The Regent's Daughter by Alexandre Dumas père (book recommendations txt) 📖
- Author: Alexandre Dumas père
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Then Gaston thought of his friends who were waiting for him without news from him, who would not know what had become of him, or, worse still, on some false news, might act and ruin themselves.
Then came the thought of his poor Helene, isolated, as he himself was, whom he had not even presented to the Duc d'Olivares, her sole protector for the future, and who might himself be arrested or have taken flight. Then, what would become of Helene, without support, and pursued by that unknown person, who had sought her even in the heart of Bretagne?
In a paroxysm of despair at this thought, Gaston threw himself on his bed, cursing the doors and bars which imprisoned him, and striking the stones with his hands.
At this moment there was a noise at the door. Gaston rose hastily, and met D'Argenson with a law officer, and behind them an imposing escort of soldiers. He understood that he was to be interrogated.
D'Argenson, with his great wig, large black eyes, and dark shaggy eyebrows, made little impression on the chevalier; he knew that in joining the conspiracy he sacrificed his happiness, and that in entering the Bastille he had sacrificed his life. In this mood, it was difficult to frighten him. D'Argenson asked a hundred questions which Gaston refused to answer, replying only by complaints of being unjustly arrested, and demanding proof. M. d'Argenson became angry, and Gaston laughed in his face; then D'Argenson spoke of the Breton conspiracy; Gaston assumed astonishment, and listened to the list of his accomplices with the greatest sangfroid. When the magistrate had finished, he thanked him for giving him intelligence of events which were quite new to him. D'Argenson again lost patience, and gave his ordinary angry cough. Then he passed from interrogatory to accusation.
"You wanted to kill the regent," said he, all at once, to the chevalier.
"How do you know that?" asked Gaston, calmly.
"Never mind how, since I know it."
"Then I will answer you as Agamemnon did Achilles. Why ask, since you know it?"
"Monsieur, I am not jesting," said D'Argenson.
"Nor I," said Gaston; "I only quote Racine."
"Take care, monsieur, you may find this system of defense do you no good."
"Do you think it would be better to confess what you ask me?"
"It is useless to deny a fact which I am aware of."
"Then permit me to repeat my question: what is the use of asking me about a project of which apparently you are so much better informed than I am?"
"I want the details."
"Ask your police, which reads even people's most secret thoughts."
"Hum, hum," said D'Argenson, in a tone which, in spite of Gaston's courage, made some impression on him, "what would you say if I asked news of your friend La Jonquiere?"
"I should say," replied Gaston, turning pale, "that I hope the same mistake has not been made about him as about me."
"Ah!" said D'Argenson, "that name touches you, I think--you know M. la Jonquiere?"
"I know him as a friend, recommended to me to show me Paris."
"Yes--Paris and its environs; the Palais Royal, the Rue du Bac, or La Muette: he was to show you all these, was he not?"
"They know all," thought Gaston.
"Well, monsieur," said D'Argenson, "can you find another verse from Racine which will serve as an answer to my question?"
"Perhaps I might, if I knew what you meant; certainly I wished to see the Palais Royal, for it is a curious place, and I have heard it much spoken of. As to the Rue du Bac, I know little of it; then there only remains La Muette, of which I know nothing."
"I do not say that you have been there; I say that La Jonquiere was to take you there--do you dare to deny it."
"Ma foi, monsieur, I neither deny nor avow; I refer you to him; he will answer you if he think fit."
"It is useless, monsieur; he has been asked, and has replied."
Gaston felt a shudder pass through him. He might be betrayed, but he would divulge nothing. He kept silence.
D'Argenson waited a moment, then, seeing that Gaston remained silent--
"Would you like to meet La Jonquiere?" asked he.
"You can do with me as you please, monsieur," said Gaston; "I am in your hands."
But at the same time he resolved, if he were to face La Jonquiere, he would crush him beneath his contempt.
"It is well. As you say, I am the master, and I choose just now to apply the ordinary and extraordinary question: Do you know what they are, monsieur?" said D'Argenson, leaning on each syllable.
A cold sweat bathed Gaston's temples, not that he feared to die, but torture was worse than death. A victim of the torture was always disfigured or crippled, and the best of these alternatives was a cruel one for a young man of five and twenty.
D'Argenson saw, as in a mirror, what was passing in Gaston's mind.
"Hola!" said the interrogator.
Two men entered.
"Here is a gentleman who seems to have no dislike to the question ordinary or extraordinary. Take him to the room."
"It is the dark hour, the hour I expected," murmured Gaston. "Oh, my God! give me courage."
Doubtless his prayer was heard, for, making a sign that he was ready, he followed the guards with a firm step.
D'Argenson came behind him.
They descended the stone staircase and passed the first dungeon in the tower. There they crossed two courts. As they crossed the second court, some prisoners, looking through their windows and seeing a gentleman well dressed, called out:
"Hola! monsieur, you are set free then?"
A woman's voice added:
"Monsieur, if you are asked about us when you are free from here, say that we said nothing."
A young man's voice said:
"You are happy, monsieur--you will see her you love."
"You are mistaken, monsieur," said the chevalier. "I am about to suffer the question."
A terrible silence succeeded. Then the sad procession went over the drawbridge, Gaston was placed in a closed and locked chair and taken to the arsenal, which was separated from the Bastille by a narrow passage.
D'Argenson had taken the lead, and awaited the prisoner, who found himself in a low room covered with damp. On the wall hung chains, collars, and other strange instruments; chafing dishes stood on the ground, and crosses of Saint Andre were in the corner.
"You see this," said D'Argenson, showing the chevalier two rings fastened into flagstones at six feet apart, and separated by a wooden bench about three feet high; "in these rings are placed the head and feet of the patient; then this tressel is placed under him, so that his stomach is two feet higher than his mouth; then we pour pots of water holding two pints each into his mouth. The number is fixed at eight for the ordinary, ten for the extraordinary question. If the patient refuses to swallow, we pinch his nose so that he cannot breathe; then he opens his mouth, then he swallows. This question," continued he, emphasizing every detail, "is very disagreeable, and yet I do not think I should prefer the boot. Both kill sometimes; the boot disfigures the patient, and it is true that the water destroys his health for the future; but it is rare, for the prisoner always speaks at the ordinary question if he be guilty, and generally at the extraordinary, if he be not."
Gaston, pale and silent, listened and watched.
"Do you prefer the wedges, chevalier? Here, bring the wedges."
A man brought six wedges and showed them, still stained with blood and flattened at the edges by the blows which had been struck upon them.
"Do you know the way in which these are used? The knees and ankles of the patient are pressed between two wooden slabs as tightly as possible, then one of these men forces a wedge between the knees, which is followed by a larger one. There are eight for the ordinary torture, and two larger for the extraordinary. These wedges, I warn you, chevalier, break bones like glass, and wound the flesh insupportably."
"Enough, enough," said Gaston, "unless you wish to double the torture by describing it; but, if it be only to guide my choice, I leave it to you, as you must know them better than I, and I shall be grateful if you will choose the one which will kill me most quickly."
D'Argenson could not conceal the admiration with which Gaston's strength of will inspired him.
"Come," said he, "speak, and you shall not be tortured."
"I have nothing to say, monsieur, so I cannot."
"Do not play the Spartan, I advise you. One may cry, but between the cries one always speaks under torture."
"Try," said Gaston.
Gaston's resolute air, in spite of the struggle of nature--a struggle which was evidenced by his paleness, and by a slight nervous tremor which shook him--gave D'Argenson the measure of his courage. He was accustomed to this kind of thing, and was rarely mistaken. He saw that he should get nothing out of him, yet he persisted.
"Come, monsieur," said he, "it is still time. Do not force us to do you any violence."
"Monsieur," said Gaston, "I swear before God who hears me, that if you put me to the torture, instead of speaking, I will hold my breath, and stifle myself, if the thing be possible. Judge, then, if I am likely to yield to threats, where I am determined not to yield to pain."
D'Argenson signed to the tormentors, who approached Gaston; but, as they did so, he seemed to gain new strength. With a calm smile, he helped them to remove his coat and to unfasten his cuffs.
"It is to be the water, then?" asked the man.
"The water first," said D'Argenson.
They passed the cords through the rings, brought the tressels, filled the vases--Gaston did not flinch.
D'Argenson reflected.
After about ten minutes' thought, which seemed an age to the chevalier--
"Let him go," said D'Argenson, with a grunt of discontent, "and take him back to the Bastille."
CHAPTER XXVI.
HOW LIFE PASSED IN THE BASTILLE WHILE WAITING FOR DEATH.
Gaston was inclined to thank the lieutenant of police, but he refrained. It might appear as though he had been afraid. He took his hat and coat, and returned to the Bastille as he had come.
"They did not like to put a man of high birth to the torture," thought he; "they will try me and condemn me to death."
But death seemed easy when divested of the preliminary agonies which the lieutenant of police had so minutely described.
On re-entering his room, Gaston saw, almost with joy, all that had seemed so horrible to him an hour before. The prison seemed gay, the view charming, the saddest inscriptions on the walls were madrigals compared to the menacing appearance of the room he had
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