Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Lone Ranche by Mayne Reid (rooftoppers .txt) 📖
- Author: Mayne Reid
Book online «The Lone Ranche by Mayne Reid (rooftoppers .txt) 📖». Author Mayne Reid
Thus questioning himself, the ex-Ranger advances, his heart still aching with apprehension. Suddenly his eye alights on the piece of paper impaled upon the topmost spike of the palmilla. The sight gives him relief, but only for an instant; his conjectures again leading him astray.
“Poor young fellur!” is his half-spoken reflection; “he’s wrote somethin’ to tell how he died—mayhap somethin’ for me to carry back to the dear ’uns he’s left behind in ole Kaintuck. Wall, that thing shall sartinly be done ef ever this chile gets to the States agin. Darnashin! only to think how near I war to savin’ him; a whole doe deer, an’ water enough to a drownded him! It’ll be useless venison now, I shan’t care no more to put tooth into it myself. Frank Hamersley gone dead—the man o’ all others I’d ’a died to keep alive. I’d jest as soon lie down an’ stop breathin’ by the side o’ him.”
While speaking he moves on towards the palmilla. A few strides bring him so near the tree that he can see the ground surface about its base. There is something black among the stems of the sage-bushes. It is not the dead body of a man, but a buzzard, which he knows to be that he had shot before starting off. The sight of it causes him again to make stop. It looks draggled and torn, as if partially dismembered.
“Kin he hev been eatin’ it? Or war it themselves, the cussed kannybals? Poor Frank, I reck’n I’ll find him on t’other side, his body mangled in the same way. Darn it, ’t air kewrous, too. ’Twar on this side he laid down to git shade from the sun. I seed him squat whiles I war walkin’ away. The sun ain’t hot enuf yit to a druv him to westward o’ the bush, though thar for sartin he must be. What’s the use o’ my stannin’ shilly-shally hyar? I may as well face the sight at oncest, ugly as I know it’ll prove. Hyar goes.”
Steeling himself for the terrible spectacle, which he believes to be certainly awaiting him, he once more advances towards the tree.
A dozen strides bring him up, and less than half a dozen more carry him around it.
No body, living or dead—no remains of man, mutilated or otherwise!
For some time Wilder stands in speechless surprise, his glances going all around. But no human figure is seen, either by the palmilla or among the sage-bushes beside it. Can the wounded man have crawled away? But no; why should he? Still, to make sure, the ex-Ranger shouts out, calling Hamersley by name.
He gets no response. Alone he hears the echo of his own voice, mingling with the hoarse croaking of the vultures, scared by his shouts.
His hunter habits now counsel him to a different course of action. His comrade cannot be dead, else the corpse would be there. The vultures could not have eaten up both body and bones. There is no skeleton, no remains. His fellow fugitive has gone off or been taken. Whither? While asking the question Wilder sets about the right way to answer it. As a skilled tracker he begins by examining the signs that should put him on the trace of his missing companion. At a glance he perceives the prints of a horse’s hoof, and sees they are those of one unshod. This bodes ill, for the naked-hoofed horse betokens a savage rider—an Indian. Still, it may not be; and he proceeds to a more careful scrutiny of the tracks. In a short time he is able to tell that but one horse has been there, and presumably but one rider, which promises better. And while shaping conjectures as to who it could have been his eye ascends to the piece of paper impaled upon the spike, which he has for a time forgotten. This promises still better. It may clear up everything.
Hoping it will, he strides towards and takes hold of it. Lifting it carefully from the leaf, he spreads it out. He sees some writing in pencil, which he prepares to read.
At first sight he supposed it might be a dying record. Now he believes it may be something else.
His hands tremble, and his huge frame is convulsed as he holds the paper to his eyes.
With a thrill of joy he recognises the handwriting of Hamersley, which he knows. He is not much of a scholar; still, he can read, and at a glance makes out the first four words, full of pleasant meaning:
“Saved by an Angel!”
He reads no farther, till after giving utterance to a “hurrah!” that might have been heard many miles over the Staked Plain. Then, more tranquillised, he continues deciphering the chirography of his companion to the end; when a second shout terminates the effort.
“Saved by a angel!” he says, muttering to himself. “A angel on the Staked Plain! Whar can the critter hev come from? No matter whar. Thar’s been one hyar, for sartin. Darn me ef I don’t smell the sweet o’ her pettikotes now! This piece o’ paper—’t ain’t Frank’s. I knows he hedn’t a scrap about him. No. Thar’s the scent o’ a woman on it, sure; an’ whar thar’s a woman Frank Hamersley ain’t likely to be let die o’ sturvashun. He air too good-lookin’ for that. Wall I reck’n it’s all right an’ thar ain’t no more need for me to hurry. T’war rayther a scant breakfast I’ve hed, an’ hain’t gin this chile’s in’ards saterfacshun. I’ll jest chaw another griskin o’ the deer-meat to strengthen me for this six-mile tramp southard.”
In less than five minutes after, the smoke from a sage-stalk fire was seen ascending from beside the palmilla, and in its blaze, quickly kindled, a huge piece of venison, cut from the fat flanks of the doe, weighing at least four pounds, spitted upon one of the stiff blades of the plant, was rapidly turning from blood red to burnt brown.
As circumstances had ofttimes compelled the ex-Ranger to eat his deer-meat underdone, the habit had become his goût; and it was, therefore, not long before the griskin was removed from the spit. Nor much longer till it ceased to be a griskin—having altogether disappeared from his fingers, followed by a gurgling sound, as half the contents of the canteen went washing it down his throat.
“Now!” he said, springing to his feet, after he had completed his Homeric repast, “this chile feels strong enuf to face the devil hisself, an’ tharfor he needn’t be backward ’bout the encounterin’ o’ a angel. So hyar goes to find out Frank Hamersley, an’ how he’s farin’. Anyhow, I’ll take the deer along in case thar mout be a scarcity o’ eetables, though I reck’n thar’s no fear o’ that. Whar a angel makes dwelling-place thar oughter be a full crib, though it may be ambrosyer or mannar, or some o’ them fixin’s as a purairy man’s stummick ain’t used to. Anyways, a bit o’ doe-deer meat won’t do no harum. So, Walt Wilder, ole coon, let’s you an’ me set our faces southart, an’ see what’s to turn up at the tarminashun o’ six miles’ trampin’.”
Once more shouldering the carcase, he strides off towards the south, guiding himself by the sun, but more by the hoof-marks of the mustang. These, though scarce distinguishable, under the over-shadowing sage-plants, are descried with little difficulty by the experienced eye of the Ranger.
On goes he, now and then muttering to himself conjectures as to what sort of a personage has appropriated and carried off his comrade. But, with all his jocular soliloquising, he feels certain the angel will turn out to be a woman.
If, before losing consciousness, Hamersley had a thought that he had fallen into the hands of enemies, never in all his life could he have been more mistaken, for those now around him, by their words and gestures, prove the very reverse. Six personages compose the group—four men and a girl; the sixth, she, the huntress, who has conducted him to the house. The girl is a brown-skinned Indian, evidently a domestic; and so also two of the four men. The other two are white, and of pronouncedly Spanish features. One is an oldish man, greyheaded, thin-faced, and wearing spectacles. In a great city he would be taken for a savant, though difficult to tell what he may be, seen in the Llano Estacado surrounded by a desert. In the same place, the other and younger man is equally an enigma, for his bearing proclaims him both gentleman and soldier, while the coat on his back shows the undress uniform of an officer of more than medium rank.
It is he who answers to the apostrophe, “Hermano!” springing forward at the word, and obeying the command of his sister—for such is she whom Hamersley has accompanied to the spot.
Throwing out his arms, and receiving the wounded man as he falls insensible from the saddle, the obedient brother for a moment stands aghast, for in the face of him unconscious he recognises an old friend—one he might no more expect to see there than to behold him falling from the sky.
He can have no explanation from the man held in his arms. The latter has fainted—is dying—perhaps already dead. He does not seek it, only turns to him who wears the spectacles, saying,—
“Doctor, is he, indeed, dead? See if it be so. Let everything be done to save him.”
He thus addressed takes hold of Hamersley’s pulse, and, after a moment or two, pronounces upon it. It beats; it indicates extreme weakness, but not absolute danger of death.
Then the wounded man is carried inside—tenderly borne, as if he, too, were a brother—laid upon a couch, and looked after with all the skill the grey-haired medico can command, with all the assiduity of her who has brought him to the house, and him she calls “Hermano.”
As soon as the stranger has been disposed of, between these two there is a dialogue—the brother seeking explanations from the sister, though first imparting information to her. He knows the man she has saved; telling her how and where their acquaintance was made. Few words suffice, for already is the story known to her. In return, she too gives relation of what has happened—how, after her chase upon the plain, coming back successful, she saw the zopilotés, and was by them attracted out of her way; narrating all the rest already told.
And now nothing more can be known. The man still lives—thank Heaven for that!—but lies on the couch unconscious of all around him. Not quiet, for he is turning about, with quick-beating pulse, and brain in a condition of delirium.
For a night and a part of a day they keep by his bedside—all three, sister, brother, and doctor, grouped there, or going and coming. They know who the wounded man is, though ignorant of how he came by his wounds, or what strange chance left him stranded on the Staked Plain.
They have no hope of knowing until he may regain consciousness and recover. And of this the doctor has some doubt; when asked, shaking his head ominously, till the spectacles get loosened upon his nose.
But, though the prognosis remain uncertain, the diagnosis is learnt in a manner unexpected. Before noon of the next day the hounds are heard baying outside; and the watchers by the sick-bed, summoned forth, see one approaching—a personage whose appearance causes them surprise. Any one seen there would do the same, since for months no stranger had come near them. Strange, indeed, if one had, for they are more than a hundred miles from any civilised settlement, in the very heart and centre of a desert.
What they see now is a man of colossal form and gigantic stature, with bearded face and formidable aspect, rendered somewhat grotesque by a deer’s carcase carried over his shoulders, the shanks of the animal
Comments (0)