Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Old Curiosity Shop by Charles Dickens (online e book reader .TXT) 📖
- Author: Charles Dickens
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Book online «The Old Curiosity Shop by Charles Dickens (online e book reader .TXT) 📖». Author Charles Dickens
‘No,’ replied Jerry, ‘no, it’s not the custom with us. But we’ve been playing a little on the road to-day, and we come out with a new wardrobe at the races, so I didn’t think it worth while to stop to undress. Down, Pedro!’
This was addressed to the dog with the cap on, who being a new member of the company, and not quite certain of his duty, kept his unobscured eye anxiously on his master, and was perpetually starting upon his hind legs when there was no occasion, and falling down again.
‘I’ve got a animal here,’ said Jerry, putting his hand into the capacious pocket of his coat, and diving into one corner as if he were feeling for a small orange or an apple or some such article, ‘a animal here, wot I think you know something of, Short.’
‘Ah!’ cried Short, ‘let’s have a look at him.’
‘Here he is,’ said Jerry, producing a little terrier from his pocket. ‘He was once a Toby of yours, warn’t he!’
In some versions of the great drama of Punch there is a small dog— a modern innovation—supposed to be the private property of that gentleman, whose name is always Toby. This Toby has been stolen in youth from another gentleman, and fraudulently sold to the confiding hero, who having no guile himself has no suspicion that it lurks in others; but Toby, entertaining a grateful recollection of his old master, and scorning to attach himself to any new patrons, not only refuses to smoke a pipe at the bidding of Punch, but to mark his old fidelity more strongly, seizes him by the nose and wrings the same with violence, at which instance of canine attachment the spectators are deeply affected. This was the character which the little terrier in question had once sustained; if there had been any doubt upon the subject he would speedily have resolved it by his conduct; for not only did he, on seeing Short, give the strongest tokens of recognition, but catching sight of the flat box he barked so furiously at the pasteboard nose which he knew was inside, that his master was obliged to gather him up and put him into his pocket again, to the great relief of the whole company.
The landlord now busied himself in laying the cloth, in which process Mr Codlin obligingly assisted by setting forth his own knife and fork in the most convenient place and establishing himself behind them. When everything was ready, the landlord took off the cover for the last time, and then indeed there burst forth such a goodly promise of supper, that if he had offered to put it on again or had hinted at postponement, he would certainly have been sacrificed on his own hearth.
However, he did nothing of the kind, but instead thereof assisted a stout servant girl in turning the contents of the cauldron into a large tureen; a proceeding which the dogs, proof against various hot splashes which fell upon their noses, watched with terrible eagerness. At length the dish was lifted on the table, and mugs of ale having been previously set round, little Nell ventured to say grace, and supper began.
At this juncture the poor dogs were standing on their hind legs quite surprisingly; the child, having pity on them, was about to cast some morsels of food to them before she tasted it herself, hungry though she was, when their master interposed.
‘No, my dear, no, not an atom from anybody’s hand but mine if you please. That dog,’ said Jerry, pointing out the old leader of the troop, and speaking in a terrible voice, ‘lost a halfpenny to-day. He goes without his supper.’
The unfortunate creature dropped upon his fore-legs directly, wagged his tail, and looked imploringly at his master.
‘You must be more careful, Sir,’ said Jerry, walking coolly to the chair where he had placed the organ, and setting the stop. ‘Come here. Now, Sir, you play away at that, while we have supper, and leave off if you dare.’
The dog immediately began to grind most mournful music. His master having shown him the whip resumed his seat and called up the others, who, at his directions, formed in a row, standing upright as a file of soldiers.
‘Now, gentlemen,’ said Jerry, looking at them attentively. ‘The dog whose name’s called, eats. The dogs whose names an’t called, keep quiet. Carlo!’
The lucky individual whose name was called, snapped up the morsel thrown towards him, but none of the others moved a muscle. In this manner they were fed at the discretion of their master. Meanwhile the dog in disgrace ground hard at the organ, sometimes in quick time, sometimes in slow, but never leaving off for an instant. When the knives and forks rattled very much, or any of his fellows got an unusually large piece of fat, he accompanied the music with a short howl, but he immediately checked it on his master looking round, and applied himself with increased diligence to the Old Hundredth.
Supper was not yet over, when there arrived at the Jolly Sandboys two more travellers bound for the same haven as the rest, who had been walking in the rain for some hours, and came in shining and heavy with water. One of these was the proprietor of a giant, and a little lady without legs or arms, who had jogged forward in a van; the other, a silent gentleman who earned his living by showing tricks upon the cards, and who had rather deranged the natural expression of his countenance by putting small leaden lozenges into his eyes and bringing them out at his mouth, which was one of his professional accomplishments. The name of the first of these newcomers was Vuffin; the other, probably as a pleasant satire upon his ugliness, was called Sweet William. To render them as comfortable as he could, the landlord bestirred himself nimbly, and in a very short time both gentlemen were perfectly at their ease.
‘How’s the Giant?’ said Short, when they all sat smoking round the fire.
‘Rather weak upon his legs,’ returned Mr Vuffin. ‘I begin to be afraid he’s going at the knees.’
‘That’s a bad look-out,’ said Short.
‘Aye! Bad indeed,’ replied Mr Vuffin, contemplating the fire with a sigh. ‘Once get a giant shaky on his legs, and the public care no more about him than they do for a dead cabbage stalk.’
‘What becomes of old giants?’ said Short, turning to him again after a little reflection.
‘They’re usually kept in carawans to wait upon the dwarfs,’ said Mr Vuffin.
‘The maintaining of ‘em must come expensive, when they can’t be shown, eh?’ remarked Short, eyeing him doubtfully.
‘It’s better that, than letting ‘em go upon the parish or about the streets,” said Mr Vuffin. ‘Once make a giant common and giants will never draw again. Look at wooden legs. If there was only one man with a wooden leg what a property he’d be!’
‘So he would!’ observed the landlord and Short both together. ‘That’s very true.’
‘Instead of which,’ pursued Mr Vuffin, ‘if you was to advertise Shakspeare played entirely by wooden legs,’ it’s my belief you wouldn’t draw a sixpence.’
‘I don’t suppose you would,’ said Short. And the landlord said so too.
‘This shows, you see,’ said Mr Vuffin, waving his pipe with an argumentative air, ‘this shows the policy of keeping the used-up giants still in the carawans, where they get food and lodging for nothing, all their lives, and in general very glad they are to stop there. There was one giant—a black ‘un—as left his carawan some year ago and took to carrying coach-bills about London, making himself as cheap as crossing-sweepers. He died. I make no insinuation against anybody in particular,’ said Mr Vuffin, looking solemnly round, ‘but he was ruining the trade;—and he died.’
The landlord drew his breath hard, and looked at the owner of the dogs, who nodded and said gruffly that he remembered.
‘I know you do, Jerry,’ said Mr Vuffin with profound meaning. ‘I know you remember it, Jerry, and the universal opinion was, that it served him right. Why, I remember the time when old Maunders as had three-and-twenty wans—I remember the time when old Maunders had in his cottage in Spa Fields in the winter time, when the season was over, eight male and female dwarfs setting down to dinner every day, who was waited on by eight old giants in green coats, red smalls, blue cotton stockings, and high-lows: and there was one dwarf as had grown elderly and wicious who whenever his giant wasn’t quick enough to please him, used to stick pins in his legs, not being able to reach up any higher. I know that’s a fact, for Maunders told it me himself.’
‘What about the dwarfs when they get old?’ inquired the landlord.
‘The older a dwarf is, the better worth he is,’ returned Mr Vuffin; ‘a grey-headed dwarf, well wrinkled, is beyond all suspicion. But a giant weak in the legs and not standing upright!—keep him in the carawan, but never show him, never show him, for any persuasion that can be offered.’
While Mr Vuffin and his two friends smoked their pipes and beguiled the time with such conversation as this, the silent gentleman sat in a warm corner, swallowing, or seeming to swallow, sixpennyworth of halfpence for practice, balancing a feather upon his nose, and rehearsing other feats of dexterity of that kind, without paying any regard whatever to the company, who in their turn left him utterly unnoticed. At length the weary child prevailed upon her grandfather to retire, and they withdrew, leaving the company yet seated round the fire, and the dogs fast asleep at a humble distance.
After bidding the old man good night, Nell retired to her poor garret, but had scarcely closed the door, when it was gently tapped at. She opened it directly, and was a little startled by the sight of Mr Thomas Codlin, whom she had left, to all appearance, fast asleep down stairs.
‘What is the matter?’ said the child.
‘Nothing’s the matter, my dear,’ returned her visitor. ‘I’m your friend. Perhaps you haven’t thought so, but it’s me that’s your friend—not him.’
‘Not who?’ the child inquired.
‘Short, my dear. I tell you what,’ said Codlin, ‘for all his having a kind of way with him that you’d be very apt to like, I’m the real, open-hearted man. I mayn’t look it, but I am indeed.’
The child began to be alarmed, considering that the ale had taken effect upon Mr Codlin, and that this commendation of himself was the consequence.
‘Short’s very well, and seems kind,’ resumed the misanthrope, ‘but he overdoes it. Now I don’t.’
Certainly if there were any fault in Mr Codlin’s usual deportment, it was that he rather underdid his kindness to those about him, than overdid it. But the child was puzzled, and could not tell what to say.
‘Take my advice,’ said Codlin: ‘don’t ask me why, but take it. As long as you travel with us, keep as near me as you can. Don’t offer to leave us—not on any account—but always stick to me and say that I’m your friend. Will you bear that in mind, my dear, and always say that it was me that was your friend?’
‘Say so where—and when?’ inquired the child innocently.
‘O, nowhere in particular,’ replied Codlin, a little put out as it seemed by the question; ‘I’m only anxious that you should think me so, and do me justice. You can’t think what an interest I have in you. Why didn’t you tell me your little history—that about you and the poor old gentleman? I’m the best
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