Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Monsieur Lecoq, v. 1 by Emile Gaboriau (people reading books txt) 📖
- Author: Emile Gaboriau
Book online «Monsieur Lecoq, v. 1 by Emile Gaboriau (people reading books txt) 📖». Author Emile Gaboriau
If truth has any particular accent of its own, as moralists have asserted, the murderer had found that accent. Voice, gesture, glance, expression, all were in accord; not a word of his long story had rung false.
“Now,” said M. Segmuller, coldly, “what are your means of subsistence?”
By the prisoner’s discomfited mien one might have supposed that he had expected to see the prison doors fly open at the conclusion of his narrative. “I have a profession,” he replied plaintively. “The one that Mother Tringlot taught me. I subsist by its practise; and I have lived by it in France and other countries.”
The magistrate thought he had found a flaw in the prisoner’s armor. “You say you have lived in foreign countries?” he inquired.
“Yes; during the seventeen years that I was with M. Simpson’s company, I traveled most of the time in England and Germany.”
“Then you are a gymnast and an athlete. How is it that your hands are so white and soft?”
Far from being embarrassed, the prisoner raised his hands from his lap and examined them with evident complacency. “It is true they are pretty,” said he, “but this is because I take good care of them and scarcely use them.”
“Do they pay you, then, for doing nothing?”
“Ah, no, indeed! But, sir, my duty consists in speaking to the public, in turning a compliment, in making things pass off pleasantly, as the saying is; and, without boasting, I flatter myself that I have a certain knack—”
M. Segmuller stroked his chin, according to his habit whenever he considered that a prisoner had committed some grave blunder. “In that case,” said he, “will you give me a specimen of your talent?”
“Ah, ha!” laughed the prisoner, evidently supposing this to be a jest on the part of the magistrate. “Ah, ha!”
“Obey me, if you please,” insisted M. Segmuller.
The supposed murderer made no objection. His face at once assumed a different expression, his features wearing a mingled air of impudence, conceit, and irony. He caught up a ruler that was lying on the magistrate’s desk, and, flourishing it wildly, began as follows, in a shrill falsetto voice: “Silence, music! And you, big drum, hold your peace! Now is the hour, now is the moment, ladies and gentlemen, to witness the grand, unique performance of these great artists, unequaled in the world for their feats upon the trapeze and the tight-rope, and in innumerable other exercises of grace, suppleness, and strength!”
“That is sufficient,” interrupted the magistrate. “You can speak like that in France; but what do you say in Germany?”
“Of course, I use the language of that country.”
“Let me hear, then!” retorted M. Segmuller, whose mother-tongue was German.
The prisoner ceased his mocking manner, assumed an air of comical importance, and without the slightest hesitation began to speak as follows, in very emphatic tones: “Mit Be-willigung der hochloeblichen Obrigkeit, wird heute, vor hiesiger ehrenwerthen Burgerschaft, zum erstenmal aufgefuhrt—Genovesa, oder—”
This opening of the prisoner’s German harangue may be thus rendered: “With the permission of the local authorities there will now be presented before the honorable citizens, for the first time—Genevieve, or the—”
“Enough,” said the magistrate, harshly. He rose, perhaps to conceal his chagrin, and added: “We will send for an interpreter to tell us whether you speak English as fluently.”
On hearing these words, Lecoq modestly stepped forward. “I understand English,” said he.
“Very well. You hear, prisoner?”
But the man was already transformed. British gravity and apathy were written upon his features; his gestures were stiff and constrained, and in the most ponderous tones he exclaimed: “Walk up! ladies and gentlemen, walk up! Long life to the queen and to the honorable mayor of this town! No country, England excepted—our glorious England!—could produce such a marvel, such a paragon—” For a minute or two longer he continued in the same strain.
M. Segmuller was leaning upon his desk, his face hidden by his hands. Lecoq, standing in front of the prisoner, could not conceal his astonishment. Goguet, the smiling clerk, alone found the scene amusing.
XI
The governor of the Depot, a functionary who had gained the reputation of an oracle by twenty years’ experience in prisons and with prisoners—a man whom it was most difficult to deceive—had advised the magistrate to surround himself with every precaution before examining the prisoner, May.
And yet this man, characterized as a most dangerous criminal, and the very announcement of whose coming had made the clerk turn pale, had proved to be a practical, harmless, and jovial philosopher, vain of his eloquence, a bohemian whose existence depended upon his ability to turn a compliment; in short, a somewhat erratic genius.
This was certainly strange, but the seeming contradiction did not cause M. Segmuller to abandon the theory propounded by Lecoq. On the contrary, he was more than ever convinced of its truth. If he remained silent, with his elbows leaning on the desk, and his hands clasped over his eyes, it was only that he might gain time for reflection.
The prisoner’s attitude and manner were remarkable. When his English harangue was finished, he remained standing in the centre of the room, a half-pleased, half-anxious expression on his face. Still, he was as much at ease as if he had been on the platform outside some stroller’s booth, where, if one could believe his story, he had passed the greater part of his life. It was in vain that the magistrate sought for some indication of weakness on his features, which in their mobility were more enigmatical than the lineaments of the Sphinx.
Thus far, M. Segmuller had been worsted in the encounter. It is true, however, that he had not as yet ventured on any direct attack, nor had he made use of any of the weapons which Lecoq had forged for his use. Still he was none the less annoyed at his defeat, as it was easy to see by the sharp manner in which he raised his head after a few moments’ silence. “I see that you speak three European languages correctly,” said he. “It is a rare talent.”
The prisoner bowed, and smiled complacently. “Still that does not establish your identity,” continued the magistrate. “Have you any acquaintances in Paris? Can you indicate any respectable person who will vouch for the truth of this story?”
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