The Black Tulip by Alexandre Dumas (read the beginning after the end novel TXT) 📖

It was about midnight when poor Van Baerle was locked up in the prison of the Buytenhof.

What Rosa foresaw had come to pass. On finding the cell of Cornelius de Witt empty, the wrath of the people ran very high, and had Gryphus fallen into the hands of those madmen he would certainly have had to pay with his life for the prisoner.

But this fury had vented itself most fully on the two brothers when they were overtaken by the murderers, thanks to the precaution which William—the man of precautions—had taken in having the gates of the city closed.

A momentary lull had therefore set in whilst the prison was empty, and Rosa availed herself of this favourable moment to come forth from her hiding place, which she also induced her father to leave.

The prison was therefore completely deserted. Why should people remain in the jail whilst murder was going on at the Tol-Hek?

Gryphus came forth trembling behind the courageous Rosa. They went to close the great gate, at least as well as it would close, considering that it was half demolished. It was easy to see that a hurricane of mighty fury had vented itself upon it.

About four o’clock a return of the noise was heard, but of no threatening character to Gryphus and his daughter. The people were only dragging in the two corpses, which they came back to gibbet at the usual place of execution.

Rosa hid herself this time also, but only that she might not see the ghastly spectacle.

At midnight, people again knocked at the gate of the jail, or rather at the barricade which served in its stead: it was Cornelius van Baerle whom they were bringing.

When the jailer received this new inmate, and saw from the warrant the name and station of his prisoner, he muttered with his turnkey smile,—

“Godson of Cornelius de Witt! Well, young man, we have the family cell here, and we will give it to you.”

And quite enchanted with his joke, the ferocious Orangeman took his cresset and his keys to conduct Cornelius to the cell, which on that very morning Cornelius de Witt had left to go into exile, or what in revolutionary times is meant instead by those sublime philosophers who lay it down as an axiom of high policy, “It is the dead only who do not return.”

On the way which the despairing florist had to traverse to reach that cell he heard nothing but the barking of a dog, and saw nothing but the face of a young girl.

The dog rushed forth from a niche in the wall, shaking his heavy chain, and sniffing all round Cornelius in order so much the better to recognise him in case he should be ordered to pounce upon him.

The young girl, whilst the prisoner was mounting the staircase, appeared at the narrow door of her chamber, which opened on that very flight of steps; and, holding the lamp in her right hand, she at the same time lit up her pretty blooming face, surrounded by a profusion of rich wavy golden locks, whilst with her left she held her white night-dress closely over her breast, having been roused from her first slumber by the unexpected arrival of Van Baerle.

It would have made a fine picture, worthy of Rembrandt, the gloomy winding stairs illuminated by the reddish glare of the cresset of Gryphus, with his scowling jailer’s countenance at the top, the melancholy figure of Cornelius bending over the banister to look down upon the sweet face of Rosa, standing, as it were, in the bright frame of the door of her chamber, with embarrassed mien at being thus seen by a stranger.

And at the bottom, quite in the shade, where the details are absorbed in the obscurity, the mastiff, with his eyes glistening like carbuncles, and shaking his chain, on which the double light from the lamp of Rosa and the lantern of Gryphus threw a brilliant glitter.

The sublime master would, however, have been altogether unable to render the sorrow expressed in the face of Rosa, when she saw this pale, handsome young man slowly climbing the stairs, and thought of the full import of the words, which her father had just spoken, “You will have the family cell.”

This vision lasted but a moment,—much less time than we have taken to describe it. Gryphus then proceeded on his way, Cornelius was forced to follow him, and five minutes afterwards he entered his prison, of which it is unnecessary to say more, as the reader is already acquainted with it.

Gryphus pointed with his finger to the bed on which the martyr had suffered so much, who on that day had rendered his soul to God. Then, taking up his cresset, he quitted the cell.

Thus left alone, Cornelius threw himself on his bed, but he slept not, he kept his eye fixed on the narrow window, barred with iron, which looked on the Buytenhof; and in this way saw from behind the trees that first pale beam of light which morning sheds on the earth as a white mantle.

Now and then during the night horses had galloped at a smart pace over the Buytenhof, the heavy tramp of the patrols had resounded from the pavement, and the slow matches of the arquebuses, flaring in the east wind, had thrown up at intervals a sudden glare as far as to the panes of his window.

But when the rising sun began to gild the coping stones at the gable ends of the houses, Cornelius, eager to know whether there was any living creature about him, approached the window, and cast a sad look round the circular yard before him.

At the end of the yard a dark mass, tinted with a dingy blue by the morning dawn, rose before him, its dark outlines standing out in contrast to the houses already illuminated by the pale light of early morning.

Cornelius recognised the gibbet.

On it were suspended two shapeless trunks, which indeed were