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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Adieu by Honoré de Balzac (buy e reader TXT) 📖

Book online «Adieu by Honoré de Balzac (buy e reader TXT) 📖». Author Honoré de Balzac



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asked the colonel.

"I am rubbing my eyes to know if I am asleep or awake," replied the marquis, with his face close to the iron rails as he tried to get another sight of the phantom.

"She must be beneath that fig-tree," he said, pointing to the foliage of a tree which rose above the wall to the left of the gate.

"She! who?"

"How can I tell?" replied Monsieur d'Albon. "A strange woman rose up there, just before me," he said in a low voice; "she seemed to come from the world of shades rather than from the land of the living. She is so slender, so light, so filmy, she must be diaphanous. Her face was as white as milk; her eyes, her clothes, her hair jet black. She looked at me as she flitted by, and though I may say I'm no coward, that cold immovable look froze the blood in my veins."

"Is she pretty?" asked Philippe.

"I don't know. I could see nothing but the eyes in that face."

"Well, let the dinner at Cassan go to the devil!" cried the colonel. "Suppose we stay here. I have a sudden childish desire to enter that singular house. Do you see those window-frames painted red, and the red lines on the doors and shutters? Doesn't the place look to you as if it belonged to the devil?--perhaps he inherited it from the monks. Come, let us pursue the black and white lady--forward, march!" cried Philippe, with forced gaiety.

At that instant the two huntsmen heard a cry that was something like that of a mouse caught in a trap. They listened. The rustle of a few shrubs sounded in the silence like the murmur of a breaking wave. In vain they listened for other sounds; the earth was dumb, and kept the secret of those light steps, if, indeed, the unknown woman moved at all.

"It is very singular!" said Philippe, as they skirted the park wall.

The two friends presently reached a path in the forest which led to the village of Chauvry. After following this path some way toward the main road to Paris, they came to another iron gate which led to the principal facade of the mysterious dwelling. On this side the dilapidation and disorder of the premises had reached their height. Immense cracks furrowed the walls of the house, which was built on three sides of a square. Fragments of tiles and slates lying on the ground, and the dilapidated condition of the roofs, were evidence of a total want of care on the part of the owners. The fruit had fallen from the trees and lay rotting on the ground; a cow was feeding on the lawn and treading down the flowers in the borders, while a goat browsed on the shoots of the vines and munched the unripe grapes.

"Here all is harmony; the devastation seems organized," said the colonel, pulling the chain of a bell; but the bell was without a clapper.

The huntsmen heard nothing but the curiously sharp noise of a rusty spring. Though very dilapidated, a little door made in the wall beside the iron gates resisted all their efforts to open it.

"Well, well, this is getting to be exciting," said de Sucy to his companion.

"If I were not a magistrate," replied Monsieur d'Albon, "I should think that woman was a witch."

As he said the words, the cow came to the iron gate and pushed her warm muzzle towards them, as if she felt the need of seeing human beings. Then a woman, if that name could be applied to the indefinable being who suddenly issued from a clump of bushes, pulled away the cow by its rope. This woman wore on her head a red handkerchief, beneath which trailed long locks of hair in color and shape like the flax on a distaff. She wore no fichu. A coarse woollen petticoat in black and gray stripes, too short by several inches, exposed her legs. She might have belonged to some tribe of Red-Skins described by Cooper, for her legs, neck, and arms were the color of brick. No ray of intelligence enlivened her vacant face. A few whitish hairs served her for eyebrows; the eyes themselves, of a dull blue, were cold and wan; and her mouth was so formed as to show the teeth, which were crooked, but as white as those of a dog.

"Here, my good woman!" called Monsieur de Sucy.

She came very slowly to the gate, looking with a silly expression at the two huntsmen, the sight of whom brought a forced and painful smile to her face.

"Where are we? Whose house is this? Who are you? Do you belong here?"

To these questions and several others which the two friends alternately addressed to her, she answered only with guttural sounds that seemed more like the growl of an animal than the voice of a human being.

"She must be deaf and dumb," said the marquis.

"Bons-Hommes!" cried the peasant woman.

"Ah! I see. This is, no doubt, the old monastery of the Bons-Hommes," said the marquis.

He renewed his questions. But, like a capricious child, the peasant woman colored, played with her wooden shoe, twisted the rope of the cow, which was now feeding peaceably, and looked at the two hunters, examining every part of their clothing; then she yelped, growled, and clucked, but did not speak.

"What is your name?" said Philippe, looking at her fixedly, as if he meant to mesmerize her.

"Genevieve," she said, laughing with a silly air.

"The cow is the most intelligent being we have seen so far," said the marquis. "I shall fire my gun and see if that will being some one."

Just as d'Albon raised his gun, the colonel stopped him with a gesture, and pointed to the form of a woman, probably the one who had so keenly piqued his curiosity. At this moment she seemed lost in the deepest meditation, and was coming with slow steps along a distant pathway, so that the two friends had ample time to examine her.

She was dressed in a ragged gown of black satin. Her long hair fell in masses of curls over her forehead, around her shoulders, and below her waist, serving her for a shawl. Accustomed no doubt to this disorder, she seldom pushed her hair from her forehead; and when she did so, it was with a sudden toss of her head which only for a moment cleared her forehead and eyes from the thick veil. Her gesture, like that of an animal, had a remarkable mechanical precision, the quickness of which seemed wonderful in a woman. The huntsmen were amazed to see her suddenly leap up on the branch of an apple-tree, and sit there with the ease of a bird. She gathered an apple and ate it; then she dropped to the ground with the graceful ease we admire in a squirrel. Her limbs possessed an elasticity which took from every movement the slightest appearance of effort or constraint. She played upon the turf, rolling herself about like a child; then, suddenly, she flung her feet and hands forward, and lay at full length on the grass, with the grace and natural ease of a young cat asleep in the sun. Thunder sounded in the distance, and she turned suddenly, rising on her hands and knees with the rapidity of a dog which hears a coming footstep.

The effects of this singular attitude was to separate into two heavy masses the volume of her black hair, which now fell on either side of her head, and allowed the two spectators to admire the white shoulders glistening like daisies in a field, and the throat, the perfection of which allowed them to judge of the other beauties of her figure.

Suddenly she uttered a distressful cry and rose to her feet. Her movements succeeded each other with such airiness and grace that she seemed not a creature of this world but a daughter of the atmosphere, as sung in the poems of Ossian. She ran toward a piece of water, shook one of her legs lightly to cast off her shoe, and began to dabble her foot, white as alabaster, in the current, admiring, perhaps, the undulations she thus produced upon the surface of the water. Then she knelt down at the edge of the stream and amused herself, like a child, in casting in her long tresses and pulling them abruptly out, to watch the shower of drops that glittered down, looking, as the sunlight struck athwart them, like a chaplet of pearls.

"That woman is mad!" cried the marquis.

A hoarse cry, uttered by Genevieve, seemed uttered as a warning to the unknown woman, who turned suddenly, throwing back her hair from either side of her face. At this instant the colonel and Monsieur d'Albon could distinctly see her features; she, herself, perceiving the two friends, sprang to the iron railing with the lightness and rapidity of a deer.

"Adieu!" she said, in a soft, harmonious voice, the melody of which did not convey the slightest feeling or the slightest thought.

Monsieur d'Albon admired the long lashes of her eyelids, the blackness of her eyebrows, and the dazzling whiteness of a skin devoid of even the faintest tinge of color. Tiny blue veins alone broke the uniformity of its pure white tones. When the marquis turned to his friend as if to share with him his amazement at the sight of this singular creature, he found him stretched on the ground as if dead. D'Albon fired his gun in the air to summon assistance, crying out "Help! help!" and then endeavored to revive the colonel. At the sound of the shot, the unknown woman, who had hitherto stood motionless, fled away with the rapidity of an arrow, uttering cries of fear like a wounded animal, and running hither and thither about the meadow with every sign of the greatest terror.

Monsieur d'Albon, hearing the rumbling of a carriage on the high-road to Ile-Adam, waved his handkerchief and shouted to its occupants for assistance. The carriage was immediately driven up to the old monastery, and the marquis recognized his neighbors, Monsieur and Madame de Granville, who at once gave up their carriage to the service of the two gentlemen. Madame de Granville had with her, by chance, a bottle of salts, which revived the colonel for a moment. When he opened his eyes he turned them to the meadow, where the unknown woman was still running and uttering her distressing cries. A smothered exclamation escaped him, which seemed to express a sense of horror; then he closed his eyes again, and made a gesture as if to implore his friend to remove him from that sight.

Monsieur and Madame de Granville placed their carriage entirely at the disposal of the marquis, assuring him courteously that they would like to continue their way on foot.

"Who is that lady?" asked the marquis, signing toward the unknown woman.

"I believe she comes from Moulins," replied Monsieur de Granville. "She is the Comtesse de Vandieres, and they say she is mad; but as she has only been here two months I will not vouch for the truth of these hearsays."

Monsieur d'Albon thanked his friends, and placing the colonel in the carriage, started with him for Cassan.

"It is she!" cried Philippe, recovering his senses.

"Who is she?" asked d'Albon.

"Stephanie. Ah, dead and living, living and mad! I fancied I was dying."

The prudent marquis, appreciating the gravity of the crisis through which his friend was passing, was careful
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