is visible, shooting from terraces of vines, or hanging on its shadow. Monte Boscero is unveiled; the semicircle of the Piedmontese and the Swiss peaks, covering Lake Orta, behind, on along the Ticinese and the Grisons, leftward toward and beyond the Lugano hills, stand bare in black and grey and rust-red and purple. You behold a burnished realm of mountain and plain beneath the royal sun of Italy. In the foreground it shines hard as the lines of an irradiated Cellini shield. Farther away, over middle ranges that are soft and clear, it melts, confusing the waters with hot rays, and the forests with darkness, to where, wavering in and out of view like flying wings, and shadowed like wings of archangels with rose and with orange and with violet, silverwhite Alps are seen. You might take them for mystical streaming torches on the border-ground between vision and fancy. They lean as in a great flight forward upon Lombardy.

The curtain of an early autumnal morning was everywhere lifted around the Motterone, save for one milky strip of cloud that lay lizard-like across the throat of Monte Boscero facing it, when a party of five footfarers, who had met from different points of ascent some way below, and were climbing the mountain together, stood upon the cropped herbage of the second plateau, and stopped to eye the landscape; possibly also to get their breath. They were Italians. Two were fair-haired muscular men, bronzed by the sun and roughly bearded, bearing the stamp of breed of one or other of the hill-cities under the Alps. A third looked a sturdy soldier, squareset and hard of feature, for whom beauties of scenery had few awakening charms. The remaining couple were an old man and a youth, upon whose shoulder the veteran leaned, and with a whimsical turn of head and eye, indicative of some playful cast of mind, poured out his remarks upon the objects in sight, and chuckled to himself, like one who has learnt the necessity to appreciate his own humour if he is disposed to indulge it. He was carelessly wrapped about in long loose woollen stuff, but the youth was dressed like a Milanese cavalier of the first quality, and was evidently one who would have been at home in the fashionable Corso. His face was of the sweetest virile Italian beauty. The head was long, like a hawk's, not too lean, and not sharply ridged from a rapacious beak, but enough to show characteristics of eagerness and promptitude. His eyes were darkest blue, the eyebrows and long disjoining eyelashes being very dark over them, which made their colour precious. The nose was straight and forward from the brows; a fluent black moustache ran with the curve of the upper lip, and lost its line upon a smooth olive cheek. The upper lip was firmly supported by the under, and the chin stood freely out from a fine neck and throat.

After a space an Austrian war-steamer was discerned puffing out of the harbour of Laveno.

"That will do," said the old man. "Carlo, thou son of Paolo, we will stump upward once more. Tell me, hulloa, sir! are the best peaches doomed to entertain vile, domiciliary, parasitical insects? I ask you, does nature exhibit motherly regard, or none, for the regions of the picturesque? None, I say. It is an arbitrary distinction of our day. To complain of the intrusion of that black-yellow flag and foul smoke- line on the lake underneath us is preposterous, since, as you behold, the heavens make no protestation. Let us up. There is comfort in exercise, even for an ancient creature such as I am. This mountain is my brother, and flatters me not—I am old."

"Take my arm, dear Agostino," said the youth.

"Never, my lad, until I need it. On, ahead of me, goat! chamois! and teach me how the thing used to be done in my time. Old legs must be the pupils of young ones mark that piece of humility, and listen with respectfulness to an old head by-and-by."

It was the autumn antecedent to that memorable Spring of the great Italian uprising, when, though for a tragic issue, the people of Italy first felt and acted as a nation, and Charles Albert, called the Sword of Italy,