Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖
- Author: Alexandre Dumas
Book online «The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖». Author Alexandre Dumas
The young man’s first impulse was to cross the lawn in a straight line; but again, the fears of which we spoke restrained him. A path shaded by lindens skirted the wall and led to the house. He turned aside and entered its dark leafy covert. When he had reached the end of the path, he crossed, like a frightened doe, the open space which led to the house wall, and stood for a moment in the deep shadow of the house. Then, when he had reached the spot he had calculated upon, he clapped his hands three times.
At this call a shadow darted from the end of the apartment and clung, lithe, graceful, almost transparent, to the window.
Morgan repeated the signal. The window was opened immediately, the blind was raised, and a ravishing young girl, in a night dress, her fair hair rippling over her shoulders, appeared in the frame of verdure.
The young man stretched out his arms to her, whose arms were stretched out to him, and two names, or rather two cries from the heart, crossed from one to the other.
“Charles!”
“Amélie!”
Then the young man sprang against the wall, caught at the vine shoots, the jagged edges of the rock, the jutting cornice, and in an instant was on the balcony.
What these two beautiful young beings said to each other was only a murmur of love lost in an endless kiss. Then, by gentle effort, the young man drew the girl with one hand to her chamber, while with the other he loosened the cords of the blind, which fell noisily behind them. The window closed behind the blind. Then the lamp was extinguished, and the front of the Château des Noires-Fontaines was again in darkness.
This darkness had lasted for about a quarter of an hour, when the rolling of a carriage was heard along the road leading from the highway of Pont-d’Ain to the entrance of the château. There the sound ceased; it was evident that the carriage had stopped before the gates.
CHAPTER X. THE FAMILY OF ROLAND
The carriage which had stopped before the gate was that which brought Roland back to his family, accompanied by Sir John.
The family was so far from expecting him that, as we have said, all the lights in the house were extinguished, all the windows in darkness, even Amélie’s. The postilion had cracked his whip smartly for the last five hundred yards, but the noise was insufficient to rouse these country people from their first sleep. When the carriage had stopped, Roland opened the door, sprang out without touching the steps, and tugged at the bell-handle. Five minutes elapsed, and, after each peal, Roland turned to the carriage, saying: “Don’t be impatient, Sir John.”
At last a window opened and a childish but firm voice cried out: “Who is ringing that way?”
“Ah, is that you, little Edouard?” said Roland. “Make haste and let us in.”
The child leaped back with a shout of delight and disappeared. But at the same time his voice was heard in the corridors, crying: “Mother! wake up; it is Roland! Sister! wake up; it is the big brother!”
Then, clad only in his night robe and his little slippers, he ran down the steps, crying: “Don’t be impatient, Roland; here I am.”
An instant later the key grated in the lock, and the bolts slipped back in their sockets. A white figure appeared in the portico, and flew rather than ran to the gate, which an instant later turned on its hinges and swung open. The child sprang upon Roland’s neck and hung there.
“Ah, brother! Brother!” he exclaimed, embracing the young man, laughing and crying at the same time. “Ah, big brother Roland! How happy mother will be; and Amélie, too! Every body is well. I am the sickest—ah! except Michel, the gardener, you know, who has sprained his leg. But why aren’t you in uniform? Oh! how ugly you are in citizen’s clothes! Have you just come from Egypt? Did you bring me the silver-mounted pistols and the beautiful curved sword? No? Then you are not nice, and I won’t kiss you any more. Oh, no, no! Don’t be afraid! I love you just the same!”
And the boy smothered the big brother with kisses while he showered questions upon him. The Englishman, still seated in the carriage, looked smilingly through the window at the scene.
In the midst of these fraternal embraces came the voice of a woman; the voice of the mother.
“Where is he, my Roland, my darling son?” asked Madame de Montrevel, in a voice fraught with such violent, joyous emotion that it was almost painful. “Where is he? Can it be true that he has returned; really true that he is not a prisoner, not dead? Is he really living?”
The child, at her voice, slipped from his brother’s arms like an eel, dropped upon his feet on the grass, and, as if moved by a spring, bounded toward his mother.
“This way, mother; this way!” said he, dragging his mother, half dressed as she was, toward Roland. When he saw his mother Roland could no longer contain himself. He felt the sort of icicle that had petrified his breast melt, and his heart beat like that of his fellowmen.
“Ah!” he exclaimed, “I was indeed ungrateful to God when life still holds such joys for me.”
And he fell sobbing upon Madame de Montrevel’s neck without thinking of Sir John, who felt his English phlegm disperse as he silently wiped away the tears that flowed down his cheeks and moistened his lips. The child, the mother, and Roland formed an adorable group of tenderness and emotion.
Suddenly little Edouard, like a leaf tossed about by the wind, flew from the group, exclaiming: “Sister Amélie! Why, where is she?” and he rushed toward the house, repeating: “Sister Amélie, wake up! Get up! Hurry up!”
And then the child could be heard kicking and rapping against a door. Silence followed. Then little Edouard shouted: “Help, mother! Help, brother Roland! Sister Amélie is ill!”
Madame de Montrevel and her son flew toward the house. Sir John, consummate tourist that he was, always carried a lancet and a smelling bottle in his pocket. He jumped from the carriage and, obeying his first impulse, hurried up the portico. There he paused, reflecting that he had not been introduced, an all-important formality for an Englishman.
However, the fainting girl whom he sought came toward
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