Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Writings in the United Amateur, 1915-1922 by H. P. Lovecraft (good books to read .txt) 📖
- Author: H. P. Lovecraft
Book online «Writings in the United Amateur, 1915-1922 by H. P. Lovecraft (good books to read .txt) 📖». Author H. P. Lovecraft
THE UNITED AMATEUR for June is given over largely to critical and official matter, though two pieces of verse serve to vary the monotony. "Content", from our own pen, is an answer to Mr. Rheinhart Kleiner's delightful poem in the April Conservative, entitled "Another Endless Day". The lines are notable chiefly on account of some fearful and wonderful typographical errors. In the fourth line "sublime" should read "sublimer". In the eighth line there should be no apostrophe in the word "stars". In the second column, eleventh line from the end, there should be no apostrophe in the word "fathers", and finally, in the ninth line from the end, "hollow'd" should read "hallow'd". "The Swing in the Great Oak Tree", by Mrs. Agnes Richmond Arnold, is a reminiscent poem whose measure is as swinging as its subject, and whose atmosphere is pleasantly rural. There are flaws in the metre, and irregularities in the rhyming arrangement, but the spirit of the whole rises blithesomely above such slight technical matters. Editor Schilling's column is to be praised for its dignified style, and endorsed for its sound opinions.
The Woodbee for July is an attractive and important contribution to the history of amateur journalism; since it is entirely devoted to the biographies of the gifted Columbus amateurs, and to the annals of their brilliant local organization. The Woodbees undoubtedly form the most active and representative adult club in the United; to which only the Appleton Club, representing the juvenile Muse, may justly be compared. The Woodbees are typical, in a sense, of all that is best in the entire association. They are pursuing courses of serious literary study, producing a regularly issued magazine of unfailing merit and good taste, working enthusiastically for the welfare and expansion of the United, and leading or following every worthy or progressive movement in amateur politics. They reflect credit upon themselves, their society, the Association, and amateur journalism as a whole. The delightful biographical article which occupies the major portion of the current Woodbee is unsigned; but deserves particular praise, whoever the author may be. The various characters are well displayed, and their pleasing qualities and manifold activities well exhibited.
Mr. Fritter's editorials are as usual timely, lucid, and sensible. His advocacy of the Campbell Amendment is to be applauded; and will, we trust, be justified by the year's trial which that measure is now undergoing. The present issue marks the conclusion of Mr. Fritter's term as editor. He has given the amateur public a creditable volume, and is entitled to the gratitude of every member of our Association. A final word of praise is due the excellent group photograph of the Woodbees which forms the frontispiece of the magazine. Added to the biographical matter, it completes a thoroughly commendable introduction to a thoroughly commendable body of literary workers.
Chairman.
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THE UNITED AMATEUR
High up, crowning the grassy summit of a swelling mound whose sides are wooded near the base with the gnarled trees of the primeval forest, stands the old chateau of my ancestors. For centuries its lofty battlements have frowned down upon the wild and rugged countryside about, serving as a home and stronghold for the proud house whose honoured line is older even than the moss-grown castle walls. These ancient turrets, stained by the storms of generations and crumbling under the slow yet mighty pressure of time, formed in the ages of feudalism one of the most dreaded and formidable fortresses in all France. From its machicolated parapets and mounted battlements Barons, Counts, and even Kings had been defied, yet never had its spacious halls resounded to the footstep of the invader.
But since those glorious years all is changed. A poverty but little above the level of dire want, together with a pride of name that forbids its alleviation by the pursuits of commercial life, have prevented the scions of our line from maintaining their estates in pristine splendour; and the falling stones of the walls, the overgrown vegetation in the parks, the dry and dusty moat, the ill-paved courtyards, and toppling towers without, as well as the sagging floors, the worm-eaten wainscots, and the faded tapestries within, all tell a gloomy tale of fallen grandeur. As the ages passed, first one, then another of the four great turrets were left to ruin, until at last but a single tower housed the sadly reduced descendants of the once mighty lords of the estate.
It was in one of the vast and gloomy chambers of this remaining tower that I, Antoine, last of the unhappy and accursed Comtes de C——, first saw the light of day, ninety long years ago. Within these walls, and amongst the dark and shadowy forests, the wild ravines and grottoes of the hillside below, were spent the first years of my troubled life. My parents I never knew. My father had been killed at the age of thirty-two, a month before I was born, by the fall of a stone somehow dislodged from one of the deserted parapets of the castle, and my mother having died at my birth, my care and education devolved solely upon one remaining servitor, an old and trusted man of considerable intelligence, whose name I remember as Pierre. I was an only child, and the lack of companionship which this fact entailed upon me was augmented by the strange care exercised by my aged guardian in excluding me from the society of the peasant children whose abodes were scattered here and there upon the plains that surround the base of the hill. At the time, Pierre said that this restriction was imposed upon me because my noble birth placed me above association with such plebeian company. Now I know that its real object was to keep from my ears the idle tales of the dread curse upon our line, that were nightly told and magnified by the simple tenantry as they conversed in hushed accents in the glow of their cottage hearths.
Thus isolated, and thrown upon my own resources, I spent the hours of my childhood in poring over the ancient tomes that filled the shadow-haunted library of the chateau, and in roaming without aim or purpose through the perpetual dusk of the spectral wood that clothes the sides of the hill near its foot. It was perhaps an effect of such surroundings that my mind early acquired a shade of melancholy. Those studies and pursuits which partake of the dark and occult in nature most strongly claimed my attention.
Of my own race I was permitted to learn singularly little, yet what small knowledge of it I was able to gain, seemed to depress me much. Perhaps it
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