Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (good ebook reader txt) 📖
- Author: Henryk Sienkiewicz
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And her face began to flush and smile. Consolation entered her anew, as if the hope of rescue had turned to reality. She threw herself on Acte’s neck suddenly, and, putting her beautiful lips to Acte’s cheek, she whispered:
“Thou wilt not betray, Acte, wilt thou?”
“By the shade of my mother,” answered the freedwoman, “I will not; but pray to thy God that Ursus be able to bear thee away.”
The blue, childlike eyes of the giant were gleaming with happiness. He had not been able to frame any plan, though he had been breaking his poor head; but a thing like this he could do,—and whether in the day or in the night it was all one to him! He would go to the bishop, for the bishop can read in the sky what is needed and what is not. Besides, he could assemble Christians himself. Are his acquaintances few among slaves, gladiators, and free people, both in the Subura and beyond the bridges? He can collect a couple of thousand of them. He will rescue his lady, and take her outside the city, and he can go with her. They will go to the end of the world, even to that place from which they had come, where no one has heard of Rome.
Here he began to look forward, as if to see things in the future and very distant.
“To the forest? Ai, what a forest, what a forest!”
But after a while he shook himself out of his visions. Well, he will go to the bishop at once, and in the evening will wait with something like a hundred men for the litter. And let not slaves, but even pretorians, take her from him! Better for any man not to come under his fist, even though in iron armor,—for is iron so strong? When he strikes iron earnestly, the head underneath will not survive.
But Lygia raised her finger with great and also childlike seriousness.
“Ursus, do not kill,” said she.
Ursus put his fist, which was like a maul, to the back of his head, and, rubbing his neck with great seriousness, began to mutter. But he must rescue “his light.” She herself had said that his turn had come. He will try all he can. But if something happens in spite of him? In every case he must save her. But should anything happen, he will repent, and so entreat the Innocent Lamb that the Crucified Lamb will have mercy on him, poor fellow. He has no wish to offend the Lamb; but then his hands are so heavy.
Great tenderness was expressed on his face; but wishing to hide it, he bowed and said,—“Now I will go to the holy bishop.”
Acte put her arms around Lygia’s neck, and began to weep. Once more the freedwoman understood that there was a world in which greater happiness existed, even in suffering, than in all the excesses and luxury of Cæsar’s house. Once more a kind of door to the light was opened a little before her, but she felt at once that she was unworthy to pass through it.
Chapter IX
LYGIA was grieved to lose Pomponia Græcina, whom she loved with her whole soul, and she grieved for the household of Aulus; still her despair passed away. She felt a certain delight even in the thought that she was sacrificing plenty and comfort for her Truth, and was entering on an unknown and wandering existence. Perhaps there was in this a little also of childish curiosity as to what that life would be, off somewhere in remote regions, among wild beasts and barbarians. But there was still more a deep and trusting faith, that by acting thus she was doing as the Divine Master had commanded, and that henceforth He Himself would watch over her, as over an obedient and faithful child. In such a case what harm could meet her? If sufferings come, she will endure them in His name. If sudden death comes, He will take her; and some time, when Pomponia dies, they will be together for all eternity. More than once when she was in the house of Aulus, she tortured her childish head because she, a Christian, could do nothing for that Crucified, of whom Ursus spoke with such tenderness. But now the moment had come. Lygia felt almost happy, and began to speak of her happiness to Acte, who could not understand her, however. To leave everything,—to leave house, wealth, the city, gardens, temples, porticos, everything that is beautiful; leave a sunny land and people near to one—and for what purpose? To hide from the love of a young and stately knight. In Acte’s head these things could not find place. At times she felt that Lygia’s action was right, that there must be some immense mysterious happiness in it; but she could not give a clear account to herself of the matter, especially since an adventure was before Lygia which might have an evil ending,—an adventure in which she might lose her life simply. Acte was timid by nature, and she thought with dread of what the coming evening might bring. But she was loath to mention her fears to Lygia; meanwhile, as the day was clear and the sun looked into the atrium, she began to persuade her to take the rest needed after a night without sleep. Lygia did not refuse; and both went to the cubiculum, which was spacious and furnished with luxury because of Acte’s former relations with Cæsar. There they lay down side by side, but in spite of her weariness Acte could not sleep. For a long time she had been sad and unhappy, but now she was seized by a certain uneasiness which she had never felt before. So far life had seemed to her simply grievous and deprived of a morrow; now all at once it seemed to her dishonorable.
Increasing chaos rose in her head. Again the door to light began to open and close. But in the moment when it opened, that light so dazzled her that she could see nothing distinctly. She divined, merely, that in that light there was happiness of some kind, happiness beyond measure, in presence of which every other was nothing, to such a degree that if Cæsar, for example, were to set aside Poppæa, and love her, Acte, again, it would be vanity. Suddenly the thought came to her that that Cæsar whom she loved, whom she held involuntarily as a kind of demigod, was as pitiful as any slave, and that palace, with columns of Numidian marble, no better than a heap of stones. At last, however, those feelings which she had not power to define began to torment her; she wanted to sleep, but being tortured by alarm she could not. Thinking that Lygia, threatened by so many perils and uncertainties, was not sleeping either, she turned to her to speak of her flight in the evening. But Lygia was sleeping calmly. Into the dark cubiculum, past the curtain which was not closely drawn, came a few bright rays, in which golden dust-motes were playing. By the light of these rays Acte saw her delicate face, resting on her bare arm, her closed eyes, and her mouth slightly open. She was breathing regularly, but as people breathe while asleep.
“She sleeps,—she is able to sleep,” thought Acte. “She is a child yet.” Still, after a while it came to her mind that that child chose to flee rather than remain the beloved of Vinicius; she preferred want to
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