Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Myths of the Norsemen by H. A. Guerber (free ereaders .TXT) 📖
- Author: H. A. Guerber
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The assembled gods crowded anxiously round Hermod as soon as he returned, and when he had delivered his messages and gifts, the Æsir sent heralds to every part of the world to bid all things animate and inanimate weep for Balder.
“Go quickly forth through all the world, and pray
All living and unliving things to weep
Balder, if haply he may thus be won!”
Balder Dead (Matthew Arnold).
North, South, East and West rode the heralds, and as they passed tears fell from every plant and tree, so that the ground was saturated with moisture, and metals and stones, despite their hard hearts, wept too.
The way at last led back to Asgard, and by the road-side was a dark cave, in which the messengers saw, crouching, the form of a giantess named Thok, whom some mythologists suppose to have been Loki in disguise. When she was called upon to shed a tear, she mocked the heralds, and fleeing into the dark recesses of her cave, she declared that no tear should fall from her eyes, and that, for all she cared, Hel might retain her prey for ever.
“Thok she weepeth
With dry tears
For Balder’s death—
Neither in life, nor yet in death,
Gave he me gladness.
Let Hel keep her prey.”
Elder Edda (Howitt’s version).
As soon as the returning messengers arrived in Asgard, the gods crowded round them to learn the result of their mission; but their faces, all aglow with the joy of anticipation, grew dark with despair when they heard that one creature had refused the tribute of tears, wherefore they would behold Balder in Asgard no more.
“Balder, the Beautiful, shall ne’er
From Hel return to upper air!
Betrayed by Loki, twice betrayed,
The prisoner of Death is made;
Ne’er shall he ’scape the place of doom
Till fatal Ragnarok be come!”
Valhalla (J. C. Jones).
The decrees of fate had not yet been fully consummated, and the final act of the tragedy remains to be briefly stated.
We have already seen how Odin succeeded after many rebuffs in securing the consent of Rinda to their union, and that the son born of this marriage was destined to avenge the death of Balder. The advent of this wondrous infant now took place, and Vali the Avenger, as he was called, entered Asgard on the day of his birth, and on that very same day he slew Hodur with an arrow from a bundle which he seems to have carried for the purpose. Thus the murderer of Balder, unwitting instrument though he was, atoned for the crime with his blood, according to the code of the true Norseman.
The physical explanation of this myth is to be found either in the daily setting of the sun (Balder), which sinks beneath the western waves, driven away by darkness (Hodur), or in the ending of the short Northern summer and the long reign of the winter season. “Balder represents the bright and clear summer, when twilight and daylight kiss each other and go hand in hand in these Northern latitudes.”
“Balder’s pyre, of the sun a mark,
Holy hearth red staineth;
Yet, soon dies its last faint spark,
Darkly then Hoder reigneth.”
Viking Tales of the North (R. B. Anderson).
“His death by Hodur is the victory of darkness over light, the darkness of winter over the light of summer; and the revenge by Vali is the breaking forth of new light after the wintry darkness.”
Loki, the fire, is jealous of Balder, the pure light of heaven, who alone among the Northern gods never fought, but was always ready with words of conciliation and peace.
“But from thy lips, O Balder, night or day,
Heard no one ever an injurious word
To God or Hero, but thou keptest back
The others, labouring to compose their brawls.”
Balder Dead (Matthew Arnold).
The tears shed by all things for the beloved god are symbolical of the spring thaw, setting in after the hardness and cold of winter, when every tree and twig, and even the stones drip with moisture; Thok (coal) alone shows no sign of tenderness, as she is buried deep within the dark earth and needs not the light of the sun.
“And as in winter, when the frost breaks up,
At winter’s end, before the spring begins,
And a warm west wind blows, and thaw sets in—
After an hour a dripping sound is heard
In all the forests, and the soft-strewn snow
Under the trees is dibbled thick with holes,
And from the boughs the snow loads shuffle down;
And, in fields sloping to the south, dark plots
Of grass peep out amid surrounding snow,
And widen, and the peasant’s heart is glad—
So through the world was heard a dripping noise
Of all things weeping to bring Balder back;
And there fell joy upon the Gods to hear.”
Balder Dead (Matthew Arnold).
From the depths of their underground prison, the sun (Balder) and vegetation (Nanna) try to cheer heaven (Odin) and earth (Frigga) by sending them the ring Draupnir, the emblem of fertility, and the flowery tapestry, symbolical of the carpet of verdure which will again deck the earth and enhance her charms with its beauty.
The ethical signification of the myth is no less beautiful, for Balder and Hodur are symbols of the conflicting forces of good and evil, while Loki impersonates the tempter.
“But in each human soul we find
That night’s dark Hoder, Balder’s brother blind,
Is born and waxeth strong as he;
For blind is ev’ry evil born, as bear cubs be,
Night is the cloak of evil; but all good
Hath ever clad in shining garments stood.
The busy Loke, tempter from of old,
Still forward treads incessant, and doth hold
The blind one’s murder hand, whose quick-launch’d spear
Pierceth young Balder’s breast, that sun of Valhal’s sphere!”
Viking Tales of the North (R. B. Anderson).
One of the most important festivals was held at the summer solstice, or midsummer’s eve, in honour of Balder the good, for it was considered the anniversary of his death and of his descent into the lower world. On that day, the longest in the year, the people congregated out of doors, made great bonfires, and watched the sun, which in extreme Northern latitudes barely dips beneath the horizon ere it rises upon a new day. From midsummer, the days gradually grow shorter, and the sun’s rays less warm, until the winter solstice, which was called the “Mother night,” as it was the longest night in the year. Midsummer’s eve, once celebrated in honour of Balder, is now called St. John’s day, that saint having entirely supplanted Balder the good.
Besides the hideous giant Utgard-Loki, the personification of mischief and evil, whom Thor and his companions visited in Jötun-heim, the ancient Northern nations had another type of sin, whom they called Loki also, and whom we have already seen under many different aspects.
In the beginning, Loki was merely the personification of the hearth fire and of the spirit of life. At first a god, he gradually becomes “god and devil combined,” and ends in being held in general detestation as an exact counterpart of the mediæval Lucifer, the prince of lies, “the originator of deceit, and the back-biter” of the Æsir.
By some authorities Loki was said to be the brother of Odin, but others assert that the two were not related, but had merely gone through the form of swearing blood brotherhood common in the North.
“Odin! dost thou remember
When we in early days
Blended our blood together?
When to taste beer
Thou did’st constantly refuse
Unless to both ’twas offered?”
Sæmund’s Edda (Thorpe’s tr.).
While Thor is the embodiment of Northern activity, Loki represents recreation, and the close companionship early established between these two gods shows very plainly how soon our ancestors realised that both were necessary to the welfare of mankind. Thor is ever busy and ever in earnest, but Loki makes fun of everything, until at last his love of mischief leads him entirely astray, and he loses all love for goodness and becomes utterly selfish and malevolent.
He represents evil in the seductive and seemingly beautiful form in which it parades through the world. Because of this deceptive appearance the gods did not at first avoid him, but treated him as one of themselves in all good-fellowship, taking him with them wherever they went, and admitting him not only to their merry-makings, but also to their council hall, where, unfortunately, they too often listened to his advice.
As we have already seen, Loki played a prominent part in the creation of man, endowing him with the power of motion, and causing the blood to circulate freely through his veins, whereby he was inspired with passions. As personification of fire as well as of mischief, Loki (lightning) is often seen with Thor (thunder), whom he accompanies to Jötun-heim to recover his hammer, to Utgard-Loki’s castle, and to Geirrod’s house. It is he who steals Freya’s necklace and Sif’s hair, and betrays Idun into the power of Thiassi; and although he sometimes gives the gods good advice and affords them real help, it is only to extricate them from some predicament into which he has rashly inveigled them.
Some authorities declare that, instead of making part of the creative trilogy (Odin, Hoenir, and Lodur or Loki), this god originally belonged to a pre-Odinic race of deities, and was the son of the great giant Fornjotnr (Ymir), his brothers being Kari (air) and Hler (water), and his sister Ran, the terrible goddess of the sea. Other mythologists, however, make him the son of the giant Farbauti, who has been identified with Bergelmir, the sole survivor of the deluge, and of Laufeia (leafy isle) or Nal (vessel), his mother, thus stating that his connection with Odin was only that of the Northern oath of good-fellowship.
Loki (fire) first married Glut (glow), who bore him two daughters, Eisa (embers) and Einmyria (ashes); it is therefore very evident that Norsemen considered him emblematic of the hearth-fire, and when the flaming wood crackles on the hearth the goodwives in the North are still wont to say that Loki is beating his children. Besides this wife, Loki is also said to have wedded the giantess Angur-boda (the anguish-boding), who dwelt in Jötun-heim, and who, as we have already seen, bore him the three monsters: Hel, goddess of death, the Midgard snake Iörmungandr, and the grim wolf Fenris.
“Loki begat the wolf
With Angur-boda.”
Sæmund’s Edda (Thorpe’s tr.).
Loki’s third marriage was with Sigyn, who proved a most loving and devoted wife, and bore him two sons, Narve and Vali, the latter a namesake of the god who avenged Balder. Sigyn was always faithful to her husband, and did not forsake him even after he had definitely been cast out of Asgard and confined in the bowels of the earth.
As Loki was the embodiment of evil in the minds of the Northern races, they entertained nothing but fear of him, built no temples to his honour, offered no sacrifices to him, and designated the most noxious weeds by his name. The quivering, overheated atmosphere of summer was supposed to betoken his presence, for the people were then wont to remark that Loki was sowing his wild oats, and when the sun appeared to be drawing water they said Loki was drinking.
The story of Loki is so inextricably woven with that of the other gods that most of the myths relating to him have already
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