Read FICTION books online

Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



Fiction genre suitable for people of all ages. Everyone will find something interesting for themselves. Our electronic library is always at your service. Reading online free books without registration. Nowadays ebooks are convenient and efficient. After all, don’t forget: literature exists and develops largely thanks to readers.
The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Les MisĂ©rables by Victor Hugo (early readers .txt) 📖

Book online «Les MisĂ©rables by Victor Hugo (early readers .txt) đŸ“–Â». Author Victor Hugo



1 ... 271 272 273 274 275 276 277 278 279 280
Go to page:
smells! What billowing hair! Beneath her mantle she hides a wing. Her charming bonnet is hardly unfolded. I wandered with thee, pressing thy supple arm. The passers-by thought that love bewitched had wedded, in our happy couple, the gentle month of April to the fair month of May. We lived concealed, content, with closed doors, devouring love, that sweet forbidden fruit. My mouth had not uttered a thing when thy heart had already responded. The Sorbonne was the bucolic spot where I adored thee from eve till morn. ‘Tis thus that an amorous soul applies the chart of the Tender to the Latin country. O Place Maubert! O Place Dauphine! When in the fresh spring-like hut thou didst draw thy stocking on thy delicate leg, I saw a star in the depths of the garret. I have read a great deal of Plato, but nothing of it remains by me; better than Malebranche and then Lamennais thou didst demonstrate to me celestial goodness with a flower which thou gavest to me, I obeyed thee, thou didst submit to me; oh gilded garret! to lace thee! to behold thee going and coming from dawn in thy chemise, gazing at thy young brow in thine ancient mirror! And who, then, would forego the memory of those days of aurora and the firmament, of flowers, of gauze and of moire, when love stammers a charming slang? Our gardens consisted of a pot of tulips; thou didst mask the window with thy petticoat; I took the earthenware bowl and I gave thee the Japanese cup. And those great misfortunes which made us laugh! Thy cuff scorched, thy boa lost! And that dear portrait of the divine Shakespeare which we sold one evening that we might sup! I was a beggar and thou wert charitable. I kissed thy fresh round arms in haste. A folio Dante served us as a table on which to eat merrily a centime’s worth of chestnuts. The first time that, in my joyous den, I snatched a kiss from thy fiery lip, when thou wentest forth, dishevelled and blushing, I turned deathly pale and I believed in God. Dost thou recall our innumerable joys, and all those fichus changed to rags? Oh! what sighs from our hearts full of gloom fluttered forth to the heavenly depths!]

54 (return)
[ My nose is in tears, my friend Bugeaud, lend me thy gendarmes that I may say a word to them. With a blue capote and a chicken in his shako, here’s the banlieue, co-cocorico.]

55 (return)
[ Love letters.]

56 (return)
[

“The bird slanders in the elms,
And pretends that yesterday, Atala
Went off with a Russian,
Where fair maids go.
Lon la.

My friend Pierrot, thou pratest, because Mila knocked at her pane the other day and called me. The jades are very charming, their poison which bewitched me would intoxicate Monsieur Orfila. I’m fond of love and its bickerings, I love Agnes, I love Pamela, Lise burned herself in setting me aflame. In former days when I saw the mantillas of Suzette and of ZĂ©ila, my soul mingled with their folds. Love, when thou gleamest in the dark thou crownest Lola with roses, I would lose my soul for that. Jeanne, at thy mirror thou deckest thyself! One fine day, my heart flew forth. I think that it is Jeanne who has it. At night, when I come from the quadrilles, I show Stella to the stars, and I say to them: “Behold her.” Where fair maids go, lon la.]

57 (return)
[ But some prisons still remain, and I am going to put a stop to this sort of public order. Does any one wish to play at skittles? The whole ancient world fell in ruin, when the big ball rolled. Good old folks, let us smash with our crutches that Louvre where the monarchy displayed itself in furbelows. We have forced its gates. On that day, King Charles X. did not stick well and came unglued.]

58 (return)
[ Steps on the Aventine Hill, leading to the Tiber, to which the bodies of executed criminals were dragged by hooks to be thrown into the Tiber.]

59 (return)
[ Mustards.]

60 (return)
[ From casser, to break: break-necks.]

61 (return)
[ “Jeanne was born at Fougùre, a true shepherd’s nest; I adore her petticoat, the rogue.” “Love, thou dwellest in her; For ‘tis in her eyes that thou placest thy quiver, sly scamp!” “As for me, I sing her, and I love, more than Diana herself, Jeanne and her firm Breton breasts.”]

62 (return)
[ In allusion to the expression, coiffer Sainte-Catherine, “to remain unmarried.”]

63 (return)
[ “Thus, hemming in the course of thy musings, Alcippus, it is true that thou wilt wed ere long.”]

64 (return)
[ Tirer le diable par la queue, “to live from hand to mouth.”]

65 (return)
[ “Triton trotted on before, and drew from his conch-shell sounds so ravishing that he delighted everyone!”]

66 (return)
[ “A Shrove-Tuesday marriage will have no ungrateful children.”]

67 (return)
[ A short mask.]

68 (return)
[ In allusion to the story of Prometheus.]

69 (return)
[ Un fafiot sérieux. Fafiot is the slang term for a bank-bill, derived from its rustling noise.]

70 (return)
[ He sleeps. Although his fate was very strange, he lived. He died when he had no longer his angel. The thing came to pass simply, of itself, as the night comes when day is gone.]








End of the Project Gutenberg EBook of Les Misérables, by Victor Hugo

*** END OF THIS PROJECT GUTENBERG EBOOK LES MISÉRABLES ***

***** This file should be named 135-h.htm or 135-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/3/135/

Produced by Judith Boss

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  “Project Gutenberg” is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any
1 ... 271 272 273 274 275 276 277 278 279 280
Go to page:

Free ebook «Les MisĂ©rables by Victor Hugo (early readers .txt) đŸ“–Â» - read online now

Comments (0)

There are no comments yet. You can be the first!
Add a comment