Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (good ebook reader txt) 📖
- Author: Henryk Sienkiewicz
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“Hast thou spoken with Cæsar?”
“No, Augusta.”
“Why dost thou choose to be here rather than in the house of Aulus?”
“I do not choose, lady. Petronius persuaded Cæsar to take me from Pomponia. I am here against my will.”
“And wouldst thou return to Pomponia?”
This last question Poppæa gave with a softer and milder voice; hence a sudden hope rose in Lygia’s heart.
“Lady,” said she, extending her hand to her, “Cæsar promised to give me as a slave to Vinicius, but do thou intercede and return me to Pomponia.”
“Then Petronius persuaded Cæsar to take thee from Aulus, and give thee to Vinicius?”
“True, lady. Vinicius is to send for me to-day, but thou art good, have compassion on me.” When she had said this, she inclined, and, seizing the border of Poppæa’s robe, waited for her word with beating heart. Poppæa looked at her for a while, with a face lighted by an evil smile, and said,—“Then I promise that thou wilt become the slave of Vinicius this day.” And she went on, beautiful as a vision, but evil. To the ears of Lygia and Acte came only the wail of the infant, which began to cry, it was unknown for what reason.
Lygia’s eyes too were filled with tears; but after a while she took Acte’s hand and said,—“Let us return. Help is to be looked for only whence it can come.” And they returned to the atrium, which they did not leave till evening.
When darkness had come and slaves brought in tapers with great flames, both women were very pale. Their conversation failed every moment. Both were listening to hear if some one were coming. Lygia repeated again and again that, though grieved to leave Acte, she preferred that all should take place that day, as Ursus must be waiting in the dark for her then. But her breathing grew quicker from emotion, and louder. Acte collected feverishly such jewels as she could, and, fastening them in a corner of Lygia’s peplus, implored her not to reject that gift and means of escape. At moments came a deep silence full of deceptions for the ear. It seemed to both that they heard at one time a whisper beyond the curtain, at another the distant weeping of a child, at another the barking of dogs.
Suddenly the curtain of the entrance moved without noise, and a tall, dark man, his face marked with small-pox, appeared like a spirit in the atrium. In one moment Lygia recognized Atacinus, a freedman of Vinicius, who had visited the house of Aulus.
Acte screamed; but Atacinus bent low and said,—“A greeting, divine Lygia, from Marcus Vinicius, who awaits thee with a feast in his house which is decked in green.”
The lips of the maiden grew pale.
“I go,” said she.
Then she threw her arms around Acte’s neck in farewell.
Chapter X
THE house of Vinicius was indeed decked in the green of myrtle and ivy, which had been hung on the walls and over the doors. The columns were wreathed with grape vine. In the atrium, which was closed above by a purple woollen cloth as protection from the night cold, it was as clear as in daylight. Eight and twelve flamed lamps were burning; these were like vessels, trees, animals, birds, or statues, holding cups filled with perfumed olive oil, lamps of alabaster, marble, or gilded Corinthian bronze, not so wonderful as that famed candlestick used by Nero and taken from the temple of Apollo, but beautiful and made by famous masters. Some of the lights were shaded by Alexandrian glass, or transparent stuffs from the Indus, of red, blue, yellow, or violet color, so that the whole atrium was filled with many colored rays. Everywhere was given out the odor of nard, to which Vinicius had grown used, and which he had learned to love in the Orient. The depths of the house, in which the forms of male and female slaves were moving, gleamed also with light. In the triclinium a table was laid for four persons. At the feast were to sit, besides Vinicius and Lygia, Petronius and Chrysothemis. Vinicius had followed in everything the words of Petronius, who advised him not to go for Lygia, but to send Atacinus with the permission obtained from Cæsar, to receive her himself in the house, receive her with friendliness and even with marks of honor.
“Thou wert drunk yesterday,” said he; “I saw thee. Thou didst act with her like a quarryman from the Alban Hills. Be not over-insistent, and remember that one should drink good wine slowly. Know too that it is sweet to desire, but sweeter to be desired.”
Chrysothemis had her own and a somewhat different opinion on this point; but Petronius, calling her his vestal and his dove, began to explain the difference which must exist between a trained charioteer of the Circus and the youth who sits on the quadriga for the first time. Then, turning to Vinicius, he continued,—“Win her confidence, make her joyful, be magnanimous. I have no wish to see a gloomy feast. Swear to her, by Hades even, that thou wilt return her to Pomponia, and it will be thy affair that to-morrow she prefers to stay with thee.”
Then pointing to Chrysothemis, he added,—“For five years I have acted thus more or less with this timid dove, and I cannot complain of her harshness.”
Chrysothemis struck him with her fan of peacock feathers, and said,—“But I did not resist, thou satyr!”
“Out of consideration for my predecessor—”
“But wert thou not at my feet?”
“Yes; to put rings on thy toes.”
Chrysothemis looked involuntarily at her feet, on the toes of which diamonds were really glittering; and she and Petronius began to laugh. But Vinicius did not give ear to their bantering. His heart was beating unquietly under the robes of a Syrian priest, in which he had arrayed himself to receive Lygia.
“They must
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