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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Paul the Minstrel and Other Stories by Arthur Christopher Benson (e reader for manga TXT) 📖

Book online «Paul the Minstrel and Other Stories by Arthur Christopher Benson (e reader for manga TXT) 📖». Author Arthur Christopher Benson



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with the old Italian doctor; but he remembered them with a kind of disgust, for they seemed to him but a sort of deadly juggling; and such dark things as he had seen seemed like a dangerous sport with unclean and coltish beings, more brute-like than human. Yet now he read in his curious books with care, and studied the tales of necromancers, who had indeed seemed to have some power over the souls of men departed. But the old books gave him but little faith, and a kind of angry disgust at the things attempted. And he began to think that the horror in which such men as made these books abode, was not more than the dark shadow cast on the mirror of the soul by their own desperate imaginings and timorous excursions.

One day, a Sunday, he was strangely sad and heavy; he could settle to nothing, but threw book after book aside, and when he turned to some work of construction, his hand seemed to have lost its cunning. It was a grey and sullen day in October; a warm wet wind came buffeting up from the west, and roared in the chimneys and eaves of the old house. The shrubs in the garden plucked themselves hither and thither as though in pain. Anthony walked to and fro after his midday meal, which he had eaten hastily and without savour; at last, as though with a sudden resolution, he went to a secret cabinet and got out a key; and with it he went to the door of the little room that was ever locked.

He stopped at the threshold for a while, looking hither and thither; and then he suddenly unlocked it and went in, closing and locking it behind him. The room was as dark as night, but Anthony going softly, his hands before him, went to a corner and got a tinder-box which lay there, and made a flame.

A small dark room appeared, hung with a black tapestry; the window was heavily shuttered and curtained; in the centre of the room stood what looked like a small altar, painted black; the floor was all bare, but with white marks upon it, half effaced. Anthony looked about the room, glancing sidelong, as though in some kind of doubt; his breath went and came quickly, and he looked paler than was his wont.

Presently, as though reassured by the silence and calm of the place, he went to a tall press that stood in a corner, which he opened, and took from it certain things--a dish of metal, some small leathern bags, a large lump of chalk, and a book. He laid all but the chalk down on the altar, and then opening the book, read in it a little; and then he went with the chalk and drew certain marks upon the floor, first making a circle, which he went over again and again with anxious care; at times he went back and peeped into the book as though uncertain. Then he opened the bags, which seemed to hold certain kinds of powder, this dusty, that in grains; he ran them through his hands, and then poured a little of each into his dish, and mixed them with his hands. Then he stopped and looked about him. Then he walked to a place in the wall on the further side of the altar from the door, and drew the arras carefully aside, disclosing a little alcove in the wall; into this he looked fearfully, as though he was afraid of what he might see.

In the alcove, which was all in black, appeared a small shelf, that stood but a little way out from the wall. Upon it, gleaming very white against the black, stood the skull of a man, and on either side of the skull were the bones of a man's hand. It looked to him, as he gazed on it with a sort of curious disgust, as though a dead man had come up to the surface of a black tide, and was preparing presently to leap out. On either side stood two long silver candlesticks, very dark with disuse; but instead of holding candles, they were fitted at the top with flat metal dishes; and in these he poured some of his powders, mixing them as before with his fingers. Between the candlesticks and behind the skull was an old and dark picture, at which he gazed for a time, holding his taper on high. The picture represented a man fleeing in a kind of furious haste from a wood, his hands spread wide, and his eyes staring out of the picture; behind him everywhere was the wood, above which was a star in the sky--and out of the wood leaned a strange pale horned thing, very dim. The horror in the man's face was skilfully painted, and Anthony felt a shudder pass through his veins. He knew not what the picture meant; it had been given to him by the old Italian, who had smiled a wicked smile when he gave it, and told him that it had a very great virtue. When Anthony had asked him of the subject of the picture, the old Italian had said, "Oh, it is as appears; he hath been where he ought not, and he hath seen somewhat he doth not like." When Anthony would fain have known more, and especially what the thing was that leaned out of the wood, the old Italian had smiled cruelly and said, "Know you not? Well, you will know some day when you have seen him;" and never a word more would he say.

When Anthony had put all things in order, he opened the book at a certain place, and laid it upon the altar; and then it seemed as though his courage failed him, for he drew the curtain again over the alcove, unlocked the door, set the tinder-box and the candle back in their place, and softly left the room.

He was very restless all the evening. He took down books from the shelves, turned them over, and put them back again. He addressed himself to some unfinished work, but soon threw it aside; he paced up and down, and spent a long time, with his hands clasped behind him, looking out into the desolate garden, where a still, red sunset burnt behind the leafless trees. He was like a man who has made up his mind to a grave decision, and shrinks back upon the brink. When his food was served he could hardly touch it, and he drank no wine as his custom was to do, but only water, saying to himself that his head must be clear. But in the evening he went to his bedroom, and searched for something in a press there; he found at last what he was searching for, and unfolded a long black robe, looking gloomily upon it, as though it aroused unwelcome thoughts; while he was pondering, he heard a hum of music behind the arras; he put the robe down, and stepped through the hangings, and stood awhile in the little oriel that looked down into the church. Vespers were proceeding; he saw the holy lights dimly through the dusty panes, and heard the low preluding of the organ; then, solemn and slow, rose the sound of a chanted psalm on the air; he carefully unfastened the casement which opened inward and unclosed it, standing for a while to listen, while the air, fragrant with incense smoke, drew into the room along the vaulted roof. There were but a few worshippers in the church, who stood below him; two lights burnt stilly upon the altar, and he saw distinctly the thin hands of a priest who held a book close to his face. He had not set foot within a church for many years, and the sight and sound drew his mind back to his childhood's days. At last with a sigh he put the window to very softly, and went to his study, where he made pretence to read, till the hour came when he was wont to retire to his bed. He sent his servant away, but instead of lying down, he sate, looking upon a parchment, which he held in his hand, while the bells of the city slowly told out the creeping hours.

At last, a few minutes before midnight, he rose from his place; the house was now all silent, and without the night was very still, as though all things slept tranquilly. He opened the press and took from it the black robe, and put it round him, so that it covered him from head to foot, and then gathered up the parchment, and the key of the locked room, and went softly out, and so came to the door. This he undid with a kind of secret and awestruck haste, locking it behind him. Once inside the room, he wrestled awhile with a strong aversion to what was in his mind to do, and stood for a moment, listening intently, as though he expected to hear some sound. But the room was still, except for the faint biting of some small creature in the wainscot.

Then with a swift motion he took up the tinder-box and made a light; he drew aside the curtain that hid the alcove; he put fire to the powder in the candlesticks, which at first spluttered, and then swiftly kindling sent up a thick smoky flame, fragrant with drugs, burning hotly and red. Then he came back to the altar; cast a swift glance round him to see that all was ready; put fire to the powder on the altar, and in a low and inward voice began to recite words from the book, and from the parchment which he held in his hand; once or twice he glanced fearfully at the skull, and the hands which gleamed luridly through the smoke; the figures in the picture wavered in the heat; and now the powders began to burn clear, and throw up a steady light; and still he read, sometimes turning a page, until at last he made an end; and drawing something from a silver box which lay beside the book, he dropped it in the flame, and looked straight before him to see what might befall. The thing that fell in the flame burned up brightly, with a little leaping of sparks, but soon it died down; and there was a long silence, in the room, a breathless silence, which, to Anthony's disordered mind, was not like the silence of emptiness, but such silence as may be heard when unseen things are crowding quietly to a closed door, expecting it to be opened, and as it were holding each other back.

Suddenly, between him and the picture, appeared for a moment a pale light, as of moonlight, and then with a horror which words cannot attain to describe, Anthony saw a face hang in the air a few feet from him, that looked in his own eyes with a sort of intent fury, as though to spring upon him if he turned either to the right hand or to the left. His knees tottered beneath him, and a sweat of icy coldness sprang on his brow; there followed a sound like no sound that Anthony had ever dreamed of hearing; a sound that was near and yet remote, a sound that was low and yet charged with power, like the groaning of a voice in grievous pain and anger, that strives to be free and yet is helpless. And then Anthony knew that he had indeed opened the door that looks into the other world, and that a deadly thing that held him in enmity had looked out. His reeling brain still told him that he was
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