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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Monsieur Lecoq, v. 1 by Emile Gaboriau (people reading books txt) 📖

Book online «Monsieur Lecoq, v. 1 by Emile Gaboriau (people reading books txt) 📖». Author Emile Gaboriau



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The magistrate opened the bag, and poured the dust that it contained on to a sheet of paper. “You are aware, prisoner,” said he, “that this dust comes from the mud that was sticking to your feet. The police agent who collected it has been to the station-house where you spent the night of the murder, and has discovered that the composition of this dust is identical with that of the floor of the cell you occupied.”

The prisoner listened with gaping mouth.

“Hence,” continued the magistrate, “it was certainly at the station-house, and designedly, that you soiled your feet with that mud. In doing so you had an object.”

“I wished—”

“Let me finish. Being determined to keep your identity secret, and to assume the character of a member of the lower classes—of a mountebank, if you please—you reflected that the care you bestow upon your person might betray you. You foresaw the impression that would be caused when the coarse, ill-fitting boots you wore were removed, and the officials perceived your trim, clean feet, which are as well kept as your hands. Accordingly, what did you do? You poured some of the water that was in the pitcher in your cell on to the ground and then dabbled your feet in the mud that had thus been formed.”

During these remarks the prisoner’s face wore, by turns, an expression of anxiety, astonishment, irony, and mirth. When the magistrate had finished, he burst into a hearty laugh.

“So that’s the result of twelve or fourteen hours’ research,” he at length exclaimed, turning toward Lecoq. “Ah! Mr. Agent, it’s good to be sharp, but not so sharp as that. The truth is, that when I was taken to the station-house, forty-eight hours—thirty-six of them spent in a railway carriage—had elapsed since I had taken off my boots. My feet were red and swollen, and they burned like fire. What did I do? I poured some water over them. As for your other suspicions, if I have a soft white skin, it is only because I take care of myself. Besides, as is usual with most men of my profession, I rarely wear anything but slippers on my feet. This is so true that, on leaving Leipsic, I only owned a single pair of boots, and that was an old cast-off pair given me by M. Simpson.”

Lecoq struck his chest. “Fool, imbecile, idiot, that I am!” he thought. “He was waiting to be questioned about this circumstance. He is so wonderfully shrewd that, when he saw me take the dust, he divined my intentions; and since then he has managed to concoct this story—a plausible story enough—and one that any jury would believe.”

M. Segmuller was saying the same thing to himself. But he was not so surprised nor so overcome by the skill the prisoner had displayed in fencing with this point. “Let us continue,” said he. “Do you still persist in your statements, prisoner?”

“Yes.”

“Very well; then I shall be forced to tell you that what you are saying is untrue.”

The prisoner’s lips trembled visibly, and it was with difficulty that he faltered: “May my first mouthful of bread strangle me, if I have uttered a single falsehood!”

“A single falsehood! Wait.”

The magistrate drew from the drawer of his desk the molds of the footprints prepared by Lecoq, and showing them to the murderer, he said: “You told me a few minutes ago that the two women were as tall as grenadiers; now, just look at the footprints made by these female giants. They were as ‘dark as moles,’ you said; a witness will tell you that one of them was a small, delicate-featured blonde, with an exceedingly sweet voice.” He sought the prisoner’s eyes, gazed steadily into them, and added slowly: “And this witness is the driver whose cab was hired in the Rue de Chevaleret by the two fugitives, both short, fair-haired women.”

This sentence fell like a thunderbolt upon the prisoner; he grew pale, tottered, and leaned against the wall for support.

“Ah! you have told me the truth!” scornfully continued the pitiless magistrate. “Then, who is this man who was waiting for you while you were at the Poivriere? Who is this accomplice who, after your arrest, dared to enter the Widow Chupin’s den to regain possession of some compromising object—no doubt a letter—which he knew he would find in the pocket of the Widow Chupin’s apron? Who is this devoted, courageous friend who feigned drunkenness so effectually that even the police were deceived, and thoughtlessly placed him in confinement with you? Dare you deny that you have not arranged your system of defense in concert with him? Can you affirm that he did not give the Widow Chupin counsel as to the course she should pursue?”

But already, thanks to his power of self-control, the prisoner had mastered his agitation. “All this,” said he, in a harsh voice, “is a mere invention of the police!”

However faithfully one may describe an examination of this kind, a narrative can convey no more idea of the real scene than a heap of cold ashes can give the effect of a glowing fire. One can note down each word, each ejaculation, but phraseology is powerless to portray the repressed animation, the impassioned movements, the studied reticence, the varied tones of voice, the now bold, now faltering glances, full of hatred and suspicion, which follow each other in rapid succession, mostly on the prisoner’s side, but not entirely so, for although the magistrate may be an adept in the art of concealing his feelings, at times nature can not be controlled.

When the prisoner reeled beneath the magistrate’s last words, the latter could not control his feelings. “He yields,” he thought, “he succumbs—he is mine!”

But all hope of immediate success vanished when M. Segmuller saw his redoubtable adversary struggle against his momentary weakness, and arm himself for the fight with renewed, and, if possible, even greater energy. The magistrate perceived that it would require more than one assault to over-come such a stubborn nature. So, in a voice rendered still more harsh by disappointment, he resumed: “It is plain that you are determined to deny evidence itself.”

The prisoner had recovered all his self-possession. He must have bitterly regretted his weakness, for a fiendish spite glittered in his eyes. “What evidence!” he asked, frowning. “This romance invented by the police is very plausible, I don’t deny it; but it seems to me that the truth is quite as probable. You talk to me about a cabman whose vehicle was hired by two short, fair-haired women: but who can prove that these women were the same that fled from the Poivriere?”

“The police agent you see here followed the tracks they left across the snow.”

“Ah! at night-time—across fields intersected by ditches, and up a long street—a fine rain falling all the while, and a thaw already beginning! Oh, your story is very probable!”

As he spoke, the murderer extended his arm toward Lecoq, and then, in a tone of crushing scorn, he added: “A man must have great confidence in himself, or a wild longing for advancement, to try and get a man guillotined on such evidence as that!”

At these words, Goguet, the smiling clerk,

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