Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Adieu by Honoré de Balzac (buy e reader TXT) 📖
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that dear darling creature; I comprehend her madness, I watch her gestures, I know her secrets. Some day you will thank me for thus sending you away."
The colonel left the old monastery, never to return but once. The doctor was horrified when he saw the effect he had produced upon his guest, whom he now began to love when he saw him thus. Surely, if either of the two lovers were worthy of pity, it was Philippe; did he not bear alone the burden of their dreadful sorrow?
After the colonel's departure the doctor kept himself informed about him; he learned that the miserable man was living on an estate near Saint-Germain. In truth, the baron, on the faith of a dream, had formed a project which he believed would yet restore the mind of his darling. Unknown to the doctor, he spent the rest of the autumn in preparing for his enterprise. A little river flowed through his park and inundated during the winter the marshes on either side of it, giving it some resemblance to the Beresina. The village of Satout, on the heights above, closed in, like Studzianka, the scene of horror. The colonel collected workmen to deepen the banks, and by the help of his memory, he copied in his park the shore where General Eble destroyed the bridge. He planted piles, and made buttresses and burned them, leaving their charred and blackened ruins, standing in the water from shore to shore. Then he gathered fragments of all kinds, like those of which the raft was built. He ordered dilapidated uniforms and clothing of every grade, and hired hundreds of peasants to wear them; he erected huts and cabins for the purpose of burning them. In short, he forgot nothing that might recall that most awful of all scenes, and he succeeded.
Toward the last of December, when the snow had covered with its thick, white mantle all his imitative preparations, he recognized the Beresina. This false Russia was so terribly truthful, that several of his army comrades recognized the scene of their past misery at once. Monsieur de Sucy took care to keep secret the motive for this tragic imitation, which was talked of in several Parisian circles as a proof of insanity.
Early in January, 1820, the colonel drove in a carriage, the very counterpart of the one in which he had driven the Comte and Comtesse de Vandieres from Moscow to Studzianka. The horses, too, were like those he had gone, at the peril of his life, to fetch from the Russian outposts. He himself wore the soiled fantastic clothing, the same weapons, as on the 29th of November, 1812. He had let his beard grow, also his hair, which was tangled and matted, and his face was neglected, so that nothing might be wanting to represent the awful truth.
"I can guess your purpose," cried Monsieur Fanjat, when he saw the colonel getting out of the carriage. "If you want to succeed, do not let my niece see you in that equipage. To-night I will give her opium. During her sleep, we will dress her as she was at Studzianka, and place her in the carriage. I will follow you in another vehicle."
About two in the morning, the sleeping countess was placed in the carriage and wrapped in heavy coverings. A few peasants with torches lighted up this strange abduction. Suddenly, a piercing cry broke the silence of the night. Philippe and the doctor turned, and saw Genevieve coming half-naked from the ground-floor room in which she slept.
"Adieu, adieu! all is over, adieu!" she cried, weeping hot tears.
"Genevieve, what troubles you?" asked the doctor.
Genevieve shook her head with a motion of despair, raised her arm to heaven, looked at the carriage, uttering a long-drawn moan with every sign of the utmost terror; then she returned to her room silently.
"That is a good omen!" cried the colonel. "She feels she is to lose her companion. Perhaps she SEES that Stephanie will recover her reason."
"God grant it!" said Monsieur Fanjat, who himself was affected by the incident.
Ever since he had made a close study of insanity, the good man had met with many examples of the prophetic faculty and the gift of second sight, proofs of which are frequently given by alienated minds, and which may also be found, so travellers say, among certain tribes of savages.
As the colonel had calculated, Stephanie crossed the fictitious plain of the Beresina at nine o'clock in the morning, when she was awakened by a cannon shot not a hundred yards from the spot where the experiment was to be tried. This was a signal. Hundreds of peasants made a frightful clamor like that on the shore of the river that memorable night, when twenty thousand stragglers were doomed to death or slavery by their own folly.
At the cry, at the shot, the countess sprang from the carriage, and ran, with delirious emotion, over the snow to the banks of the river; she saw the burned bivouacs and the charred remains of the bridge, and the fatal raft, which the men were launching into the icy waters of the Beresina. The major, Philippe, was there, striking back the crowd with his sabre. Madame de Vandieres gave a cry, which went to all hearts, and threw herself before the colonel, whose heart beat wildly. She seemed to gather herself together, and, at first, looked vaguely at the singular scene. For an instant, as rapid as the lightning's flash, her eyes had that lucidity, devoid of mind, which we admire in the eye of birds; then passing her hand across her brow with the keen expression of one who meditates, she contemplated the living memory of a past scene spread before her, and, turning quickly to Philippe, she SAW HIM. An awful silence reigned in the crowd. The colonel gasped, but dared not speak; the doctor wept. Stephanie's sweet face colored faintly; then, from tint to tint, it returned to the brightness of youth, till it glowed with a beautiful crimson. Life and happiness, lighted by intelligence, came nearer and nearer like a conflagration. Convulsive trembling rose from her feet to her heart. Then these phenomena seemed to blend in one as Stephanie's eyes cast forth a celestial ray, the flame of a living soul. She lived, she thought! She shuddered, with fear perhaps, for God himself unloosed that silent tongue, and cast anew His fires into that long-extinguished soul. Human will came with its full electric torrent, and vivified the body from which it had been driven.
"Stephanie!" cried the colonel.
"Oh! it is Philippe," said the poor countess.
She threw herself into the trembling arms that the colonel held out to her, and the clasp of the lovers frightened the spectators. Stephanie burst into tears. Suddenly her tears stopped, she stiffened as though the lightning had touched her, and said in a feeble voice,--
"Adieu, Philippe; I love thee, adieu!"
"Oh! she is dead," cried the colonel, opening his arms.
The old doctor received the inanimate body of his niece, kissed it as though he were a young man, and carrying it aside, sat down with it still in his arms on a pile of wood. He looked at the countess and placed his feeble trembling hand upon her heart. That heart no longer beat.
"It is true," he said, looking up at the colonel, who stood motionless, and then at Stephanie, on whom death was placing that resplendent beauty, that fugitive halo, which is, perhaps, a pledge of the glorious future--"Yes, she is dead."
"Ah! that smile," cried Philippe, "do you see that smile? Can it be true?"
"She is turning cold," replied Monsieur Fanjat.
Monsieur de Sucy made a few steps to tear himself away from the sight; but he stopped, whistled the air that Stephanie had known, and when she did not come to him, went on with staggering steps like a drunken man, still whistling, but never turning back.
General Philippe de Sucy was thought in the social world to be a very agreeable man, and above all a very gay one. A few days ago, a lady complimented him on his good humor, and the charming equability of his nature.
"Ah! madame," he said, "I pay dear for my liveliness in my lonely evenings."
"Are you ever alone?" she said.
"No," he replied smiling.
If a judicious observer of human nature could have seen at that moment the expression on the Comte de Sucy's face, he would perhaps have shuddered.
"Why don't you marry?" said the lady, who had several daughters at school. "You are rich, titled, and of ancient lineage; you have talents, and a great future before you; all things smile upon you."
"Yes," he said, "but a smile kills me."
The next day the lady heard with great astonishment that Monsieur de Sucy had blown his brains out during the night. The upper ranks of society talked in various ways over this extraordinary event, and each person looked for the cause of it. According to the proclivities of each reasoner, play, love, ambition, hidden disorders, and vices, explained the catastrophe, the last scene of a drama begun in 1812. Two men alone, a marquis and former deputy, and an aged physician, knew that Philippe de Sucy was one of those strong men to whom God has given the unhappy power of issuing daily in triumph from awful combats which they fight with an unseen monster. If, for a moment, God withdraws from such men His all-powerful hand, they succumb.
ADDENDUM
The following personage appears in other stories of the Human Comedy.
Note: Adieu is also entitled Farewell.
The colonel left the old monastery, never to return but once. The doctor was horrified when he saw the effect he had produced upon his guest, whom he now began to love when he saw him thus. Surely, if either of the two lovers were worthy of pity, it was Philippe; did he not bear alone the burden of their dreadful sorrow?
After the colonel's departure the doctor kept himself informed about him; he learned that the miserable man was living on an estate near Saint-Germain. In truth, the baron, on the faith of a dream, had formed a project which he believed would yet restore the mind of his darling. Unknown to the doctor, he spent the rest of the autumn in preparing for his enterprise. A little river flowed through his park and inundated during the winter the marshes on either side of it, giving it some resemblance to the Beresina. The village of Satout, on the heights above, closed in, like Studzianka, the scene of horror. The colonel collected workmen to deepen the banks, and by the help of his memory, he copied in his park the shore where General Eble destroyed the bridge. He planted piles, and made buttresses and burned them, leaving their charred and blackened ruins, standing in the water from shore to shore. Then he gathered fragments of all kinds, like those of which the raft was built. He ordered dilapidated uniforms and clothing of every grade, and hired hundreds of peasants to wear them; he erected huts and cabins for the purpose of burning them. In short, he forgot nothing that might recall that most awful of all scenes, and he succeeded.
Toward the last of December, when the snow had covered with its thick, white mantle all his imitative preparations, he recognized the Beresina. This false Russia was so terribly truthful, that several of his army comrades recognized the scene of their past misery at once. Monsieur de Sucy took care to keep secret the motive for this tragic imitation, which was talked of in several Parisian circles as a proof of insanity.
Early in January, 1820, the colonel drove in a carriage, the very counterpart of the one in which he had driven the Comte and Comtesse de Vandieres from Moscow to Studzianka. The horses, too, were like those he had gone, at the peril of his life, to fetch from the Russian outposts. He himself wore the soiled fantastic clothing, the same weapons, as on the 29th of November, 1812. He had let his beard grow, also his hair, which was tangled and matted, and his face was neglected, so that nothing might be wanting to represent the awful truth.
"I can guess your purpose," cried Monsieur Fanjat, when he saw the colonel getting out of the carriage. "If you want to succeed, do not let my niece see you in that equipage. To-night I will give her opium. During her sleep, we will dress her as she was at Studzianka, and place her in the carriage. I will follow you in another vehicle."
About two in the morning, the sleeping countess was placed in the carriage and wrapped in heavy coverings. A few peasants with torches lighted up this strange abduction. Suddenly, a piercing cry broke the silence of the night. Philippe and the doctor turned, and saw Genevieve coming half-naked from the ground-floor room in which she slept.
"Adieu, adieu! all is over, adieu!" she cried, weeping hot tears.
"Genevieve, what troubles you?" asked the doctor.
Genevieve shook her head with a motion of despair, raised her arm to heaven, looked at the carriage, uttering a long-drawn moan with every sign of the utmost terror; then she returned to her room silently.
"That is a good omen!" cried the colonel. "She feels she is to lose her companion. Perhaps she SEES that Stephanie will recover her reason."
"God grant it!" said Monsieur Fanjat, who himself was affected by the incident.
Ever since he had made a close study of insanity, the good man had met with many examples of the prophetic faculty and the gift of second sight, proofs of which are frequently given by alienated minds, and which may also be found, so travellers say, among certain tribes of savages.
As the colonel had calculated, Stephanie crossed the fictitious plain of the Beresina at nine o'clock in the morning, when she was awakened by a cannon shot not a hundred yards from the spot where the experiment was to be tried. This was a signal. Hundreds of peasants made a frightful clamor like that on the shore of the river that memorable night, when twenty thousand stragglers were doomed to death or slavery by their own folly.
At the cry, at the shot, the countess sprang from the carriage, and ran, with delirious emotion, over the snow to the banks of the river; she saw the burned bivouacs and the charred remains of the bridge, and the fatal raft, which the men were launching into the icy waters of the Beresina. The major, Philippe, was there, striking back the crowd with his sabre. Madame de Vandieres gave a cry, which went to all hearts, and threw herself before the colonel, whose heart beat wildly. She seemed to gather herself together, and, at first, looked vaguely at the singular scene. For an instant, as rapid as the lightning's flash, her eyes had that lucidity, devoid of mind, which we admire in the eye of birds; then passing her hand across her brow with the keen expression of one who meditates, she contemplated the living memory of a past scene spread before her, and, turning quickly to Philippe, she SAW HIM. An awful silence reigned in the crowd. The colonel gasped, but dared not speak; the doctor wept. Stephanie's sweet face colored faintly; then, from tint to tint, it returned to the brightness of youth, till it glowed with a beautiful crimson. Life and happiness, lighted by intelligence, came nearer and nearer like a conflagration. Convulsive trembling rose from her feet to her heart. Then these phenomena seemed to blend in one as Stephanie's eyes cast forth a celestial ray, the flame of a living soul. She lived, she thought! She shuddered, with fear perhaps, for God himself unloosed that silent tongue, and cast anew His fires into that long-extinguished soul. Human will came with its full electric torrent, and vivified the body from which it had been driven.
"Stephanie!" cried the colonel.
"Oh! it is Philippe," said the poor countess.
She threw herself into the trembling arms that the colonel held out to her, and the clasp of the lovers frightened the spectators. Stephanie burst into tears. Suddenly her tears stopped, she stiffened as though the lightning had touched her, and said in a feeble voice,--
"Adieu, Philippe; I love thee, adieu!"
"Oh! she is dead," cried the colonel, opening his arms.
The old doctor received the inanimate body of his niece, kissed it as though he were a young man, and carrying it aside, sat down with it still in his arms on a pile of wood. He looked at the countess and placed his feeble trembling hand upon her heart. That heart no longer beat.
"It is true," he said, looking up at the colonel, who stood motionless, and then at Stephanie, on whom death was placing that resplendent beauty, that fugitive halo, which is, perhaps, a pledge of the glorious future--"Yes, she is dead."
"Ah! that smile," cried Philippe, "do you see that smile? Can it be true?"
"She is turning cold," replied Monsieur Fanjat.
Monsieur de Sucy made a few steps to tear himself away from the sight; but he stopped, whistled the air that Stephanie had known, and when she did not come to him, went on with staggering steps like a drunken man, still whistling, but never turning back.
General Philippe de Sucy was thought in the social world to be a very agreeable man, and above all a very gay one. A few days ago, a lady complimented him on his good humor, and the charming equability of his nature.
"Ah! madame," he said, "I pay dear for my liveliness in my lonely evenings."
"Are you ever alone?" she said.
"No," he replied smiling.
If a judicious observer of human nature could have seen at that moment the expression on the Comte de Sucy's face, he would perhaps have shuddered.
"Why don't you marry?" said the lady, who had several daughters at school. "You are rich, titled, and of ancient lineage; you have talents, and a great future before you; all things smile upon you."
"Yes," he said, "but a smile kills me."
The next day the lady heard with great astonishment that Monsieur de Sucy had blown his brains out during the night. The upper ranks of society talked in various ways over this extraordinary event, and each person looked for the cause of it. According to the proclivities of each reasoner, play, love, ambition, hidden disorders, and vices, explained the catastrophe, the last scene of a drama begun in 1812. Two men alone, a marquis and former deputy, and an aged physician, knew that Philippe de Sucy was one of those strong men to whom God has given the unhappy power of issuing daily in triumph from awful combats which they fight with an unseen monster. If, for a moment, God withdraws from such men His all-powerful hand, they succumb.
ADDENDUM
The following personage appears in other stories of the Human Comedy.
Note: Adieu is also entitled Farewell.
Granville, Vicomte de
The Gondreville Mystery
A Second Home
Farewell (Adieu)
Cesar Birotteau
Scenes from a Courtesan's Life
A Daughter of Eve
Cousin Pons
Publication Date: 07-14-2010
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