Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Lone Ranche by Mayne Reid (rooftoppers .txt) 📖
- Author: Mayne Reid
Book online «The Lone Ranche by Mayne Reid (rooftoppers .txt) 📖». Author Mayne Reid
“Now, Conchita! Go get the wine, and bring it along with you. The doctor left directions for it to be given him at this hour.”
“I have it here, senorita.”
“Vaya! you have forgotten the glass. You would not have him drink out of the bottle?”
“Ay Dios! and so I have,” responds Conchita, apparently gliding off to possess herself of the required article, with which she soon returns.
“Ish!” cautions the other voice; “if he be still asleep, we must not wake him. Don Prospero said that. Step lightly, muchacha!”
Hamersley is awake, with eyes wide open, and consciousness quite restored. But at this moment something—an instinct of dissembling—causes him to counterfeit sleep; and he lies still, with shut eyelids. He can hear the door turning upon its hinges of raw hide, then the soft rustle of robes, while he is sensible of that inexpressible something that denotes the gentle presence of woman.
“Yes, he is asleep,” says the first speaker, “and for the world we may not disturb him. The doctor was particular about that, and we must do exactly as he said. You know, Conchita, this gentleman has been in great danger. Thanks to the good Virgin, he’ll get over it. Don Prospero assures us he will.”
“What a pity if he should not! Oh, senorita, isn’t he—”
“Isn’t he what?”
“Handsome—beautiful! He looks like a picture I’ve seen in the church; an angel—only that the angel had wings, and no mustachios.”
“Pif, girl; don’t speak in that silly way, or I shall be angry with you. Vayate! you may take away the wine. We can come again when he awakes. Guardate! Tread lightly.”
Again there is the rustling of a dress; but this time as if only one of the two were moving off. The other seems still to linger by the side of the couch.
The invalid queries which of the two it is. There is an electricity that tells him; and, for an instant, he thinks of opening his eyes, and proclaiming consciousness of what has been passing.
A thought restrains him—delicacy. The lady will know that he has been awake all the while, and overheard the conversation. It has been in Spanish, but she is aware that he understands this, for he has no doubt that the “señorita” is she who has saved him.
He remains without moving, without unclosing his eyelids. But his ears are open, and he hears a speech pleasanter than any yet spoken.
It is in the shape of a soliloquy—a few words softly murmured. They are, “Ay de mil ’Tis true what Conchita says, and as Valerian told me. He is, indeed, handsome—beautiful!”
More than ever Hamersley endeavours to counterfeit sleep, but he can resist no longer. Involuntarily his eyes fly open, and, with head upraised, he turns towards the speaker.
He sees what he has been expecting, what he beheld in fancy throughout his long, delirious dream—the fair form and beautiful face that so much interested him, even in that hour when life seemed to be forsaking him. It is the angel of the desert, no longer in huntress garb, but dressed as a lady.
There is a red tinge upon her cheek, that appears to have flushed up suddenly, as if suspecting her soliloquy has been heard. The words have but parted from her lips, and the thought is yet thrilling in her heart.
Can he have heard it? He shows no sign.
She approaches the couch with a look of solicitude, mingled with interrogation. A hand is held out to her, and a word or two spoken to say she is recognised. Her eyes sparkle with joy, as she perceives in those of the invalid that reason is once more seated on its throne.
“I am so happy,” she murmurs, “we are all so happy, to know you are out of danger. Don Prospero says so. You will now get well in a short time. But I forget; we were to give you something as soon as you should awake. It is only some wine. Conchita, come hither!”
A young girl is seen stepping into the chamber. A glance would tell her to be the maid, if the overheard conversation had not already declared it. A little brown-skinned damsel, scarce five feet in height, with raven hair hanging in double plait down her back, and black eyes that sparkle like those of a basilisk.
Provident Conchila has brought the bottle and glass with her, and a portion of the famed grape juice of El Paso is administered to the invalid.
“How good and kind you’ve all been!” he says, as his head once more settles down upon the pillow. “And you especially, senorita. If I mistake not, I’m indebted to you for the saving of my life.”
“Do not speak of that,” she rejoins; “I’ve shown you no kindness in particular. You would not have one leave a fellow creature to perish?”
“Ah! but for you I should now have been in another world.”
“No, indeed. There you are mistaken. If I had never come near you, you’d have been saved all the same. I have good news for you. Your comrade is safe, and here. He returned to your trysting-place, with both food and drink; so, as you see, I have no merit in having rescued you. But I must not talk longer. Don Prospero has given instructions for you to be kept quiet. I shall bring the doctor at once. Now that you are awake it is necessary he should see you.”
Without waiting for a reply, she glides out of the room, Conchita having gone before.
Hamersley lies pondering on what he has seen and heard, more especially on what he has overheard—that sweet soliloquy. Few men are insensible to flattery. And flattery from fair lips! He must be indeed near death whose heart-pulsations it does not affect.
But Don Prospero! Who is he? Is he the owner of the voice heard in dialogue with Walt Wilder? May he be the owner of all? This thought troubles the Kentuckian.
Approaching footsteps put a stop to his conjectures. There are voices outside, one of them the same late sounding so sweetly in his ears. The other is a man’s, but not his who was conversing with Wilder. Nor is it that of the ex-Ranger himself. It is Don Prospero, who soon after enters the room, the lady leading the way.
A man of nigh sixty years of age, spare form and face, hair grizzled, cheeks wrinkled; withal hale and hearty, as can be told by the pleasant sparkle of his eye. Dressed in a semi-military suit, of a subdued tint, and facings that tell of the medical staff.
At a glance there is no danger in Don Prospero. The invalid feels easier, and breathes freely.
“Glad to see you looking so well,” says Don Prospero, taking hold of his patient’s wrist and trying the pulse. “Ah! much more regular; it will be all right now. Keep quiet, and we shall soon get you on your feet again. Come, señor! A little more of this grape-juice will do you no harm. Nothing like our New Mexican wine for bringing back a sick man to his appetite. After that, we shall give you some wild-turkey broth and a bone to pick. In a day or two you’ll be able to eat anything.”
Other personages are now approaching the chamber. The lady glides out, calling,—
“Valerian!”
“Who is Valerian?” feebly interrogates the invalid. Once more the name of a man is making him unhappy.
“Don Valerian!” responds the doctor, in a tone that tells of respect for the individual so designated; “you shall see, señor. You are about to make his acquaintance. No; I am wrong about that. I forgot. You cannot now.”
“Cannot! Why?”
“Because you have made it already. Mira! He is there!”
This as a tall, elegant man, under thirty years of age, steps inside the chamber, while a still taller form appears in the doorway, almost filling up the space between the posts.
The latter is Walt Wilder, but the former—who is he? Don Valerian, of course!
“Colonel Miranda!” exclaims Hamersley, starting up on his couch. He has already dismissed all suspicious fears of Don Prospero; and now he no longer dreads Valerian.
“Colonel Miranda, is it you?”
“It is, mio amigo, myself, as you see. And I need not tell you how glad I am to meet you again. So unexpected in this queer quarter, where I little hoped to have the pleasure of entertaining an old friend. Our worthy doctor here informs us you will soon get strong again, and become more of a tax on my hospitality than you have yet been. No doubt, after your illness, you’ll have the appetite of an ostrich. Well, in one way, that will be fortunate, since we are living, as you may see, in a somewhat Homeric fashion. Carrambo! you will be deeming my manners quite as rude as the roughest of Homer’s heroes. I am forgetting to introduce you to one of whom you’ve heard me speak. Though it don’t so much signify, since the lady has made your acquaintance already. Permit me to present my dear Adela.”
It is the beautiful huntress who steps forward to be introduced, now looking more beautiful than ever.
To Hamersley all is explained by her presence. He remembers the portrait upon the wall, which accounts for his fancy of having seen her face before.
He sees it now; his wonder giving way to an intense, ardent admiration.
Soon, the young lady retiring, his curiosity comes back, and he asks his host for an explanation. How came Colonel Miranda there, and why? By what sinister combination of circumstances has the military commandant of Albuquerque made his home in the midst of a howling wilderness, for such is the Llano Estacado?
Despite the smiling oasis immediately surrounding it, it cannot have been choice. No. Chance, or rather mischance, must have led to this change in the affairs of his New Mexican acquaintance. More than an acquaintance—a friend who stood by him in the hour of danger, first courageously protecting, then nobly volunteering to act as his second in a duel; afterwards taking him on to his home and showing him hospitality, kind as was ever extended to a stranger in a strange land.
No wonder Frank Hamersley holds him dear. Dearer now, after seeing his sister in propriâ personâ—she whose portrait had so much impressed his fancy—the impression now deepened by the thought that to her he has been indebted for his life.
Naturally enough, the young Kentuckian is desirous of knowing all, and is anxious about the fortunes of his Mexican friend, that for the time seem adverse.
“No,” is Colonel Miranda’s response to his appeal. “Not now, Señor Don Francisco. Our good doctor here places an embargo on any further conversation for the present. The tale I have to tell might too much excite you. Therefore let it rest untold till you are stronger and more able to hear it rehearsed. Now, amigo, we must leave you alone, or rather, I should say, in the best of good company, for such has your worthy comrade, the Señor Wilder, proved himself to be. No doubt you’ll be anxious to have a word with one who, while your life was in danger, would have sacrificed his own to save it. Don Prospero permits him to remain with you and give such explanations as you may need. The rest of us are to retire. Hasta luega.” So saying, Miranda steps out of the room. “Keep perfectly quiet,” adds the ex-army surgeon, preparing to follow. “Don’t excite yourself by any act or thought that may cause a return of the fever. For in that lies your greatest danger. Feel confident, caballero, that you’re in the company of friends. Don Gaulterio here will be able to convince you of that. Ah! señor, you’ve a nurse who feels a great interest in seeing you restored to health.”
Pronouncing these last words in undertone and with
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