Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Black Tulip by Alexandre Dumas (read the beginning after the end novel TXT) 📖
- Author: Alexandre Dumas
Book online «The Black Tulip by Alexandre Dumas (read the beginning after the end novel TXT) 📖». Author Alexandre Dumas
“Yes, yes,” she said, without raising her head, “I will do anything you bid me, except marrying,” she added, in a low voice, “for that, oh! that is impossible for me.”
She then put the cherished treasure next her beating heart.
The noise on the staircase which Cornelius and Rosa had heard was caused by the Recorder, who was coming for the prisoner. He was followed by the executioner, by the soldiers who were to form the guard round the scaffold, and by some curious hangers-on of the prison.
Cornelius, without showing any weakness, but likewise without any bravado, received them rather as friends than as persecutors, and quietly submitted to all those preparations which these men were obliged to make in performance of their duty.
Then, casting a glance into the yard through the narrow iron-barred window of his cell, he perceived the scaffold, and, at twenty paces distant from it, the gibbet, from which, by order of the Stadtholder, the outraged remains of the two brothers De Witt had been taken down.
When the moment came to descend in order to follow the guards, Cornelius sought with his eyes the angelic look of Rosa, but he saw, behind the swords and halberds, only a form lying outstretched near a wooden bench, and a deathlike face half covered with long golden locks.
But Rosa, whilst falling down senseless, still obeying her friend, had pressed her hand on her velvet bodice and, forgetting everything in the world besides, instinctively grasped the precious deposit which Cornelius had intrusted to her care.
Leaving the cell, the young man could still see in the convulsively clinched fingers of Rosa the yellowish leaf from that Bible on which Cornelius de Witt had with such difficulty and pain written these few lines, which, if Van Baerle had read them, would undoubtedly have been the saving of a man and a tulip.
Chapter 12. The Execution
Cornelius had not three hundred paces to walk outside the prison to reach the foot of the scaffold. At the bottom of the staircase, the dog quietly looked at him whilst he was passing; Cornelius even fancied he saw in the eyes of the monster a certain expression as it were of compassion.
The dog perhaps knew the condemned prisoners, and only bit those who left as free men.
The shorter the way from the door of the prison to the foot of the scaffold, the more fully, of course, it was crowded with curious people.
These were the same who, not satisfied with the blood which they had shed three days before, were now craving for a new victim.
And scarcely had Cornelius made his appearance than a fierce groan ran through the whole street, spreading all over the yard, and re-echoing from the streets which led to the scaffold, and which were likewise crowded with spectators.
The scaffold indeed looked like an islet at the confluence of several rivers.
In the midst of these threats, groans, and yells, Cornelius, very likely in order not to hear them, had buried himself in his own thoughts.
And what did he think of in his last melancholy journey?
Neither of his enemies, nor of his judges, nor of his executioners.
He thought of the beautiful tulips which he would see from heaven above, at Ceylon, or Bengal, or elsewhere, when he would be able to look with pity on this earth, where John and Cornelius de Witt had been murdered for having thought too much of politics, and where Cornelius van Baerle was about to be murdered for having thought too much of tulips.
“It is only one stroke of the axe,” said the philosopher to himself, “and my beautiful dream will begin to be realised.”
Only there was still a chance, just as it had happened before to M. de Chalais, to M. de Thou, and other slovenly executed people, that the headsman might inflict more than one stroke, that is to say, more than one martyrdom, on the poor tulip-fancier.
Yet, notwithstanding all this, Van Baerle mounted the scaffold not the less resolutely, proud of having been the friend of that illustrious John, and godson of that noble Cornelius de Witt, whom the ruffians, who were now crowding to witness his own doom, had torn to pieces and burnt three days before.
He knelt down, said his prayers, and observed, not without a feeling of sincere joy, that, laying his head on the block, and keeping his eyes open, he would be able to his last moment to see the grated window of the Buytenhof.
At length the fatal moment arrived, and Cornelius placed his chin on the cold damp block. But at this moment his eyes closed involuntarily, to receive more resolutely the terrible avalanche which was about to fall on his head, and to engulf his life.
A gleam like that of lightning passed across the scaffold: it was the executioner raising his sword.
Van Baerle bade farewell to the great black tulip, certain of awaking in another world full of light and glorious tints.
Three times he felt, with a shudder, the cold current of air from the knife near his neck, but what a surprise! he felt neither pain nor shock.
He saw no change in the colour of the sky, or of the world around him.
Then suddenly Van Baerle felt gentle hands raising him, and soon stood on his feet again, although trembling a little.
He looked around him. There was some one by his side, reading a large parchment, sealed with a huge seal of red wax.
And the same sun, yellow and pale, as it behooves a Dutch sun to be, was shining in the skies; and the same grated window looked down upon him from the Buytenhof; and the same rabble, no longer yelling, but completely thunderstruck, were staring at him from the streets below.
Van Baerle began to be sensible to what was going on around him.
His Highness, William, Prince of Orange, very likely afraid that Van Baerle’s blood would turn the scale of judgment against him, had compassionately taken into consideration his good character, and the apparent proofs of his innocence.
His Highness, accordingly, had granted him his life.
Cornelius at first hoped that the pardon would be complete, and that he would be restored to his full liberty and to his flower borders at Dort.
But Cornelius was mistaken. To use an expression of Madame de Sévigné, who wrote about the same time, “there was a postscript to the letter;” and the most important part of the letter was contained in the postscript.
Comments (0)