What's Mine's Mine by George MacDonald (best classic books .TXT) 📖
- Author: George MacDonald
Book online «What's Mine's Mine by George MacDonald (best classic books .TXT) 📖». Author George MacDonald
They were now climbing the last slope of the hill on whose top stood their playhouse, dearer now than in their boyhood. Alister occasionally went there for a few hours' solitude, and Ian would write there for days at a time, but in general when they visited the place it was together. Alister unlocked the door and they entered.
Unwilling to spend labour on the introductory, they had made the first chamber hardly larger than the room required for opening the door. Immediately within, another door opened into a room of about eight feet by twelve, with two small windows. Its hearth was a projection from the floor of the live stone; and there, all ready for lighting, was a large pile of peats. The chimney went up through the rock, and had been the most difficult part of their undertaking. They had to work it much wider than was necessary for the smoke, and then to reduce its capacity with stone and lime. Now and then it smoked, but peat-smoke is sweet.
The first thing after lighting the fire, was to fill their kettle, for which they had to take off the snow-lid of a small spring near at hand. Then they made a good meal of tea, mutton-ham, oatcakes and butter. The only seats in the room were a bench in each of two of the walls, and a chair on each side of the hearth, all of the live rock.
From this opened two rooms more-one a bedroom, with a bed in the rock-wall, big enough for two. Dry heather stood thick between the mattress and the stone. The third room, of which they intended making a parlour, was not yet more than half excavated; and there, when they had rested a while, they began to bore and chip at the stone. Their progress was slow, for the grain was close: never, even when the snow above was melting, had the least moisture come through. For a time they worked and talked: both talked better when using their hands. Then Alister stopped, and played while Ian went on; Ian stopped next, and read aloud from a manuscript he had brought, while his brother again worked. But first he gave Alister the history of what he was going to read. It was suggested, he said, by that strange poem of William Mayne's, called "The Dead Man's Moan," founded on the silly notion that the man himself is buried, and not merely his body.
"I wish I were up to straught my banes,
And drive frae my face the cauld, dead air;
I wish I were up, that the friendly rains
Micht wash the dark mould frae my tangled hair!"
quoted Ian, and added,
"I thought I should like to follow out the idea, and see what ought to come of it. I therefore supposed a person seized by something of the cataleptic kind, from which he comes to himself still in the body, but unable to hold communication with the outer world. He thinks therefore that he is dead and buried. Recovering from his first horror, he reflects that, as he did not make himself think and feel, nor can cease to think and feel if he would, there must be somewhere-and where but within himself?-the power by which he thinks and feels, a power whose care it must be, for it can belong to no other, to look after the creature he has made. Then comes to him the prayer of Job, 'Oh that thou wouldst hide me in the grave till thy anger with me was past! Then wouldst thou desire to see again the work of thy hands, the creature thou hadst made! Then wouldst thou call, and I would answer.' So grandly is the man comforted thereby, that he breaks out in a dumb song of triumph over death and the grave. As its last tone dies in him, a kiss falls upon his lips. It is the farewell of the earth; the same moment he bursts the bonds and rises above the clouds of the body, and enters into the joy of his Lord."
Having thus prepared Alister to hear without having to think as well as attend, which is not good for poetry, Ian read his verses. I will not trouble my reader with them; I am sure he would not think so well of them as did Alister. What Ian desired was sympathy, not admiration, but from Alister he had both.
Few men would care to hear the talk of those two, for they had no interest in anything that did not belong to the reality of things. To them the things most men count real, were the merest phantasms. They sought what would not merely last, but must go on growing. At strife with all their known selfishness, they were growing into strife with all the selfishness in them as yet unknown. There was for them no question of choice; they MUST choose what was true; they MUST choose life; they MUST NOT walk in the way of death.
They were very near to agreeing about EVERYthing they should ask. Few men are capable of understanding such love as theirs, of understanding the love of David and Jonathan, of Shakspere to W. H., of Tennyson and Hallam. Every such love, nevertheless, is a possession of the race; what has once been is, in possibility to come, as well as in fact that has come. A solitary instance of anything great is enough to prove it human, yea necessary to humanity. I have wondered whether the man in whom such love is possible, may not spring of an altogether happy conjunction of male and female-a father and mother who not only loved each other, but were of the same mind in high things, of the same lofty aims in life, so that their progeny came of their true man-and-woman-hood. If any unaccountable disruption or discord of soul appear in a man, it is worth while to ask whether his father and mother were of one aspiration. Might not the fact that their marriage did not go deep enough, that father and mother were not of one mind, only of one body, serve to account for the rude results of some marriages of personable people? At the same time we must not forget the endless and unfathomable perpetuations of ancestry. But however these things may be, those two men, brothers born, were also brothers willed.
They ceased quarrying, and returned to the outer room. Ian betook himself to drawing figures on one of the walls, with the intention of carving them in dipped relief. Alister proceeded to take their bedding from before the fire, and prepare for the night.
CHAPTER V.
THE PRINCESS.
While they were thus busied, Ian, with his face to the wall, in the dim light of the candle by which he was making his first rough sketches, began the story of his flight from Russia. Long ere he ended, Alister came close behind him, and there stood, his bosom heaving with emotion, his eyes burning with a dry fire. Ian was perfectly composed, his voice quiet and low.
I will not give his tale in the first person; and will tell of it only as much as I think it necessary my reader should know.
Having accepted a commission of the Czar, he was placed in a post of trust in the palace.
In one apartment of it, lived an imperial princess, the burden of whose rank had not even the alleviation of society. Her disclosure of a sympathy with oppressed humanity had wakened a doubt as to her politics, and she was virtually a prisoner, restricted to a corner of the huge dwelling, and allowed to see hardly any but her women. Her father had fallen into disgrace before her, and her mother was dead of grief. All around her were spies, and love was nowhere. Gladly would she have yielded every rag of her rank, to breathe the air of freedom. To be a peasant girl on her father's land, would be a life of rapture!
She knew little of the solace books might have given her. With a mind capable of rapid development, she had been ill taught except in music; and that, alone, cannot do much for spiritual development; it cannot enable the longing, the aspiration it rouses, to understand itself; it cannot lead back to its own eternal source.
She knew no one in whom to trust, or from whom to draw comfort; her confessor was a man of the world, incapable of leading her to any fountain of living water; she had no one to tell her of God and his fatherhood, the only and perfect refuge from the divine miseries of loneliness.
A great corridor went from end to end of one of the wings of the palace, and from this corridor another passage led toward the apartment of the princess, consisting of some five or six rooms. At certain times of the day, Ian had to be at the beginning of the corridor, at the head of a huge stair with a spacious hall-like landing. Along the corridor few passed, for the attendants used a back stair and passages. As he sat in the recess of a large window, where stood a table and chair for his use, Ian one morning heard a cry-whence, he never knew-and darted along the corridor, thinking assistance might be wanted. When about halfway down, he saw a lady enter, near the end of it, and come slowly along. He stood aside, respectfully waiting till she should pass. Her eyes were on the ground, but as she came near she raised them. The sadness of them went to his heart, and his soul rushed into his. The princess, I imagine, had never before met such an expression, and misunderstood it. Lonely, rejected, too helpless even to hope, it seemed full of something she had all her life been longing for-a soul to be her refuge from the wind, her covert from the tempest, her shadow as of a great rock in the weary land where no one cared for her. She stood and gazed at him.
Ian at once perceived who she must be, and stood waiting for some expression of her pleasure. But she appeared fascinated; her eyes remained on his, for they seemed to her to be promising help. Her fascination fascinated him, and for some moments they stood thus, regarding each other. Ian felt he must break the spell. It was her part to speak, his to obey, but he knew the danger of the smallest suspicion. If she was a princess and he but a soldier on guard, she was a woman and he was a man: he was there to protect her! "How may I serve your imperial highness?" he asked. She was silent yet a moment, then said, "Your name?" He gave it. "Your nation?" He stated it. "When are you here?" He told her his hours. "I will see you again," she said, and turned and
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