Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Old Curiosity Shop by Charles Dickens (online e book reader .TXT) 📖
- Author: Charles Dickens
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Book online «The Old Curiosity Shop by Charles Dickens (online e book reader .TXT) 📖». Author Charles Dickens
‘Sit thee down, master, in the elbow chair,’ said the old man, knocking his stick upon the brick floor, and trying to do so sharply. ‘Take a pinch out o’ that box; I don’t take much myself, for it comes dear, but I find it wakes me up sometimes, and ye’re but a boy to me. I should have a son pretty nigh as old as you if he’d lived, but they listed him for a so’ger—he come back home though, for all he had but one poor leg. He always said he’d be buried near the sun-dial he used to climb upon when he was a baby, did my poor boy, and his words come true—you can see the place with your own eyes; we’ve kept the turf up, ever since.’
He shook his head, and looking at his daughter with watery eyes, said she needn’t be afraid that he was going to talk about that, any more. He didn’t wish to trouble nobody, and if he had troubled anybody by what he said, he asked pardon, that was all.
The milk arrived, and the child producing her little basket, and selecting its best fragments for her grandfather, they made a hearty meal. The furniture of the room was very homely of course— a few rough chairs and a table, a corner cupboard with their little stock of crockery and delf, a gaudy tea-tray, representing a lady in bright red, walking out with a very blue parasol, a few common, coloured scripture subjects in frames upon the wall and chimney, an old dwarf clothes-press and an eight-day clock, with a few bright saucepans and a kettle, comprised the whole. But everything was clean and neat, and as the child glanced round, she felt a tranquil air of comfort and content to which she had long been unaccustomed.
‘How far is it to any town or village?’ she asked of the husband.
‘A matter of good five mile, my dear,’ was the reply, ‘but you’re not going on tonight?’
‘Yes, yes, Nell,’ said the old man hastily, urging her too by signs. ‘Further on, further on, darling, further away if we walk till midnight.’
‘There’s a good barn hard by, master,’ said the man, ‘or there’s travellers’ lodging, I know, at the Plow an’ Harrer. Excuse me, but you do seem a little tired, and unless you’re very anxious to get on—’
‘Yes, yes, we are,’ returned the old man fretfully. ‘Further away, dear Nell, pray further away.’
‘We must go on, indeed,’ said the child, yielding to his restless wish. ‘We thank you very much, but we cannot stop so soon. I’m quite ready, grandfather.’
But the woman had observed, from the young wanderer’s gait, that one of her little feet was blistered and sore, and being a woman and a mother too, she would not suffer her to go until she had washed the place and applied some simple remedy, which she did so carefully and with such a gentle hand—rough-grained and hard though it was, with work—that the child’s heart was too full to admit of her saying more than a fervent ‘God bless you!’ nor could she look back nor trust herself to speak, until they had left the cottage some distance behind. When she turned her head, she saw that the whole family, even the old grandfather, were standing in the road watching them as they went, and so, with many waves of the hand, and cheering nods, and on one side at least not without tears, they parted company.
They trudged forward, more slowly and painfully than they had done yet, for another mile or thereabouts, when they heard the sound of wheels behind them, and looking round observed an empty cart approaching pretty briskly. The driver on coming up to them stopped his horse and looked earnestly at Nell.
‘Didn’t you stop to rest at a cottage yonder?’ he said.
‘Yes, sir,’ replied the child.
‘Ah! They asked me to look out for you,’ said the man. ‘I’m going your way. Give me your hand—jump up, master.’
This was a great relief, for they were very much fatigued and could scarcely crawl along. To them the jolting cart was a luxurious carriage, and the ride the most delicious in the world. Nell had scarcely settled herself on a little heap of straw in one corner, when she fell asleep, for the first time that day.
She was awakened by the stopping of the cart, which was about to turn up a bye-lane. The driver kindly got down to help her out, and pointing to some trees at a very short distance before them, said that the town lay there, and that they had better take the path which they would see leading through the churchyard. Accordingly, towards this spot, they directed their weary steps.
The sun was setting when they reached the wicket-gate at which the path began, and, as the rain falls upon the just and unjust alike, it shed its warm tint even upon the resting-places of the dead, and bade them be of good hope for its rising on the morrow. The church was old and grey, with ivy clinging to the walls, and round the porch. Shunning the tombs, it crept about the mounds, beneath which slept poor humble men: twining for them the first wreaths they had ever won, but wreaths less liable to wither and far more lasting in their kind, than some which were graven deep in stone and marble, and told in pompous terms of virtues meekly hidden for many a year, and only revealed at last to executors and mourning legatees.
The clergyman’s horse, stumbling with a dull blunt sound among the graves, was cropping the grass; at once deriving orthodox consolation from the dead parishioners, and enforcing last Sunday’s text that this was what all flesh came to; a lean ass who had sought to expound it also, without being qualified and ordained, was pricking his ears in an empty pound hard by, and looking with hungry eyes upon his priestly neighbour.
The old man and the child quitted the gravel path, and strayed among the tombs; for there the ground was soft, and easy to their tired feet. As they passed behind the church, they heard voices near at hand, and presently came on those who had spoken.
They were two men who were seated in easy attitudes upon the grass, and so busily engaged as to be at first unconscious of intruders. It was not difficult to divine that they were of a class of itinerant showmen—exhibitors of the freaks of Punch—for, perched cross-legged upon a tombstone behind them, was a figure of that hero himself, his nose and chin as hooked and his face as beaming as usual. Perhaps his imperturbable character was never more strikingly developed, for he preserved his usual equable smile notwithstanding that his body was dangling in a most uncomfortable position, all loose and limp and shapeless, while his long peaked cap, unequally balanced against his exceedingly slight legs, threatened every instant to bring him toppling down.
In part scattered upon the ground at the feet of the two men, and in part jumbled together in a long flat box, were the other persons of the Drama. The hero’s wife and one child, the hobby-horse, the doctor, the foreign gentleman who not being familiar with the language is unable in the representation to express his ideas otherwise than by the utterance of the word ‘Shallabalah’ three distinct times, the radical neighbour who will by no means admit that a tin bell is an organ, the executioner, and the devil, were all here. Their owners had evidently come to that spot to make some needful repairs in the stage arrangements, for one of them was engaged in binding together a small gallows with thread, while the other was intent upon fixing a new black wig, with the aid of a small hammer and some tacks, upon the head of the radical neighbour, who had been beaten bald.
They raised their eyes when the old man and his young companion were close upon them, and pausing in their work, returned their looks of curiosity. One of them, the actual exhibitor no doubt, was a little merry-faced man with a twinkling eye and a red nose, who seemed to have unconsciously imbibed something of his hero’s character. The other—that was he who took the money—had rather a careful and cautious look, which was perhaps inseparable from his occupation also.
The merry man was the first to greet the strangers with a nod; and following the old man’s eyes, he observed that perhaps that was the first time he had ever seen a Punch off the stage. (Punch, it may be remarked, seemed to be pointing with the tip of his cap to a most flourishing epitaph, and to be chuckling over it with all his heart.)
‘Why do you come here to do this?’ said the old man, sitting down beside them, and looking at the figures with extreme delight.
‘Why you see,’ rejoined the little man, ‘we’re putting up for tonight at the public-house yonder, and it wouldn’t do to let ‘em see the present company undergoing repair.’
‘No!’ cried the old man, making signs to Nell to listen, ‘why not, eh? why not?’
‘Because it would destroy all the delusion, and take away all the interest, wouldn’t it?’ replied the little man. ‘Would you care a ha’penny for the Lord Chancellor if you know’d him in private and without his wig?–certainly not.’
‘Good!’ said the old man, venturing to touch one of the puppets, and drawing away his hand with a shrill laugh. ‘Are you going to show ‘em tonight? are you?’
‘That is the intention, governor,’ replied the other, ‘and unless I’m much mistaken, Tommy Codlin is a calculating at this minute what we’ve lost through your coming upon us. Cheer up, Tommy, it can’t be much.’
The little man accompanied these latter words with a wink, expressive of the estimate he had formed of the travellers’ finances.
To this Mr Codlin, who had a surly, grumbling manner, replied, as he twitched Punch off the tombstone and flung him into the box, ‘I don’t care if we haven’t lost a farden, but you’re too free. If you stood in front of the curtain and see the public’s faces as I do, you’d know human natur’ better.’
‘Ah! it’s been the spoiling of you, Tommy, your taking to that branch,’ rejoined his companion. ‘When you played the ghost in the reg’lar drama in the fairs, you believed in everything—except ghosts. But now you’re a universal mistruster. I never see a man so changed.’
‘Never mind,’ said Mr Codlin, with the air of a discontented philosopher. ‘I know better now, and p’raps I’m sorry for it.’
Turning over the figures in the box like one who knew and despised them, Mr Codlin drew one forth and held it up for the inspection of his friend:
‘Look here; here’s all this judy’s clothes falling to pieces again. You haven’t got a needle and thread I suppose?’
The little man shook his head, and scratched it ruefully as he contemplated this severe indisposition of a principal performer. Seeing that they were at a loss, the child said timidly:
‘I have a needle, Sir, in my basket, and thread too. Will you let me try to mend it for you? I think I could do it neater than you could.’
Even Mr Codlin had nothing to urge against a proposal so seasonable. Nelly, kneeling down beside the box, was soon busily engaged in her task,
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